G.F. Handel's Hallelujah Chorus from the popular Oratorio The Messiah as edited and arranged by Ernest Read for SSA Choir with Piano accompaniment. G.F. Handel's Hallelujah Chorus from the popular Oratorio The Messiah as edited and arranged by Ernest Read for SSA Choir with Piano accompaniment.

Arranged by J Michael Diack.

This celebratory worship song by George Frederic Handel was composed in 1724. I Will Magnify Thee is set for Contra-Alto with Piano accompaniment.

Tam O’Shanter was first performed at a Henry Wood Promenade Concert on 17 August 1955 with Malcolm Arnold conducting the Royal Philharmonic Orchestra. It was received with tremendous enthusiasm and was without doubt the most popular novelty during the 1955 season of Promenade Concerts. The composer is at pains to point out that whereas the earlier overture Beckus the Dandipratt is not descriptive but merely a musical impression Tam O’Shanter is very definitely programme music.

David S. Adams's Let All The World for Unison Voices with Piano accompaniment.

Edited by Rev. Hastings Kelk and J. Michael Diack.

The Christmas from Handel's Messiah arranged for Female or Boy's voices SSA by Ernest Read.

Arranged by J Michael Diack. Text written by Shakespeare.

A set of four short and simple but wonderfully melodic pieces for the intermediate Bassoon soloist. Ideally suited to be performed as a set of four the pieces can be played individually making them perfect for early concerts festivals and recitals or just as a satisfying addition to your first repertoire.

For SSA Choir A Cappella. For SSA Choir A Cappella.

For Unison Voice and Piano. For Unison Voice and Piano.

An approachable set of four pieces for the progressing trombonist by veteran Royal Opera House trombonist and Royal Academy of Music teacher Harold Nash. Each piece in the set explores a different human emotion covering pride sadness contentment and joy with much scope for expression. With parts for either treble clef or bass clef Trombone.

The question of authorship of this short St John Passion is somewhat vexed. Clearly the eminent Walford Davies was convinced of its authorship in writing the Foreword as was J Michael Diack in applying himself to editing it cutting out several movements that had appeared in the German version and adding others from other works of Handel. The 19th century musicologist Friedrich Chrysander believed in its authenticity as it was he who prepared the German edition.However most modern musicologists regard its attribution to Handel as spurious and are in general agreement that its composer is unknown.The St John Passion here is in early 18th century northern Germany churchstyle reverent sensitive and clearly the work of a gifted composer. It is also the first known example of a passion that was written in German though this edition is presented in English.

Parts for Horn In F and Tenor Horn in E flat.

The Wandering Player arranged for High Voice (In A Flat) and Piano.

Michael A. Diack 's arrangement of Ae Fond Kiss for Voice with Piano accompaniment. This piece is in the key of Db.

Horn in F and Transcription for E flat Tenor Horn by Brian Wiggins. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

For high voice with Piano accompaniment. For high voice with Piano accompaniment.

Score available: PAT60900SC

For low voice and Piano. This piece is scored in the key of D. For low voice and Piano. This piece is scored in the key of D.