for SATB & organ/piano A gentle setting of Psalm 84 taken from John Rutter's larger work Psalmfest. John Rutter 's O How Amiable Are Thy Dwellings for SATB choir and Organ/Piano. A gentle setting of Psalm 84 taken from John Rutter 's larger work Psalmfest.

A Stanford Organ Album contains a selection of pieces for the Organ by Charles Villiers Stanford . This volume was edited by John Scott Whiteley.

Song To The Moon by Alan Bullard for Unison Voices with optional Descant and Piano. This attractive piece for Unison Voices celebrates the wonder of the 'bright new moon'. The composer's own text based on traditional Hebridean poems is set to a simple flowing melody and the optional descant in the final section soars over the melody and introduces an echo effect. The Piano accompaniment supports the Vocal lines while providing additional colours and textures.

(The Edinburgh Service)- Written in his customary style of great simplicity the voices sing in unison over a pared-down chordal organ accompaniment.

A collection of 11 of John Rutter's finest and most popular pieces. With the inclusion of so many 'classics' covering a dazzling variety of texts styles and scoring this anthology will prove a treasured addition to any choir library. A collection of 11 of John Rutter's finest and most popular pieces. Includes the ever-popular The Lord bless you and keep you and All things bright and beautiful . All pieces are aranged for mixed chorus with keyboard accompaniments where appropriate.

40 perfect SATB pieces-for SATB accompanied and unaccompanied A comprehensive and versatile collection of 40 appropriate and inspiring pieces. Weddings for Choirs contains a careful selection of pieces chosen to complement every part of a wedding service whether sacred or secular grand or intimate. Many of the traditional pieces are presented here in new practical arrangements or editions to help choirs whose rehearsal time is limited. A terrific volume of Wedding pieces for mixed SATB choirs compiled and edited by Judy Martin and Peter Marshall. Weddings For Choirs is the perfect anthology for you and your choir with its careful selection of forty superb pieces all chosen to complement every part of a wedding service whether sacred or secular grand or intimate! Many of the traditional and familiar pieces are presented here in new practical arrangements to help choirs whose rehearsal time is limited or non-existent! With detailed indexes and suggested usage in the wedding service this is a most helpful enjoyable and wide-ranging collection to help make the day special! FullVocal score for SATB chorus with Organ or Piano accompaniment.

for unaccompanied SATB Thomas Tallis' short version of the 'Evening Canticles' for SATB a cappella.

How Do I Love Thee? by Gabriel Jackson for SATB (with divisions) unaccompanied. This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson 's unique style this piece is a welcome addition to the musical repertoire for weddings.

for SATB and organ or strings or full orchestra Orchestral material for each individual carol is available on hire. For SATB or unison with descants and organ or strings or full orchestra Orchestral material for each individual carol is available on hire.

The Fiddle Time Student Pack is a great starter bundle for all young Violin players. Each pack provides a book of lively tunes and well-known pieces everything you need to make learning scales and arpeggios fun a notebook with alternate plain and manuscript pages for lesson notes and a pack of entertaining cartoon stickers.

This is the first publication of this early work for orchestra which was completed in November 1900 and first performed in March 1902. This four-movement work shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques and publication will be welcomed by all aficionados of his music. This is the first publication of Ralph Vaughan Williams's early work for orchestra Bucolic Suite which was completed in November 1900 and first performed by the Bournemouth Municipal Orchestra in March 1902. This attractive work is cast in four movements - Allegro Andante Intermezzo Finale - and already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. This publication will be welcomed by all aficionados of Vaughan Williams's music.

Paperback-for SSAATTBB and organ This fine double choir setting published to celebrate the 200th anniversary of the composer's birth uses the two choirs to great effect with the Gloria starting with striding imitation between the soprano and tenor (later alto and bass) over a pedal point in the organ. Thomas Attwood Walmisley 's setting of Magnificat And Nunc Dimittis in B flat for SSAATTBB Choir and Organ. Organist of Trinity College St John's College and Professor of Music at Cambridge simultaneously Walmisley is known today for his Evening Canticles in D minor and a handful of anthems. This fine double Choir setting was written some ten years before the D minor set and is published to celebrate the 200th anniversary of the composer's birth. There are fewer contrasts of texture than in the later setting but the two choirs are used to great effect with the Gloria starting with striding imitation between Soprano and Tenor(later Alto and Bass) over a pedal point in the Organ.

Paperback-for SATB unaccompanied This vibrant setting of Isaiah 9:6 draws on the rhythms and textures of modern Nigerian art music. The predominantly homophonic texture is interspersed with solo lines in a setting full of dynamic contrast. Originally published in World Carols for Choirs (SATB). SATB a capella.

Causton explores the various timbres of the violin in this unaccompanied work. The improvisatory fantasy of the opening gives way to a virtuosic Double and then a lyrical pensive Air which closes the work.

for SSA piano and optional bass and drum kit This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The bass and drum parts may be played as written or used as a guide from which the player may improvise freely. This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. The voices are underpinned by a stylistic piano part which may be played as written or serve as a guide and a part for bass and drum kit notated with chord symbols is available separately for jazz trio accompaniment. The bass and drum parts may be played as written or used as a guide from which the player may improvise freely.

for SATB and SATBB unaccompanied A collection of short simple chordal pieces from a range of periods to Latin texts suitable for the communion service. A collection of short simple chordal pieces from a range of periods to Latin texts suitable for the communion service.

for SA and piano four-hands or orchestra This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening the music builds up through a range of textures and harmonies to a rich climax before gently relaxing for a quietly evocative close. There is also a version for SATB. Orchestral material is available on hire. This lovely arrangement of the popular American folk song perfectly captures the sense of loss and longing in the words. From the gentle unison opening the music builds up through a range of textures and harmonies to a rich climax before gently relaxing for a quietly evocative close. Ideal with either piano or orchestral accompaniment. There is also a version for SATB.

The viola part is suitable for pupils at the level of Viola Time Joggers. A CD containing full performances and backings is included. This exciting new series by the authors of Fiddle Time Viola Time and Cello Time provides great new ensemble material for all string groups whatever their size. String Time Joggers is a must-have for all those looking for imaginative and enjoyable ensemble repertoire.

for SATB double choir with tenor solo Written for the 25th anniversary concert of the Manchester Chorale in 2004 this setting of a poem by Paul Eluard (trans. Bowen) is both powerful and gentle and is ideal for concert use. Combining a highly expressive melody with rich sumptuous harmonies the music perfectly captures the poignant message of the poem. Written for the 25th anniversary concert of the Manchester Chorale in 2004 this setting of a poem by Paul Eluard (trans. Bowen) is both powerful and gentle and is ideal for concert use. Combining a highly expressive melody with rich sumptuous harmonies the music perfectly captures the poignant message of the poem.

for SATB unaccompanied This gentle setting of Sir Philip Sidney's poem has a beautiful memorable tune which perfectly complements the romantic nature of the words. Chilcott uses overlapping phrases between male and female singers to reflect the harmonious dialogue of lovers. This gentle setting of Sir Philip Sidney's poem My True Love has a beautiful memorable tune which perfectly complements the romantic nature of the words. Chilcott uses overlapping phrases between male and female singers to reflect the harmonious dialogue of lovers.