Piano reduction of the Concertino For Flute And Orchestra by Laurence Roman a 19 minute long piece for solo Flute and Orchestra dedicated to Ann and Kevin Mead. Composed in 2013 and published 2014. In four movements: I - Allegretto con moto II - Presto volante - Moderato languido III - Larghetto teneroso IV - Non troppo allegro ma ben ritmato Piano reduction of the Concertino For Flute And Orchestra by Laurence Roman a 19 minute long piece for solo Flute and Orchestra dedicated to Ann and Kevin Mead. Composed in 2013 and published 2014. In four movements: I - Allegretto con moto II - Presto volante - Moderato languido III - Larghetto teneroso IV - Non troppo allegro ma ben ritmato

Vocal Score-Text from a Scottish Border Ballad. Text from a Scottish Border Ballad.

For 12 voices SATB. For 12 voices SATB.

Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with the moon ('lunar'= 'lunacy') and with cuckoos. Kerry Andrew 's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with themoon ('lunar'= 'lunacy') and with cuckoos.

(Metioron) by Evis Sammoutis was first performed 2 September 2010 at 2nd Contemporary Music Festival (The Shoe Factory Nicosia Cyprus) by Peter Sheppard Skaerved violin Neil Heyde cello Roger Heaton clarinet & Jan Phillip Schulze piano. 15'; for clarinet violin cello and piano.

Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006) Hidden Ceremonies I by Sadie Harrison. 9 fragments after paintings by Brian Graham. I after ‘Antiphon’ (1999) II after ‘Sacrarium’ (2000) III after ‘Palimpsest’ (2000) IV after ‘The Intervening Figure’ (2002) V after ‘Flint’ (2003) VI after ‘Hearth’ (2003) VII after ‘Hidden Ceremony’ (2004) VIII after ‘Spine’ (2005) XI after ‘Antler Music’ (2006)

Morag Galloway 's Dream of You for three voices (SSA). Duration: 2 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Dream of You sets Morag 's own poem and was commissioned by Juice for performance in a late night concert 'the witching hour' in York Spring Festival May 2004. The poem describes a dream in which a single night with someone is remembered. The compositional aim was to set the words as they came without repetition and not to repeat any musical material either. This was to try to recreate the strange familiarity of this dream and attempt to let it unfold in ‘real time’; to be as fleeting as the original night itself. Morag Galloway 's Dream of You for three voices (SSA). Duration: 2 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Dream of You sets Morag 's own poem and was commissioned by Juice for performance in a late night concert 'the witching hour' in York Spring Festival May 2004. The poem describes a dream in which a single night with someone is remembered. The compositional aim was to set the words as they came without repetition and not to repeat any musical material either. This was to try to recreate the strange familiarity of this dream and attemptto let it unfold in ‘real time’; to be as fleeting as the original night itself.

For Piano and String Quartet. Published in 2001. Parts. For Piano and String Quartet. Published in 2001. Parts.

Dressed In White-Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song has its own flavour and character. Thomas Simaku 's Albanian Wedding Song for SSA choir. This song is part of a set published as Three Albanian Folk Songs for Female Choir. Qenke veshur me të bardha (Dressed in White - Kosova) is the most popular wedding song which is sung not only in Kosova but in every Albanian wedding. As in most folk songs these tunes are remarkably short. The melodies themselves have not been altered but have been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary for each song. Within the overall folk idiom of the piece each song hasits own flavour and character.

Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014. Jo Kondo 's A Contemplation for solo Piano. This work was composed in 2013 for Hauke Harder and was first published in 2014.

Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet Huntington Estate Music Festival 29th November 2015. This work is dedicated in memory to the late composer Peter Sculthorpe. Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet Huntington Estate Music Festival 29th November 2015. This work is dedicated in memory to the late composer Peter Sculthorpe.

The Dark Gate by David Lancaster for Soprano soloist with Piano accompaniment. This work sets a text by David Vogel . Score. The Dark Gate by David Lancaster for Soprano soloist with Piano accompaniment. This work sets a text by David Vogel . Score.

For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune.

