Set of parts for the brass accompaniment to John Rutter's I will worship the Lord.

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality resulting in an appealing modern addition to the genre.

for SSA and organ The organ part is supportive but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria with its constantly shifting time-signatures and the haunting Agnus Dei. Cecilia McDowall 's Missa Mariae for SSA choir and Organ. This concise Latin mass setting is entirely suitable for liturgical use but the sharply delineated characters of the different movements make it also an appealing concert work. The Organ part is supportive but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria with its constantly shifting time-signatures and the haunting Agnus Dei.

for SATB unaccompanied David Blackwell: The Virgin Mary Had A Baby Boy for SATB unaccompanied.

Originally the title for Vaughan Williams's opera Sir John in Love Fat Knight was conceived as a seven-movement orchestral suite that drew upon the opera and had as its central character Shakespeare's Falstaff. Vaughan Williams never completed the work and left only a two-piano score the basis of this realisation.

Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing with sinuous stepwise motion and persistent imitative entries. The optimism of the text taken from the Gospel of Luke is reflected in the music of this buoyant motet and the dashes of harmonic colour unexpected cadences and elaborate textures make this highly rewarding counterpoint to sing. Francis Steele Francis Steele was born in Liverpool the son of a docker. Christ's Hospital School nurtured his early musical interests and while at Magdalen College Oxford he studied with David Wulstan and Dr BernardRose two remarkable mentors who combined scholarship with performance. This influence pervaded a singing career spanning nearly three decades during which Francis sang with and furnished editions for the foremost British ensembles. Travelling and performing extensively he has developed an intimate practical knowledge of Renaissance repertoire and his main concern is an imaginative fidelity to musical and verbal text. Francis now lives at La Maison Verte in southern France where he runs courses advocating this approach; he also coaches groups throughout Europe and in the USA. Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing with sinuous stepwise motion and persistent imitative entries. The optimism of the text taken from the Gospel of Luke is reflected in the music of this buoyant motet and the dashes of harmonic colour unexpected cadences and elaborate textures make this highly rewarding counterpoint to sing. Francis Steele Francis Steele was born in Liverpool the son of a docker. Christ's Hospital School nurtured his early musical interests and while at Magdalen College Oxford he studied with David Wulstan and Dr BernardRose two remarkable mentors who combined scholarship with performance. This influence pervaded a singing career spanning nearly three decades during which Francis sang with and furnished editions for the foremost British ensembles. Travelling and performing extensively he has developed an intimate practical knowledge of Renaissance repertoire and his main concern is an imaginative fidelity to musical and verbal text. Francis now lives at La Maison Verte in southern France where he runs courses advocating this approach; he also coaches groups throughout Europe and in the USA.

Words and music by John Rutter for SATB and piano or strings and organ ad. lib. The string accompaniment which is available for sale and hire may be used with W91 (SSA) and X169 (SATB). Also in Carols for Choirs 2 and 100 Carols for Choirs. A beautifully tranquil Christmas carol for Mixed Chorus and Piano or Organ. Words and music by John Rutter.

for double SATB unaccompanied A powerful and moving setting. A powerful and moving setting for unaccompanied double SATB choir.

Commissioned by Red Balloon an organization for bullied children this tuneful epiphany carol's flowing vocal lines are underpinned by a beautiful cello solo. The cello part is sold separately and the string accompaniment is available on sale or rental. This set includes the following string parts: 4 x vln I 4 x vln II 3 x vla 2 x vc 1 x db. John Rutter 's Carol Of The Magi for SATB optional Baritone solo Cello and String Orchestra. This is a tuneful epiphany carol setting a text by the composer. Underpinned by a beautiful Cello solo the Vocal lines are rich and flowing and the Organ supports the choir with warm harmonies. The carol was written at the invitation of Red Balloon a Cambridge-based UK-wide organization dedicated to the recovery of bullied children. The Cello part is published separately and an accompaniment for strings is available on sale and on hire/rental. This set of parts includes the following string parts: 4 x vln I 4 x vln II 3 xvla 2 x vc 1 x db.

