
34.00 £
University Of York Music Press
String Quartet No.5

12.00 £
University Of York Music Press
Spells

12.95 £
University Of York Music Press
Geda's Weavings - Score

17.95 £
University Of York Music Press
O Sotaque Azul Das Aguas

44.95 £
University Of York Music Press
Olympic Frieze

3.95 £
University Of York Music Press
SATB Soprano Solo and Piano

16.00 £
University Of York Music Press
Published 1976. First performance: Joan Dickson and Joyce Rathbone Wigmore Hall 30th January 1977. Published 1976. First performance: Joan Dickson and Joyce Rathbone Wigmore Hall 30th January 1977.

45.00 £
University Of York Music Press
For 15 players. 1(+afl).1.bcl(+cl).1 / 1.0.0.0 / acoustic gtr. mand. hp. pno(+cel) perc(1) / 1.1.1.1.1 Commissioned jointly by the Deutschlandfunk and Insomnio Ensemble First performance: Forum Neuer Musik 2007 Deutschlandfunk Cologne. Score. For 15 players. 1(+afl).1.bcl(+cl).1 / 1.0.0.0 / acoustic gtr. mand. hp. pno(+cel) perc(1) / 1.1.1.1.1 Commissioned jointly by the Deutschlandfunk and Insomnio Ensemble First performance: Forum Neuer Musik 2007 Deutschlandfunk Cologne. Score.

12.00 £
University Of York Music Press
Set of parts for Hilda Paredes' Hacia Una Bitacora Capilar . Hacia una bitacora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation. Set of parts for Hilda Paredes' Hacia Una Bitacora Capilar . Hacia una bitacora capilar was written in 2013-14 to celebrate the fortieth anniversary of the Arditti Quartet with funds provided by the PRS for Music Foundation.

30.00 £
University Of York Music Press
For 16 instruments. Published 2004. 1.0.1.1 / 1.1.0.0 / hp.pf.2perc / 2.2.2.1 Commissioned by the Music Department of the Calouste Gulbenkian Foundation. First performance: Birmingham Contemporary Music Group cond. Susanna Malkki Gulbenkian Auditorium Lisbon 28th February 2005. Score. For 16 instruments. Published 2004. 1.0.1.1 / 1.1.0.0 / hp.pf.2perc / 2.2.2.1 Commissioned by the Music Department of the Calouste Gulbenkian Foundation. First performance: Birmingham Contemporary MusicGroup cond. Susanna Malkki Gulbenkian Auditorium Lisbon 28th February 2005. Score.

17.95 £
University Of York Music Press
First performance: Lontano with clarinettist Andrew Sparling and conducted by Odaline de la Martinez Purcell Room London 30th September 2002. Recorded on Metier Records MSV CD 92084. First performance: Lontano with clarinettist Andrew Sparling and conducted by Odaline de la Martinez Purcell Room London 30th September 2002. Recorded on Metier Records MSV CD 92084.

7.00 £
University Of York Music Press
Prelude & Postlude-First performance: Thames Singers conducted by Louis Halsey BBC Invitation Concert 11th November 1968. First performance: Thames Singers conducted by Louis Halsey BBC Invitation Concert 11th November 1968.

6.95 £
University Of York Music Press
For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006 For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006

14.00 £
University Of York Music Press
For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by Adalberto Alves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score. For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by AdalbertoAlves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score.

19.95 £
University Of York Music Press
On Track-13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument and these parts come with a licence for printing as many copies as needed directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation Sadie Harrison comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles approaches and sounds. There is something in here for everybody at whatever level and on whatever instrument. This is what GCSE Music teachers are crying out for and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb violin 'cello piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet 'cello piano Matthew Roddie — Gone Clubbin' for violin 'cello Thomas Simaku — From Across the Sea for 2 flutes clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Luís Tinoco — Diversion for four instruments 13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all theparts for all the pieces and transpositions for any in

25.00 £
University Of York Music Press
Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus. Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus.

7.00 £
University Of York Music Press
For two voices. Published in 1974. Score. For two voices. Published in 1974. Score.

15.00 £
University Of York Music Press
For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981. For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981.

10.95 £
University Of York Music Press
For Folk Violin Folk Melodeon plus Flute (doubling alto flute) Clarinet (doubling bass clarinet) Violin Cello Piano Percussion. For Folk Violin Folk Melodeon plus Flute (doubling alto flute) Clarinet (doubling bass clarinet) Violin Cello Piano Percussion.

13.00 £
University Of York Music Press
For Contralto and Piano. Published in 1979. Text by Flaubert. First performed by Susan Tyrrell David Owen Norris Purcell Room 7th January 1980. Score. For Contralto and Piano. Published in 1979. Text by Flaubert. First performed by Susan Tyrrell David Owen Norris Purcell Room 7th January 1980. Score.