16 Great Gospel Songs- Johann Sebastian Bach 's French Suite No. 5 in G major for solo Piano.

Five Portraits Of Young Girls by Jean Françaix for solo Piano.

This edition is ideal for instrumentalists singers and choirs. In addition to chord symbols and the melody every piece includes a second voice part that is easy to sing giving each Spiritual its authentic flavour. This volume contains the most popular and best known spirituals with all verses.

Piano duet playing has always been very popular in and outside music lessons. Playing piano together is much more fun; thanks to the rich harmony and the extended piano setting even beginners and intermediate players will be able to experience the pleasure of a full piano sound. In addition it improves the players' sense of rhythm and encourages ensemble playing. Apart from classic pieces this anthology in the new 'Piano Classics' series also contains several lesser known pieces.

13 Pezzi Per Flauto E Pianoforte- In this collection Elisabeth Weinzierl-Wächter and Barbara Heller present works for flute and piano by 13 female composers: starting with the 18th century with sonatas by Anna Amalia von PreuBen and Anna Bon di Venezia via the 19th century with variations by Blahetka and 'Sérénade aux étoiles' by Cecile Chaminade and via works by Mélanie Bonis Lili Boulanger Germaine Tailleferre to the present time with works by Barbara Heller Gloria Coates Dorothee Eberhardt Caroline Ansink Annette Schlunz and Christine K. Bruckner.

Swing Standards: 14 Most Beautiful Swingin' Ballads. Arranged for Tenor Saxophone by Dirko Juchem with accompanying CD. Part of the Schott Saxophone Lounge series and featuring the sheet music to - Body and Soul; Mood Indigo; Caravan; A String of Pearls; The Lady is a Tramp; Sentimental Journey; In The Mood; Perdido; Tequila; Mack the Knife.

Mozart's best-known opera - now available in the popular series 'Get to Know Classical Masterpieces'. With explanations about the composer the opera persons and contents of the story. Easily playable piano settings of selected arias and choruses enable the music lover to become better acquainted with the work. Also suited for music lessons at schools and music schools.

Louis Drouet (1792-1873) much admired virtuoso Flautist composer musical director and opera director was 'a Flautist of truly European standing and sphere of influence'. His method still forms part of today's standard teaching repertoire. The ' Little Sonatas ' published here for the first time as a separate new edition constitute the final part of Part 3 of his method. In accordance with the remarks of Drouet who had two different performance versions in mind the sonatas are available in two instrumentations: for two Flutes and for Flute and Piano. The Piano accompaniment with its figured bass realized by GottfriedBach has been turned into a harmonic accompaniment.

17 Klezmer Tunes-This edition contains klezmer tunes for 1-2 violins with piano accompaniment – sometimes lively and sweeping sometimes soft and lyrical! Of easy to intermediate difficulty the pieces are a valuable addition to music lessons and are suitable for concert performances and music-making at home alike. If there is no pianist available the CD can be used as a 'duo partner'. In addition chord symbols allow for accompaniment with the guitar or other instruments. On that note lechajim – cheers! Further editions by Joachim Johow: My Blue Violin (ED 21767) The Merry Fiddler (ED 21768) Coffee & Violin (ED 22670).

Joseph-Hector Fiocco (1703-1741) is regarded as one of the most important Belgian composers of the late Baroque era. The Allegro in G major was originally a movement from the Harpsichord Suites (Pièces de clavecin Op. 1 1730). The arrangement for violin and piano by A.Bent and N.ONeill in 1910 made the piece very popular particularly among violinists. The piece makes demands on the players left hand with its fast passages and virtuoso ornamentations and requires knowledge of all fingering patterns in first position. Occasionally it is advisable to use third position to avoid major string changes. The passage workconsists mostly of scale excerpts triads arpeggiation in thirds and sequences. The greatest challenge to master is the large number of string changes in a fast détaché which requires a flexible bow hand.

The edition is part of the Trinity syllabus 2007 (grade 8)

Kapustin's Twenty-Four Preludes op.53 were written in 1988. Clearly influenced by Chopin in their key scheme and brevity they present us with a great variety of jazz styles: blues (prelude 11) ballad (5 & 9) jazz waltz (18) swing (17 & 19) jazz funk (7 & 12) and even an allusion to Take Five (13). In many of them the composer states a theme and then improvises a new melody over the underlying chord structure. The whole set projects an ebullient spontaneity and it is fast becoming one of Kapustin's most popular works. The composer himself performing no. 11:

The edition is part of the Trinity syllabus 2007 (grade 6)

Sonata in G for Flute by Jean-Marie Leclair. ABRSM Flute Grade 8.

Mozarts Kleine Nachtmusik gehört zu den beliebtesten Werken der klassischen Orchesterliteratur. Das klassische Konzertrepertoire ist reichhaltig und kennt viele weitere wunderbare Stücke. Viele Klavierspieler haben den Wunsch diese Werke auf dem Klavier zu spielen und so besser kennen zu lernen. Daher bietet dieser Sammelband 60 bekannte Meisterwerke der klassischen Musik in Klavierbearbeitungen an die leicht spielbar sind und dennoch so nah wie möglich am Original bleiben. Diese immer wieder gerne gehörten 'Publikumslieblinge' sind bestens dazu geeignet um Klavierspielern die klassischen Meisterwerke näher zu bringen. Eine Fundgrube für Unterricht und Hobby.

The edition is part of the Trinity syllabus 2007 (grade 7)The edition is part of the ABRSM Summer 2006 (grade 8)

THèME VARIè ET FINALE - SONATA CLaSICA - SONATE ROMANTIQUE - SONATINA

Fur 2 Gitarren

Chopin. Variations on a them of Rossini. Flute and PIano. Published by Schott.

A concerto of classical elegance cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart with a charming minuet as middle section. A concerto of classical elegance cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart with a charming minuet as middle section.