A riotous and boisterous burst of joy for SATB and piano. This carol is rhythmic and jazzy and is propelled forward by an infectious and insistent choral refrain with a lively piano accompaniment adding zest and colour. A riotous and boisterous burst of joy for SATB and piano. This carol is rhythmic and jazzy and is propelled forward by an infectious and insistent choral refrain with a lively piano accompaniment adding zest and colour.

Organ Music for Manuals-A collection of manuals-only organ music covering the church's year from Lent to Pentecost containing arrangements of music from the 18th- to 20th-century plus new pieces. With optional pedal parts and technically accessible arrangements the collection provides core yet suitable repertoire for church musicians of all levels and abilities. The Oxford Book of Lent and Easter Organ Music for Manuals comprises a diverse collection of seasonal organ music for manuals only covering the Church's year from Lent to Pentecost. The pieces are drawn internationally from across the centuries and include a mixture of established repertoire attractive new arrangements and two newly commissioned pieces. The collection is technically accessible and provides approachable repertoire for all church musicians making it an attractive companion to The Oxford Book of Lent and Easter Organ Music .

for SATB organ and second organ or piano or harp Taken from Rutter's edition of Faure's Requiem this angelic Sanctus features both the original French words and an optional English text. John Rutter's complete edition of FaurA'COs Requiem (1893 version) is available from Oxford University Press. Gabriel Fauré 's Sanctus for SATB choir Organ and second Organ or Piano or Harp. Taken from Rutter 's edition of Faure's Requiem this angelic Sanctus features both the original French words and an optional English text. John Rutter 's complete edition of Fauré's Requiem (1893 version) is available from Oxford University Press.

for unaccompanied SATBB or SSATB Alleluia. I Heard A Voice is a beautiful setting of words from Revelations 5:12-13. It is arranged here for SATBB or SSATB and Organ Accompaniment.

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes much to the setting and has moments of virtuosity amidst the energetic piano writing and expansive choral textures.

7 Negro Spirituals-for mezzo-soprano solo mixed choir and orchestra or chamber ensemble Feel the Spirit is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual. John Rutter 's Feel The Spirit for Mezzo-Soprano solo Mixed Choir and Orchestra or Chamber Ensemble is a cycle of seven familiar spirituals equally suitable for concert school or church use. These vivid and expressive arrangements can be performed individually or as a complete cycle that showcases the rich heritage of the spiritual.

Set of parts for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts as well as for use in sacred settings. The music is jubilant straightforward and appealing with extrovert writing.

Full score for the joyful carol of celebration with the refrain 'Gloria in excelsis Deo'. Compatible with both the upper- and mixed-voice versions.

Simple varied anthems for the church year-This collection caters for church choirs of all types and sizes and presents flexibility of scoring in a constructive and realistic way with particular provision for unison or two-part singing while not forgetting SATB choirs and a focus on ease of learning and performance. With complete coverage of the Church's year this is a vital resource for all church choirs. The Oxford Book Of Easy Flexible Anthems is suitable for church choirs of all types and sizes and contains pieces that cover all occasions in the church calendar. The collection presents flexibility of scoring in a constructive and realistic way with particular provision for unison or two-part singing while not forgetting SATB choirs and a focus on ease of learning and performance. With complete coverage of the Church's year and a fabulous range of accessible quality material this is a vital resource for all church choirs. With a fabulous range of accessible quality material this is a vital resource for all church choirs.

The Immortal was commissioned by the BBC World Service and was premiered at the BBC Proms in 2004. This work pays tribute to the influence of Chinese artists and intellectuals in the twentieth century. With an undercurrent of tranquillity and meditation the work features a powerful and rhythmic introduction from which emerges a section of sustained high-pitched glissandos as well as lyrical melodies and expressive glissandos that characterise many of the solo motifs.

Paperback- The Rhyme Of Taigu is a lively and powerful work for full Orchestra. The piece explores the energy and spirit behind Japanese Taiko or 'fat drum' (Taigu in Chinese). As a result the Percussion plays a key role providing an aggressive drive throughout the whole work and often in competition with the brass particularly in the thrilling climax.