James Weeks ' Looping Busker Music for Violin Clarinet in A Accordion Acoustic Guitar (all amplified) and tape. This work was commissioned by Plus-Minus Ensemble and first performed by them at King's Place London on the 18th March 2013. Duration: 13 minutes. James Weeks ' Looping Busker Music for Violin Clarinet in A Accordion Acoustic Guitar (all amplified) and tape. This work was commissioned by Plus-Minus Ensemble and first performed by them at King's Place London on the 18th March 2013. Duration: 13 minutes.

Hilda Paredes ' Sortilegio for Harp Percussion and Electronics. Composed 2015 and published 2016. Duration: 18 minutes. Sortilegio was commissioned by Duo Harperc with the generous support of the Ernst von Siemens Foundation. The electronics were created at the ExperimentalStudio of the SWR in collaboration with Domink Kleinknecht. Hilda Paredes ' Sortilegio for Harp Percussion and Electronics. Composed 2015 and published 2016. Duration: 18 minutes. Sortilegio was commissioned by Duo Harperc with the generous support of the Ernst von Siemens Foundation. The electronics were created at the ExperimentalStudio of the SWR in collaboration with Domink Kleinknecht.

Study score for Luís Tinoco 's Before Spring for Symphony Orchestra. Originally composed in 2010 this new Orchestral version was premièred by the Portuguese Symphony Orchestra under the baton of Joana Carneiro at the S. Carlos Theatre in Lisbon on the 18th of January 2014. 'Before Spring' was originally scored for 16 players following a commission from the OrchestrUtopica to be performed as a tribute piece to Stravinky’s 'The Rite of Spring'. It was premièred on the 29th of May 2010 by the OrchestrUtopica conducted by Cesário Costa at the CCB – Centro Cultural de Belém in Lisbon. Following a commission from OPART / Teatro Nacional de São Carlos 'Before Spring' was laterrevised and scored for Symphony Orchestra. - Luís Tinoco . Study score for Luís Tinoco 's Before Spring for Symphony Orchestra. Originally composed in 2010 this new Orchestral version was premièred by the Portuguese Symphony Orchestra under the baton of Joana Carneiro at the S. Carlos Theatre in Lisbon on the 18th of January 2014. 'Before Spring' was originally scored for 16 players following a commission from the OrchestrUtopica to be performed as a tribute piece to Stravinky’s 'The Rite of Spring'. It was premièred on the 29th of May 2010 by the OrchestrUtopica conducted by Cesário Costa at the CCB – Centro Cultural de Belém in Lisbon. Following a commission from OPART / Teatro Nacionalde São Carlos 'Before Spring' was later revised and scored for Symphony Orchestra. - Luís Tinoco .

Martin Scheuregger 's Death And The Lady for Voice Clarinet and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 4 minutes. This is a simple arrangement of the traditional folksong for Voice Clarinet and Cello which aims to let the haunting melody take centre stage. The cautionary tale tells of a woman who meets Death earlier than she wishes. Commissioned by Dark Inventions first performed by them on 8th May 2014 at The Engine House Manchester. Martin Scheuregger 's Death And The Lady for Voice Clarinet and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 4 minutes. This is a simple arrangement of the traditional folksong for Voice Clarinet and Cello which aims to let the haunting melody take centre stage. The cautionary tale tells of a woman who meets Death earlier than she wishes. Commissioned by Dark Inventions first performed by them on 8th May 2014 at The Engine House Manchester.

Nakedness by James Weeks was first performed by Juliet Fraser Darmstadt Ferienkurse July 2012. Nakedness by James Weeks was first performed by Juliet Fraser Darmstadt Ferienkurse July 2012.

Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. (Pack of 10 available - M570368242) Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. (Pack of 10 available - M570368242)

The Nose for solo Piano. Composed and published 2015. Duration: 11' A score in five movements to Alexandre Alexeieff and Claire Parker's film The Nose (1963) written for Clare Hammond. Premiere: Clare Hammond The Cornerstone Festival Liverpool 23rd November 2015. The Nose for solo Piano. Composed and published 2015. Duration: 11' A score in five movements to Alexandre Alexeieff and Claire Parker's film The Nose (1963) written for Clare Hammond. Premiere: Clare Hammond The Cornerstone Festival Liverpool 23rd November 2015.