Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Fifteen medium level sight reading pieces for second- and third-year bands. Average length of each song is one full page per student part. - Time signatures: 4/4 3/4 2/4 cut time 6/8 - Keys: ConcertF Concert Bb Concert Eb Concert Ab - Note/rest values: Whole half quarter eighth dotted half dotted quarter eighth/two sixteenths - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp ff crescendo decrescendo staccato accent trio

Includes etudes by Ozi and Weissenborn as well as transcriptions from studies by Demnitz Lee Bordogni Nocentini Depas Arban and others. Includes etudes by Ozi and Weissenborn as well as transcriptions from studies by Demnitz Lee Bordogni Nocentini Depas Arban and others.

One of the most widely used collections of studies for the advancing player/student of the Alto and/or Bass Clarinets. One of the most widely used collections of studies for the advancing player/student of the Alto and/or Bass Clarinets.

Book 2 is comprised of intermediate etudes and other works by Gariboldi H?ndel Andersen Marcello and others. Also included: - Two-octave scales in all major and minor keys - Removable fingering and trill charts. - Instruction on trills mordents appoggiaturas Book 2 is comprised of intermediate etudes and other works by Gariboldi H?ndel Andersen Marcello and others. Also included: - Two-octave scales in all major and minor keys - Removable fingering and trill charts. - Instruction on trills mordents appoggiaturas

Fifteen medium level sight reading pieces for second- and third-year bands. Average length of each song is one full page per student part. - Time signatures: 4/4 3/4 2/4 cut time 6/8 - Keys: ConcertF Concert Bb Concert Eb Concert Ab - Note/rest values: Whole half quarter eighth dotted half dotted quarter eighth/two sixteenths - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp ff crescendo decrescendo staccato accent trio

A beginning band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

Thirty easy level sight reading pieces for first- and second-year bands. - Time signatures: 4/4 3/4 2/4 cut time - Keys: Concert F Concert Bb Concert Eb - Note/rest values: Whole half quarter eighth dotted half - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine

Daily practice routines for the flute-A book of skillfully organized daily practice routines for the flute. A versatile yet practical teaching tool for students of all levels. A book of skillfully organized daily practice routines for the flute. A versatile yet practical teaching tool for students of all levels.

A volume of calisthenic exercises compiled to assist in the muscle development used in the playing the trombone. Exercises are broken into four sections: (1) Attack and tone placement; (2) Slow Slurs; (3) Flexibility; (4) Scales and Arpeggios. A volume of calisthenic exercises compiled to assist in the muscle development used in the playing the trombone. Exercises are broken into four sections: (1) Attack and tone placement; (2) Slow Slurs; (3) Flexibility; (4) Scales and Arpeggios.

Fifteen medium level sight reading pieces for second- and third-year bands. Average length of each song is one full page per student part. - Time signatures: 4/4 3/4 2/4 cut time 6/8 - Keys: ConcertF Concert Bb Concert Eb Concert Ab - Note/rest values: Whole half quarter eighth dotted half dotted quarter eighth/two sixteenths - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp ff crescendo decrescendo staccato accent trio

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

An intermediate band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

An intermediate advanced band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

Thirty easy level sight reading pieces for first- and second-year bands. - Time signatures: 4/4 3/4 2/4 cut time - Keys: Concert F Concert Bb Concert Eb - Note/rest values: Whole half quarter eighth dotted half - Tempi: Moderato Allegro Andante Allegretto March Tempo Adagio - Dynamics/expressions etc: mf f mp pesante D.C. al Fine D.S. al Fine

An intermediate advanced band method based on the breath impulse teaching techniques of James Middleton and William Robinson.

The band method that teaches music reading