for SATB and piano or small orchestra This classic Rutter anthem is essential repertoire for any choir. Orchestral material is available on sale and hire/rental. Also available in John Rutter Anthems and in a version for upper voices. For SATB and Piano or Chamber Orchestra. This classic Rutter anthem with its characterful orchestral accompaniment is essential repertoire for any choir. Orchestral material is available on sale and hire/rental. Also available in John Rutter Anthems and in a version for upper voices.

Magnificat & Nunc Dimitis-For Unison Voices with Organ Accompaniment. For Unison Voices with Organ Accompaniment.

This beautiful collection of 16 songs for high voice includes favourite settings by some of Oxford's best-loved composers. Each song is presented with piano or organ accompaniment and a CD of backing tracks is included. With a wonderful selection of texts this is the perfect collection for use in both services and concerts. This beautiful collection of 16 songs for Vocal score includes favourite settings by some of Oxford's best-loved composers. Each song is presented with piano or organ accompaniment and a CD of backing tracks is included. With a wonderful selection of texts this is the perfect collection for use in both services and concerts.

for SATB unaccompanied Part of the John Rutter Anniversary Edition this is a profoundly beautiful setting of one of the earliest English prayers from the Sarum Primer of 1514. Part of the John Rutter Anniversary Edition this is a profoundly beautiful setting of one of the earliest English prayers from the Sarum Primer of 1514.

for SATB and piano or full orchestra This appealing setting of a poem by Christina Rossetti has a memorable tune and a gentle flowing piano accompaniment. Joyful vibrant and accessible this carol is a great option for church and concert choirs at Christmas. Alan Bullard's Love Came Down At Christmas for SATB and Piano accompaniment. An appealing setting of a poem by Christina Rossetti has a memorable tune and a gentle flowing piano accompaniment. Joyful vibrant and accessible this carol is a great option for church and concert choirs at Christmas.

for SATB unaccompanied This set of Preces and Responses including the Lord's Prayer will be enjoyed by all seeking new material for the liturgy. The largely syllabic four-part setting harks back to the music of the great Tudor masters while the expressive harmony - including a magical key change for the Lord's Prayer and some mellifluous Amens - are pure Jackson. This set of Preces and Responses including the Lord's Prayer will be enjoyed by all seeking new material for the liturgy. The largely syllabic four-part setting harks back to the music of the great Tudor masters while the expressive harmony - including a magical key change for the Lord's Prayer and some mellifluous Amens - are pure Jackson.

for SATB unaccompanied From the composer of the highly acclaimed There is no rose a set of responses that are already proving popular with church and cathedral choirs alike. They are very approachable with some original and effective passages. From the composer of the highly acclaimed There is no rose a set of responses that are already proving popular with church and cathedral choirs alike. They are very approachable with some original and effective passages.

The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume. The Two Pieces for Violin and Piano Canzonetta and Scherzetto were written in the late 1940s. The melody of the first is from a 13th-century troubadour song. This edition is based on the score published in the Walton Edition Chamber Music volume.

for SSA and piano A popular Newfoundland folk song. Based on a Newfoundland folk-song this slow and expressive piece is arranged here for SSA and piano.

for SATB unaccompanied Helvey's musical arrangement is just as descriptive as the words of Sara Teasdale who won the precursor to the Pulitzer Prize in 1918. These lush madrigals are perfectly suitable for college and community choirs. Helvey's musical arrangement is just as descriptive as the words of Sara Teasdale who won the precursor to the Pulitzer Prize in 1918. These lush madrigals are perfectly suitable for college and community choirs.

for SATB and organ For SATB and organ

for SSA double choir piano and flute obbligato This is a lyrical and compelling upper-voice setting of Joseph Mary Plunkett's 'White waves on the water'. Chilcott expertly employs the double SSA forces resulting in a colourful array of textures and vocal combinations from unison to six parts. The voices are accompanied by a florid flute obbligato and a piano accompaniment. For SSA double choir Piano and Flute obbligato. This is a lyrical and compelling upper-voice setting of Joseph Mary Plunkett's ' White Waves On The Water '. Chilcott expertly employs the double SSA forces resulting in a colourful array of textures and vocal combinations from unison to six parts. The voices are accompanied by a florid Flute obbligato and a Piano accompaniment.

for SATB with optional children's choir and piano or piano four hands or chamber orchestra or full orchestra A medley of favourites all arranged with flair and ingenuity with suggestions for audience participation! for SATB with optional children's choir and piano or orchestraThis is the perfect set of carols for a Christmas concert. A medley of favourites - 'Deck the hall' 'Jingle Bells' 'O Christmas Tree' 'The Wassail Song' and 'We wish you a merry Christmas' - all arranged with flair and ingenuity with suggestions for audience participation!

for SATTB and organ continuo Continuing the Society's series of Dering motets this setting of Ave Maria from the 1617 Cantiones Sacra is mainly homophonic with a few imitative phrases. It displays Dering's love of the augmented triad and with an organ continuo part it is within the reach of a competent church choir. Continuing the Society's series of Dering motets this setting of Ave Maria from the 1617 Cantiones Sacra is mainly homophonic with a few imitative phrases. It displays Dering's love of the augmented triad and with an organ continuo part it is within the reach of a competent church choir.

A capella. A capella.

Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing. Rounds and canons drawn from the folk and classical repertoire provide an introduction to two-part singing.

Paperback-for SATB and strings This set contains the following parts: 4 x vln I 4 x vln II 3x vla 2 x vc 1 x db. John Rutter 's The Lord Bless You And Keep You for SATB and String Orchestra. As sung at the wedding of Maghan Markle to Prince Harry in May 2018.

I sing of a Maiden combines flowing lines with rhythmic irregularity and ends with an airy weightlessness which in the words of the composer echoes the vernal flavour of the words. Although rhythmically challenging this beautiful carol is hugely rewarding and perfect for any experienced choir.

for SATB unaccompanied This is a beautiful setting of words from Act 3 Scene 2 of The Tempest. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which threads throughout the piece broadening out into the climax of 'a thousand twangling instruments' before subsiding back into the opening calm. Lively light and with a dancing quality The Isles is full of Noises comes from Act 3 Scene 2 of Shakespeare's The Tempest a comedy that is interspersed with many songs particularly by the air spirit Ariel. Bob Chilcott has created a terrific work for unaccompanied mixed chorus a piece that was commissioned by the Leith Hill Musical Festival in celebration of its centenary in 2005. A piano part is also included for rehearsal purposes. The opening soprano and tenor melody is based on a dreamlike oscillating two-note cell which emphasises the airy spirited dance.

for SATB soloists SATB chorus 2 pianos and harmonium Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire. Although a sacred work the mass is characteristically lyrical and effervescent and affirms the composer's optimistic and deeply-felt faith. This is Rossini's original instrumentation which he later orchestrated. All material is available on hire.