for SATB chorus 3 trumpets timpani 2 oboes 2 bassoons strings and continuo These four anthems have long had a special place at the heart of the English choral tradition. They were composed for the coronation of George II in 1727. Full scores vocal scores and orchestral material are available on hire. The Violin 2 part for four of Handel's Coronation Anthems which include Zadok the Priest and My heart is Inditing . These varied and rousing Choral Anthems are available in the corresponding parts for a small orchestra set. Violin 1(C5269)and Violin 3(C5274) Viola(C5271) Cello/Double Bass/Bassoon(C5272)and a Set of Wind Parts(C5273). The complete arrangement is for SATB chorus 3 Trumpets 2 Oboes 2 Bassoons Strings Percussion and Continuo.

for solo voice SATB choir flute and keyboard or guitar or chamber orchestra This heartwarming song setting words by the composer has a rich satisfying melody that befits the sentiment of the text: music is a gift that enriches the soul and lasts a lifetime. Solo voice SATB choir flute and keyboard or guitar.

for SATB wordless chorus viola solo and orchestra This suite from 1925 is one of Vaughan Williams's most enigmatic pieces. The chorus never articulates a single word and instead serves as a section of the orchestra creating an elegant vocal texture and backdrop to the viola's haunting solo lines. Ralph Vaughan Williams ' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Study score. This work is one of Vaughan Williams 's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines. Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.

for SSATB unaccompanied First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. First performed by the choirs of St Paul's Westminster Cathedral and Westminster Abbey this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: expressive melismas well-placed astringent harmonies and a strong modal feel. Ideal for cathedral and other church choirs. Pronunciation guide and modern rendition of the text included.

for SATB with divisions and soprano solo unaccompanied This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas. For SATB with divisions and soprano solo unaccompanied. This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich and the floating soprano line adds another dimension to the texture. Suitable for a wide range of choirs at Christmas.

for SATB congregation (or semi-chorus) and organ The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words. The Mass for All Saints is a captivating setting of the Latin Missa brevis. The accessible choral lines idiomatic organ part and colourful harmonies make this an ideal work for choirs looking for a fresh take on familiar words.

Orchestral & Instrumental Material for Choral Pieces-for SATB and harp or piano This delightful choral work brings together arrangements of four well-loved folksongs: 'Green Bushes' 'The Rambling Sailor' 'The Crystal Spring' and 'O No John!'. The harp accompaniment is ideal for choirs looking to perform this work as it was originally conceived. This delightful choral work brings together arrangements of four well-loved folksongs: Green Bushes The Rambling Sailor The Crystal Spring and O No John! . A joyful celebration of youthful love and courtship A Fancy of Folksongs bears all the hallmarks of Cecilia McDowall's appealing and popular style: rhythmic vitality occasional astringent harmonies and strong melodies all brought together to create a distinctive and fresh sound. A Fancy of Folksongs can be accompanied by piano or harp and it is sure to be an instant hit with all lovers of McDowall's music.

A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells. A late Howells work for SATB and organ. Although originally intended for liturgical use it could also be used as a festive anthem or in a recital. From the first notes of the organ part it is clear that this is vintage Howells.

for SATB and piano This tender Advent carol sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away. This tender Advent carol by Bob Chilcott sets an original text by Charles Bennett that creates a sense of anticipation for the arrival of Jesus. Underpinned by a gently rippling piano part throughout the piece opens with a simple choral melody that blossoms into expressive harmonies before the music gently fades away.

for SA piano and percussion This is an uplifting setting of a fun text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano part and a contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in'. Cecilia McDowall 's Drink The Sky for SA Piano and Percussion. This is an uplifting and expressive setting of a fun descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic Piano part often featuring rippling quavers and characterful interjections from the Glockenspiel and suspended Cymbal complement the narrative. A contrasting middle section in triple time quotes from the Northumbrian folk song 'When the boat comes in' while the final section is affirmatory in feel emphatically repeating the final line of the poem 'and I will grow'.

for SATB unaccompanied Howell's Mass In The Dorian Mode was first heard at Mass in Westminster Cathedral on 24th November 1912. It was the first of Howell's works to be given a professional London performance. The Mass is scored for SATB unaccompanied.

Paperback-for SATB and organ or piano Spirited in tone this anthem sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Spirited in tone this anthem by Alan Bullard sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody the vocal parts gradually open out into jubilant harmonies which are supported by the accompaniment (performable on organ or piano). Suitable for performance throughout the year Praise the Lord ye heavens adore him will be a welcome addition to repertory of all church choirs.

for SATB piano and optional saxophone bass and drum kit This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately. This work puts a jazzy twist on three Shakespearean characters: Ophelia from Hamlet and Caliban and Miranda from The Tempest. The piano part may be played as written or used as a guide and a part for saxophone bass and drum kit is available separately.

A meditation based on the traditional Seven Last Words of Christ-for SATB choir and organ or piano with optional soloists congregation and strings (string orchestra string quintet or string quartet) A reflective work for church or concert choirs at Passiontide. It sets the traditional Seven Last Words of Christ well-known hymns and other sacred texts to create a moving and dramatic work that re-presents this timeless story for a modern audience. Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages 3 well-known hymns and settings of 4 well-known sacred texts including 'Drop drop slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir and strings (quartet quintet orensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire or purchase from the Music Hire Library.

The text is a set of six poems by John Drinkwater (1882-1937). Drinkwater had close associations with Warwickshire and much of his poetry reveals his love of the countryside. The first and last of six roundels serve as introduction and postscript. The central four describe the seasons beginning with spring.

A graded anthology-This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. With extended historical information and a wonderful array of varied pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities. This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres with Cornet and Trumpet Voluntaries Echo Voluntaries fugal works with slow introductions and Full Voluntaries; as such the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction with information on instruments of the period registration ornamentation and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; thesecomplete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities.

for SSAA piano and optional bass and drum kit Commissioned by the Nidaros Cathedral Girls' Choir this jazzy setting of the Missa Brevis will be welcomed by all upper-voice choirs who enjoyed A Little Jazz Mass. The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis . With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.

This concerto is an 18-minute single span of music although it is broken down into three sections - fast slow faster. The musical language explores folk-derived materials and performing practices.

Hardback-A new edition of Vaughan Williams's much-loved symphony published as part of the 2008 anniversary celebrations (50th since death). Contains an introduction by Michael Kennedy and textual notes. Matching newly engraved orchestral parts will be available on hire. A new edition by Peter Horton of Vaughan Williams's much-loved symphony published as part of the 2008 celebrations of 50th anniversary of his death. Contains an introduction by Michael Kennedy and textual notes.

Classic Choral Works-Haydn's Missa in Angustiis Hob.XXII/11 his so-called Nelson Mass was composed in 1798 under difficult circumstances as one of his few remaining duties of employment with the Esterhazy family. Available here is a scholarly performing edition of one of Haydn's most popular works with a faithful orchestral reduction that is both clear and playable as edited by Denis McCaldin. Haydn's Missa in Angustiis Hob.XXII/11 his so-called Nelson Mass was composed in 1798 under difficult circumstances as one of his few remaining duties of employment with the Esterhazy family. Available here is a scholarly performing edition of one of Haydn's most popular works with a faithful orchestral reduction that is both clear and playable as edited by Denis McCaldin.