For SATB and organ with optional percussion. For SATB and organ with optional percussion.

Our Lord is risen again today-for SATB and optional organ Samuel Scheidt 's Surrexit Christus Hodie for SATB choir and optional Organ.

for SATB (with divisions) unaccompanied This spellbinding setting of words from Act 1 Scene 1 of Hamlet depicts a bird of dawning singing all night long in celebration of the Saviour's birth with Shakespeare's characteristically evocative imagery heightened by Chilcott's artful word-setting. This spellbinding setting of words from Act 1 Scene 1 of Hamlet depicts a bird of dawning singing all night long in celebration of the Saviour's birth with Shakespeare's characteristically evocative imagery heightened by Chilcott's artful word-setting.

for SATB and organ This beautiful anthem set to words by Timothy Rees and the composer celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout and is taken up by all four voices in unison before the piece comes to a triumphant close. Andrew Carter 's God Is Love for SATB and Organ. This beautiful anthem set to words by Timothy Rees and the composer celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout and is taken up by all four voices in unison before the piece comes to a triumphant close.

Full score for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts as well as for use in sacred settings. The music is jubilant straightforward and appealing with extrovert organ writing.

for SSAATTBB choir with organ For SSAATTBB choir with organ. A popular anthem for Holy Week.

for SS with piano or piano and string orchestra A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the chorus singers are encouraged to sign the words they are singing resulting in very moving but unsentimental music. The orchestral material is available on hire. A simple and beautiful setting describing the wonder of the world seen through the eyes of a deaf child. In the chorus section the singers are encouraged to sign the words they are singing which adds emphasis and atmosphere to the moving but unsentimental music. A glossary of the relevant sign language is included for guidance.

In this well-known hymn Herbert Howells sets a text by Robert Bridges to a hymn tune of his own composition creating a hymn which has become a firm favourite all over the world. The first three verses do not stray from Howells' original setting but John Rutter reharmonizes Verses 4 and 5 and adds a descant to the final verse which was approved by Howells himself.

Viola-More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides inventive and enjoyable ensemble material for all string groups whatever their size. More String Time Joggers is a welcome addition to the ensemble repertoire for beginner strings from the authors of the award-winning Fiddle Time series. This exciting collection provides enjoyable and inventive ensemble material for all string groups whatever their size.

The pieces in these volumes include a broad range of appealing and accessible styles and will delight student and listener alike as well as helping to reinforce technical skills. As well as being great fun to play they offer young pianists an adventure in texture melody and harmony and will support formal study. Piano Sketches Duets 1 is a fantastic collection of new pieces for exploring the art of duet playing. Suitable for students working at the 'easy' technical level the book features a range of appealing and accessible styles from the Baroque-inspired 'Glorious Pastime' to the playful 'Crazy Clown' and pop ballad 'Just for You'. As well as being great fun to play these pieces offer pianists an adventure in texture melody and harmony and will help to develop good ensemble playing.

for SATB (with divisions) unaccompanied James Kevin Gray's tender carol Little Baby Born of Mary successfully juxtaposes sound and silence with warm harmonies and gentle rhythms providing the musical backdrop for the timeless story of the nativity. for SATB unaccompanied James Kevin Gray's tender carol Little Baby Born of Mary successfully juxtaposes sound and silence with warm harmonies and gentle rhythms providing the musical backdrop for the timeless story of the nativity.

for SATB (with divisions) unaccompanied In this short setting of two verses from Psalm 84 John Scott has crafted an impressive anthem whose arching melodic lines triadic textures and frequent divisions will be particularly suited to the expansive acoustic of a larger space. John Scott 's Behold O God Our Defender for unaccompanied SATB choir. This attractive and expansive piece was composed for the Golden Jubilee celebration in St Paul's Cathedral.

This timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual. John Rutter's timeless arrangement of Skylark a standard of the golden age of American song is rich mellow and mellifluous. Soaring lines for flute depict the eponymous songbird and the classic Hoagy Carmichael tune is shared between solo voice and choir the latter also often providing the cushion of evocative harmonies synonymous with the spiritual.

for children's choir mixed choir and orchestra or tubular bells and organ A dark and beautiful yet also extremely approachable work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music lightens for the final hymn a song for the morning that looks forward to a new beginning. Bob Chilcott 's Canticles Of Light for children's choir mixed choir and Orchestra or Tubular Bells and Organ. A dark and beautiful yet also extremely approachable work in three movements. The first two are darker in character: evening hymns that ask for protection and comfort through the night. The music lightens for the final hymn a song for the morning that looks forward to a new beginning.

for soprano solo SATB and organ. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished adoring and humbling. The beautiful soprano solo soars over the SATB voices and organ accompaniment in 'Christ my Beloved' and 'Jesus my Leman' while the unaccompanied choir take centre stage for 'Miserere my Maker' and 'Away vain world'.

The Cambridge Singers Hymn Series-for SATB and piano or harp In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing ye heavens (COLCD 126). We Plough The Fields And Scatter arranged by John Rutter for SATB choir and Piano or Harp. In his setting of this German hymn Rutter keeps the voices largely in rhythmic unison skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arrangements recorded by the Cambridge Singers directed by John Rutter on the Collegium CD Sing Ye Heavens (COLCD 126).

for unaccompanied SATB Suitable for most Anglican morning and evening prayers services this is an effective unaccompanied SATB setting of the modern language Preces and Responses by John Reading. This version has been edited by Michael Walsh.

Commissioned by The Maryland State Boychoir in 2017 this striking Christmas piece sets a famous text by Ben Jonson. Jackson's attractive and largely diatonic harmonies combine with vivid word-setting deft manipulations of texture and a colourful organ part to create a mood of gentle rapture with a central section that explores more conflicted atmospheres.

Cecilia McDowall 's Love Incorruptible for SSATB unaccompanied. Love Incorruptible sets words from Ephesians that explore the themes of love and kindness. The anthem begins with the directive 'Let all bitterness and wrath and anger be put away awake!' set by the composer in a way that engenders a mood of reflection and hopefulness. The tender central section is built around the words 'Be kind tender-hearted one to another' while the closing section presents a compelling contrast of emphatic 'awake!' declarations in the upper voices and punchily rhythmic repetitions of the titular words in the lower voices.

for SATB unaccompanied This collection of 27 Russian sacred choral works was compiled and edited by Russian music scholar and choral director Noelle Mann who was curator of the Prokofiev Archive at the Centre for Russian Music Goldsmiths College until her death in 2010. This collection of 27 Russian sacred choral works was compiled and edited by Russian music scholar and choral director Nöelle Mann who was curator of the Prokofiev Archive at the Centre for Russian Music Goldsmiths College until her death in 2010. Presents the wonderful repertoire of Russian sacred choral music for unaccompanied mixed voices Covers a wide-ranging repertoire spanning the eighteenth century to the early twentieth century Suitable for performance in concert or during Church Introduces composers who are central to musical developments yet little known outside Russia Includes a simple system oftransliteration/pronunciation to help non-Russian-speaking directors and singers plus an audio pronunciation guide on the web Includes non-singing translations All pieces have been arranged for SATB unaccompanied.