An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard upper voices with keyboard SA and Men with piano or SATB unaccompanied or with keyboard. Dedicated to Clare College Cambridge A Clare Benediction is a tranquil and delicate anthem for Upper Voices (SSA) with Piano Accompaniment composed by John Rutter.

for SAATB and organ or strings Material for viols or modern strings is also available . An Anglican verse anthem by the talented chorister and composer Orlando Gibbons based on text from John Chapter 1 Verses 19-23. Composed For SAATB and organ accompaniment.

No. 3 or Three American Lyrics-for SATB & piano John Rutter 's The Terrible Tale Of Tom Gilligan for SATB choir and Piano.

We are is a dynamic and vibrant setting of 'The human family' a powerful poem by American poet Maya Angelou. The poet's message that 'we are more alike than we are unalike' is carried through the piece by a compelling rhythmic figure and the a cappella textures and interplay between voices creates an infectious energy. The rich texture of the double choir scoring allows the two groups of singers to work together to create the sense of unity and common purpose the poem speaks to. We are was commissioned by The King's Singers for their 50th anniversary celebrations and features on their album 'GOLD' (Signum SIGCD500). The piece was originally presented with the first choir scoring as AATBarBarB but has since been rescored for SATTBB with the option for the second choir to be SA or SATB remaining unchanged. Bob Chilcott's We Are for SATB. We are is a dynamic and vibrant setting of 'The human family' a powerful poem by American poet Maya Angelou. The poet's message that 'we are more alike than we are unalike' is carried through the piece by a compelling rhythmic figure and the a cappella textures and interplay between voices creates an infectious energy. The rich texture of the double choir scoring allows the two groups of singers to work together to create the sense of unity and common purpose the poem speaks to. We are was commissioned by The King's Singers for their 50th anniversary celebrations and features ontheir album 'GOLD' (Signum SIGCD500). The piece was originally presented with the first choir scoring as AATBarBarB but has since been rescored for SATTBB with the option for the second choir to be SA or SATB remaining unchanged.

Percussion part for John Rutter's setting of this classic American patriotic song which dates back to the Civil War.

A beautiful and expressive piece arranged for SSAA and Piano Accompaniment to words by William Blake. A beautiful and expressive piece arranged for SSAA and Piano Accompaniment to words by William Blake.

Paperback-for SATB and piano or small orchestra This delightful arrangement of a traditional Swedish melody presents the tune in a variety of scorings from unison upper voices at the opening to classic four-part harmony with a twist later on. This arrangement will prove a popular choice both in services and concerts. This delightful arrangement of a traditional Swedish melody presents the tune in a variety of scorings from unison upper voices at the opening to classic four-part harmony with a twist later on. The piano or orchestral accompaniment brings new flavour to the melody on each rendition through Wilberg's masterful employment of subtle chromatic inflections. This arrangement will prove a popular choice both in services and concerts.

for SATB congregation and organ In this version of the popular English hymn Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the brass ensemble accompaniment are available on hire from Oxford University Press. Lo! He Comes With Clouds Descending arranged by John Rutter for SATB choir congregation and Organ. In this version of the popular English hymn Rutter adorns the well-known melody with an opening fanfare and soaring descant line over the final verse. Full scores and sets of parts for the Brass Ensemble accompaniment are available on sale from Oxford University Press.

for CCBar and piano This is an imaginative and modern-sounding setting of John Masefield's popular poem (2017 marks the 50th anniversary of Masefield's death). This expressive piece ebbs and flows and provides imitative textures and well-crafted narrative. Oliver Tarney' s Sea Fever for CCBar and Piano. This is an imaginative and modern-sounding setting of John Masefield 's popular poem (2017 marks the 50th anniversary of Masefield' s death). This expressive piece ebbs and flows and provides imitative textures and well-crafted narrative.

for SATB unaccompanied This joyful setting of an old Irish air arranged by Sir Charles Villiers Stanford and edited by John Rutter features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on the Collegium CD There is sweet music (CSCD 505) by the Cambridge Singers conducted by John Rutter. Charles Villiers Stanford 's Quick! We Have But A Second for SATB choir unaccompanied. This joyful setting of an old Irish air arranged by Charles Villiers Stanford and edited by John Rutter features a text by Thomas Moore on life's fleeting pleasures. A recording can be found on the Collegium CD There Is Sweet Music (CSCD 505) by the Cambridge Singers conducted by John Rutter .

For SATB and Organ accompaniment with words from Psalm 121. For SATB and Organ accompaniment with words from Psalm 121.

Paperback-for SAATTB and optional organ William Byrd's Magnificat And Nunc Dimittis for SAATTB and optional Organ and suitable for an Evening Prayer service setting.

for SATB and organ or orchestra John Rutter's original setting of this popular Easter hymn is resplendent and celebratory with frequent metre changes that give a fresh feel to these historic words. John Rutter's original setting of this popular Easter hymn is resplendent and celebratory with frequent metre changes that give a fresh feel to these historic words.

for SATB and piano A moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony. A moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony. For SATB and piano.

for SATB and organ or harp and strings German carol English translation by Meg Peacocke. Still Still Still is a delightful and peaceful German carol (also translated into English by Meg Peacocke). It has been arranged by Philip Ledger for SATB and organ (or piano).

Exile Meditations by Gabriel Jackson for SATB soloists or choir unaccompanied. This powerful work is a sequence of meditations on loss and longing of fear and of hope by turns contemplative and dramatic. The narrative is made up of a selection of poems by four exiled Latvian writers from the group known as the Hell's Kitchen Poets and present-day displaced persons from Palestine and Syria. The text is in Latvian and English and a pronunciation guide for the Latvian text is included in the vocal score. Jackson also employs percussion for dramatic effect with three singers required to play Brake Drum Railway Man's Whistle and Claves. Withall of the trademarks of Jackson's compelling musical style this piece will be an exciting challenge for choirs looking to explore universal themes.

for SATB and organ Francis Jackson's Evening Service In G arranged for SATB and Organ. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

for SATB (with divisions) unaccompanied This powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatonic but never plain and textures that encompass the blazingly sonorous and the expressively intimate. Gabriel Jackson 's All Shall Be Amen for unaccompanied SATB choir (with divisions). First performed by the Choir of St Luke's Episcopal Church Evanston Illinois in 2016 this powerful motet sets a reflective text by Augustine of Hippo. Connoisseurs of Jackson 's music will recognise the hallmarks of his highly accessible style: inventive harmony that is largely diatonic but never plain and textures that encompass the blazingly sonorous and the expressively intimate.

for SATB and piano A bright and optimistic benediction contrasting passages of unison writing with homophonic chordal sections. The piece builds to a triumphant conclusion. A lively and uplifting hymn arranged for SATB choir and Piano Accompaniment.

for SATB and piano or organ Old Swedish carol. An old Swedish carol. This is a version for SATB and Piano or Organ.