Macarena

Love Is More

Little Bird Little Bird

For flute oboe harpsichord and double bass.

Contents: Witness • Passacaglia • love is a place • Words To Be Spoken • I Stop Writing the Poem • Lament • Nude at the Piano • San José Symphony Reception • Old Photograph • Flamenco • Sarah's Song • I Want • Triolet.

A grim commentary on the contemporary Middle East Lamentation and Satire is in the composer's words born out of a reaction to a part of the world that is over the edge. Advanced Level.

The primary purpose of this publication is to provide a working knowledge of the sitar to those people who wish to acquire the basic skills in tuning holding fingering and plucking techniques as well as general care of the instrument even if they do not intend to use it to play Indian music. The methods described in this publication can progressively be adapted to more advanced techniques of the instrument. The primary purpose of this publication is to provide a working knowledge of the sitar to those people who wish to acquire the basic skills in tuning holding fingering and plucking techniques as well as general care of the instrument even if they do not intend to use it to play Indian music. The methods described in this publication can progressively be adapted to more advanced techniques of the instrument.

For Bb Soprano (or Bb Tenor) Saxophone and Small Orchestra-This dance-driven saxophone concerto in miniature demonstrates how Villa-Lobos could integrate nearly any instrument into a Brazilian sound world while still composing a fully classical piece. Of the three short movements the first 'Animé ' is the longest clocking in at about four minutes. An agitated downward cascade for the strings ushers in the soloist playing an angular strongly rhythmic theme relying on quickly repeated notes. A second melody is much broader and more luxurious and spreads across half the movement before the opening rat-a-tat theme begins to insinuate itself very subtly into the proceedings again. Even then the more lyrical melody remains in control to the movement's end. The second movement 'Lent ' relies on a sexy chromatic melody that lingers in the soprano saxophone's high register. After only the briefest pause the finale 'Très animé ' arrives with an impulsive sometimes jittery theme over a firm beat. The solo part wanders off into trills while the small orchestra stretches out in long voluptuous chords. But soon the dance rhythm returns stronger than ever bouncing toward a conclusion in which the saxophone departs with an upward flourish seeming to vanish from the movement without providing a harmonic resolution. (James Reel All Music Guide) A fantasia in three movements by Heitor Villa-Lobos originally composed for Soprano or Tenor Saxophone with Chamber Orchestra and presented here with a Piano reduction of the orchestral material. Suitable for ABRSM exams.

For flute clarinet viola cello piano and percussion.

7 copies needed for performance. 7 copies needed for performance.

For 3 Horns 3 Trumpets 3 Trombones Tuba and 1 or 2 percussionists: tom tom crash cymbal sus cymbal tubular chimes. Score.

2 Trumpets 2 Trombones

Flute and String Orchestra.

For 3 Horns 3 Trumpets 3 Trombones Tuba and 1 or 2 percussionists: tom tom crash cymbal sus cymbal tubular chimes. Score and parts.

Score and parts for Mieczyslaw Weinberg's Piano Trio Op. 24

For 4 chimes (or 2 pianos) trumpet and trombone.

These two anthems are examples of Lauridsen's style in embryo as it were for both were written while the composer was just twenty-seven years old. Both anthems evince the contrapuntal mastery that would prove an enduring featureof the composer's technique. The pure and austere lines of I will lift up mine eyes an a cappella setting of Psalm 121 evoke ancient organum and the imitative devices of Medieval polyphony. Complex chord structuresand elaborate canonic procedures give O come let us sing unto the Lord a sense of inexorable forward momentum. The coruscating organ part further enhances the prevailing mood of joy that pervades thisanthem. --Byron Adams

For String Orchestra (8-8-5-5-5) and Percussion (tenor drum glockenspiel gong)

For soprano or alto soloist and string quartet or string orchestra.

Composed 2001-2003. Includes: Fluttering Inbal Tangoesque Jimnopedique and Barbaresco. Composed 2001-2003. Includes: Fluttering Inbal Tangoesque Jimnopedique and Barbaresco.