Published 1978. First performance: Jeremy Brown Wigmore Hall 4th September 1978. Published 1978. First performance: Jeremy Brown Wigmore Hall 4th September 1978.

For Oboe and Percussion. For Oboe and Percussion.

For Orchestra (triple winds). Published 1976 First performance: Royal Liverpool Philharmonic Orchestra conducted by Simon Rattle 25th April 1978. For Orchestra (triple winds). Published 1976 First performance: Royal Liverpool Philharmonic Orchestra conducted by Simon Rattle 25th April 1978.

For Baritone and Piano. Published in 2001-02. Commissioned by Jeremy Huw Williams and Iwan Llywellyn-Jones. First performed by Jeremy Huw-Williams and Iwan Llywellyn-Jones North Wales International Music Festival St Asaph Cathedral September 2002. Score and Part. For Baritone and Piano. Published in 2001-02. Commissioned by Jeremy Huw Williams and Iwan Llywellyn-Jones. First performed by Jeremy Huw-Williams and Iwan Llywellyn-Jones North Wales International MusicFestival St Asaph Cathedral September 2002. Score and Part.

For 11 solo strings. Published 2004. Commissioned by the Goldberg Ensemble. First performance: Goldberg Ensemble conducted by Malcolm Layfield Huddersfield UK 14th February 2005. Score For 11 solo strings. Published 2004. Commissioned by the Goldberg Ensemble. First performance: Goldberg Ensemble conducted by Malcolm Layfield Huddersfield UK 14th February 2005. Score

For Orchestra. 3(3rd=picc).3(3rd=ca).3(3rd=bcl).3(3rd=cbn) / 4.3.3.1. / hp.pf.cel.3perc / str commissioned by the Estoril Festival. By Fernando Pessoa’s alter ego ‘Alexander Search’ First performance: Yeree Suh (soprano) and the Royal Philharmonic Orchestra conducted by Cesário Costa — Lisbon Centro Cultural de Belém 2nd of July 2007. Published in 2007. Score. For Orchestra. 3(3rd=picc).3(3rd=ca).3(3rd=bcl).3(3rd=cbn) / 4.3.3.1. / hp.pf.cel.3perc / str commissioned by the Estoril Festival. By Fernando Pessoa’s alter ego ‘Alexander Search’ First performance: Yeree Suh(soprano) and the Royal Philharmonic Orchestra conducted by Cesário Costa — Lisbon Centro Cultural de Belém 2nd of July 2007. Published in 2007. Score.

For Solo Piano and 2 Wind Orchestras. Published 1977. First performance: Peter Lawson City of London Sinfonia conducted by Richard Hickox BBC Memorial Concert 'Music in our Time' 15th December 1983. For Solo Piano and 2 Wind Orchestras. Published 1977. First performance: Peter Lawson City of London Sinfonia conducted by Richard Hickox BBC Memorial Concert 'Music in our Time' 15th December 1983.

Carmina Felium-For Tenor and Piano. Published 1952-2003. Five Cat Songs. Score. Wilfrid Mellers ' Cat Songs (Carmina Felium) for Tenor and Piano. Published 1952-2003. Score.

Published 2000. Commissioned by Atarashii Uta wo Tsukuru Kai (Japan). First performance: Tokyo 2000 Masako Teshima (m-s) Mariko Suzuki (pf). Published 2000. Commissioned by Atarashii Uta wo Tsukuru Kai (Japan). First performance: Tokyo 2000 Masako Teshima (m-s) Mariko Suzuki (pf).

Sadie Harrison 's The Bride's Journey In Three Songs And A Memory (2005) for Violin Cello and Piano. Sadie Harrison 's The Bride's Journey In Three Songs And A Memory (2005) for Violin Cello and Piano.

Published 1975. First performance: 6th February 1977. Published 1975. First performance: 6th February 1977.

Anne Boyd 's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp. The Quiet Place was commissioned by the Warwick and Leamington Festival for performance by Okeanos on their New Music Day on 14th July 2002. The Quiet Place is a meditation site in the University of York dedicated by Dame Janet Baker In honour of the spirituality which is in all people. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the world felt a very unstable place especially to be so far from my Australian home. It was difficult to make much senseof existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I found myself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written for Okeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as Now the closed door has opened for us / What the serpent has suffocated in woman./ Therefore shines forth in the dawn/ the flower from the Virgin Mary. The music of The Quiet Place is a simple meditation which explores the moods of this text often retreating into a silence which is both breath and transcendence. - Anne Boyd Anne Boyd 's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp. The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002. 'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the world felt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in the dawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple medit

Three Interludes 2015-For solo Oboe D'Amour. For solo Oboe D'Amour.

For Soprano Flute Oboe and Violin. duration: 3'30 Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour. Parts.For Soprano Flute Oboe and Violin. duration: 3'30' Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performedseparately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Alongupon The duration of Wessex Heights is about an hour. Parts.

7 pieces for solo Bass Clarinet. Twinned with 'Twinned Set' by the same composer. 7 pieces for solo Bass Clarinet. Twinned with 'Twinned Set' by the same composer.

Flauto Acerbo-For Alto and Tenor Recorders. Duration: 11' Published 2008. Commissioned by Christopher Orton with funds provided by the BBC Performing Arts Fund. Winner of the BASCA Award 2009 for the solo/duo instrumental category For Alto and Tenor Recorders. Duration: 11' Published 2008. Commissioned by Christopher Orton with funds provided by the BBC Performing Arts Fund. Winner of the BASCA Award 2009 for the solo/duoinstrumental category

First performance: Peter Sheppard Skaerved Glyptothek Museum Munich 6th December 2002. Recorded on Metier Records MSV CD 92084. First performance: Peter Sheppard Skaerved Glyptothek Museum Munich 6th December 2002. Recorded on Metier Records MSV CD 92084.

For String Quartet and Children's String Ensemble. Published in 2002. First performed at the Goldberg Contemporary Festival Manchester by The Goldberg Ensemble 16th January 2002. Score. For String Quartet and Children's String Ensemble. Published in 2002. First performed at the Goldberg Contemporary Festival Manchester by The Goldberg Ensemble 16th January 2002. Score.

Edition for Soprano and 2 Cellos-For Soprano and 2 celli. Also available is an edition for Soprano and 2 Bass Viols. First performed by Evelyn Tubb with Music and Mirth. Score and Parts. For Soprano and 2 celli. Also available is an edition for Soprano and 2 Bass Viols. First performed by Evelyn Tubb with Music and Mirth. Score and Parts.

For String octet. Commissioned by NHK (Japan Broadcasting Corp). First performance: 1979 Tokyo Chikashi Tanaka String Ensemble Ryoichi Kawai (cond). For String octet. Commissioned by NHK (Japan Broadcasting Corp). First performance: 1979 Tokyo Chikashi Tanaka String Ensemble Ryoichi Kawai (cond).