A collection of 20 pieces by Froberger Fischer and Strungk in the hand of John Blow transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW John (Ground in E minor) FISCHER Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor; A collection of 20 pieces by Froberger Fischer and Strungk in the hand of John Blow transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW John (Ground in E minor) FISCHER Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor;

SSA Adapted by E H Fellowes from the original five-part setting

Facsimile: Songs duets and cantatas. Printed score Walsh. Introduction by Robert Bruce

SSA unaccompanied Arranged by Gustav Holst.

For unaccompanied SSA choir. Edited by E. H. Fellowes. Revised by Thurston Dart For unaccompanied SSA choir. Edited by E. H. Fellowes. Revised by Thurston Dart

SATB unaccompanied.

Edited by Thurston Dart CONTENTS Alman: G major; Alman: G minor; Callino Custurame; Coranto: A minor; Coranto: C major; Coranto: Lady Riche (ascribed); Galiarda: A; Galiarda: D; Galliard The Earl of Salisbury; Gigg: F Tregian; La Volta (FWVB 155); La Volta: Lady Morley; Pavan: The Earl of Salisbury Rowland; Wolsey's Wilde (Wilson's Wild)

Arranged for Medium Voice by John Williams. Voice & Guitar. CONTENTS

The death in 1873 of Mussorgsky's friend Victor Hartmann was the stimulus for the initial creation of what was to become one of the most vividly colourful works in the orchestral repertoire. However Mussorgsky's original piano version of Pictures At An Exhibition was not even published until 5 years after his death and remained almost unknown until Ravel's masterful orchestration of it in 1922. From then on it has become favourite in the orchestral repertoire. This is the piano version of Mussorgsky’s famous work.

Facsimile: Printed score Thompson [1779] MS libretto The Huntington Library LA464 Introduction by Anne Dhu Shapiro

Edited by Andrew Ashbee and Bruce Bellingham The first of three volumes presenting the surviving instrumental music of Alfonso Ferrabosco the Younger. Contrapuntally sophisticated his fantasias were admired throughout Europe and laid the foundations for the development of 17th-century English consort music. A complete recording of the four-part fantasias is available through the New England Chapter of the Viola da Gamba Society of America. First published in 1992.

Edited by Julian Rushton Potter's Tenth Symphony was probably the most frequently performed of all his orchestral pieces and this edition is believed to be the first of his symphonic works ever printed in full score. Potter who was praised by Wagner for his contrapuntal skill was Principal of the Royal Academy of Music from 1832 to 1859 and he was also notable for introducing the music of Beethoven to English audiences. Orchestral material available for rental. First Published 2001. Hardback.

Edited by Jeremy Dibble A key figure in the so-called English Musical Renaissance Parry was a considerable composer of chamber music. His three violin sonatas the first of which in d minor is here published for the first time along with the Fantasie-sonata and Sonata in D major date from the 1870s and 80s and are contemporary with his four symphonies and setting of Milton's Blest Pair of Sirens . They are fine additions to the string repertoire and will be greeted enthusiastically by violinists seeking new material for recitals. Performing editions of each sonata are available separately. First published in 2003. Hardback

Set of Parts for String Quartet. Edited by E H Fellowes and C F Simkins

Ralph Vaughan Williams was an English composer. His works include operas ballets chamber music secular and religious vocal pieces and orchestral compositions including nine symphonies written over nearly fifty years. Strongly influenced by Tudor music and English folk-song his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens and believed in making music as available as possible to everybody. He wrote many works for amateur and studentperformance. He was musically a late developer not finding his true voice until his late thirties; his studies in 1907–08 with the French composer Maurice Ravel helped him clarify the textures of his music.

Edited by Michael Tilmouth A collection that highlights Locke's pivotal role in laying the foundations of English dramatic music combining the traditions of the Masque with the new optimistic manner of recitative. This volume also contains The Empress of Morocco and The Tempest with the music by Humfrey Banister Reggio and Hart. Performing material for Psyche is available for rental. First published in 1986.

Edited by Robert Klakowich The complete harpsichord music of John Blow is here made available for the first time including eleven doubtful works and incipits of spurious ones. In this collection there are dances such as almands corants minuets sarabands and jiggs as well as extensive ground bass compositions that demonstrate the growth of a distinctive formal and technical idiom for the instrument. First Published 1998. Hardback

Edited by David Greer 70 partsongs by Michael Cavendish Robert Jones Francis Pilkington and John Bartlett are presented in four-part score with lute tablature and transcription. First published in 1987.

Edited by Peter le Huray. A selection of pieces including works by Byrd Bull and Gibbons newly transcribed with the original fingerings given in the ms. CONTENTS BEVIN Edward (Prelude) BULL John (Galliard; Miserere; Prelude; Prelude (attributed); Preludium; Why aske you? (attributed)) BYRD William (Fortune) GIBBONS Orlando (Italian Ground; Preludium; Whoop do me no harm good man)

Geoffrey Ainger's Mary's Child for SSA Choir with Organ accompaniment (keyboards) or guitar. A popular Christmas carol also known as Born in the Night . Geoffrey Ainger's Mary's Child for SSA Choir with Organ accompaniment (keyboards) or guitar. A popular Christmas carol also known as Born in the Night .