Book 1-Edited by Geoffrey Bush and Michael Hurd. 30 rounds and catches for equal voices from 18th- and 19th-century England.

Book 6-Medieval Carols for 1-3 voices and/or instruments

Reprinted in 2000 this collection contains Sydney's poetry collections Nothing Fixed or Final; Love More or Less previously published separately together with The Feel of Wood as well as a previously unpublished poem. 107 poems by this prolific writer. Some will recognise the Housman influence in them. All can enjoy their language. ISBN 0 85249 287 1

An anthology of eight songs by James Hook selected for the High Voice and edited by Michael Pilkington.

The reminiscent piano works of John Ireland are brought together in their entirety in this five-volume set. These authoritative editions arrange all of Ireland's solo piano compositions in chronological order with corrections on previous editions made by Alan Rowlands and Eric Parkin.

Music by Cutting Johnson and Ferrabosco amongst others

Set for the Guildhall School Grade 5 examination.20

Selected from Musica Britannica Volume 33 edited by Ian Spink CONTENTS Wilt thou forgive the sin? D - G (John Hilton) Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives) Mark how the blushful morn D - G (Nicholas Lanier) Stay silly heart and do not break D - F (Nicholas Lanier) Bid me but live and I will live G - F (Henry Lawes) No no fair heretic it cannot be E - F(G) (Henry Lawes) Out upon it I have lov'd C - D (Henry Lawes) Sweet stay awhile why do you rise? D - G (Henry Lawes) Will you know my mistress' face? E flat - F (Henry Lawes) Faith be no longer coy F - G (William Lawes) Since 'tis my fate to be thy slave E - E(William Webb) In a season all oppressed G sharp - E (John Wilson) Since love hath in thine and mine eye D - F (John Wilson) Take O take those lips away G - G (John Wilson) Wherefore peep'st thou envious day? G - A (John Wilson) Set for the Associated Board Grade 5 examination.

Edited by Timothy Roberts High voice bass and basso continuo CONTENTS Tho' my mistress be fair (Purcell) (D - A) and (F - D) How sweet how lovely (Eccles) (F - A flat) and (B flat - D) In some kind dream (Purcell) (D - G) and (D (E) - D) Go perjured maid (Blow) (C - A) and (A - F) Lucifer’s fall (Blow) (A - A) and (D (E) - E) Upon a quiet conscience (Purcell) (C - A flat) and (F - E flat)

Bernard Stevens's Four John Donne Songs for high voice. Includes: Sweetest love I do not go (E flat - F sharp) Go and catch a falling star (F sharp - A) The Good-morrow (C sharp - A) Death be not proud (B - A (G sharp))

Compiled by Janet Baker and Anthony Lewis CONTENTS Scherza infida (from Ariodante) D - G Dopo notte (from 'Ariodante') C sharp - A Presti omai l'Egizia terra (from 'Giulo Cesare') A - E Va tacito e nascosto (from 'Giulo Cesare') C - D Par che mi nasca in seno (from 'Tamerlano') E - G Cerco in vano (from 'Tamerlano') B flat - E flat

Book 7-Edited by Geoffrey Bush and Michael Hurd Nine glees and madrigals for three and four parts by Atterbury Baildon Beale Hindle Horsley Paxton Pring Stevens and Webbe.

Bwv 772-786-J.S. Bach's 15 Two-Part Inventions BWV 772-786 as edited by Franklin Taylor. J.S. Bach's 15 Two-Part Inventions BWV 772-786 as edited by Franklin Taylor.

The Byrd Edition Volume 17. Edited by Kenneth Elliott Though Byrd's In nomine settings for consort were probably the first of his works to circulate widely the dating of his consort music in general is problematical. The famous 'Browning' variations are probably an early display of the composer's mastery of the form. The only complete Fantasia à 4 is found in the Psalmes Songs & Sonnets of 1611. Two other examples are reconstructed from fragmentary sources and appear in this volume with hymn-settings and Misereres two pavans and a galliard.

For the advancing cellist Bach's Six Suites For Unaccompanied Cello provide a wonderful addition to your repertoire. This is Paul Tortelier's revised edition (1983) of his original score from 1966.

Communion in F Op. 15 No. 1 Interlude in D Op. 15 No. 2 Paean Op. 15 No. 3 Short Postlude Op. 15 No. 4 Requiem Aternam Op 15 No. 5 Andante Tranquillo Op. 15 No. 6 Capriccio Op. 16 Two Sketches Op. 18 Nos 1. and 2

Arranged by the composer. The piano accompaniment is purchased separately (Ref. H47).

Thomas Bateson: Second Set of Madrigals in 3 4 5 & 6 parts (1618) Contents: Songs of three parts: Love is the fire My Mistress after service due One woman scarce of twenty If I seek to enjoy Pleasure is a wanton thing Sweet those trammels of your hair Songs of four parts: Live not poor bloom The nightingale in silent night O what is she? (the first part) See forth her eyes (the second part) When to the gloomy woods Of floods of tears Songs of five parts Have I found her? Down the hills Corinna trips Camilla fair tripped o'er the plain Sadness sit down Life of my life I heard a noise With bittersighs Why do I dying live? In depth of grief All the day I waste (the first part) Why dost thou fly? (the second part) Come Sorrow help me to lament Songs of six parts: Cupid in a bed of roses (the first part) Cytherea smiling said (the second part) Her hair the net of golden wire Fond love is blind (the first part) Ah Cupid grant (the second part) She with a cruel frown

Grades 1 - 5-This is the first of two books covering the timpani grades for the popular London College of Music and Media percussion exams. Two pieces and a study are included for each grade and there are examples of sight-reading tests and sample viva voce questions. The LCM requirements unlike those for other examinations syllabuses replace scales and rudiments with tuning tests and marks are awarded for musicianship as well as for technical ability from the earliest stages.

SSAATB unaccompanied Edited by David Brown Walter Collins and Peter le Huray