Solo Bass Clarinet-First published in 2000 commissioned by Henri Bol. First performed in Sao Paulo 16th November 2000. First published in 2000 commissioned by Henri Bol. First performed in Sao Paulo 16th November 2000.

For Flute Clarinet Percussion Mandolin Guitar Violin and Double Bass. Published 1988. Commissioned by Elision. First performance: Melbourne 1988. Score. For Flute Clarinet Percussion Mandolin Guitar Violin and Double Bass. Published 1988. Commissioned by Elision. First performance: Melbourne 1988. Score.

For Violin Cello Piano Tape and Live Electronics. Published in 1972. Commissioned by Cheltenham Festival. First performed by the Orion Trio with the composer Cheltenham 1972. Score. For Violin Cello Piano Tape and Live Electronics. Published in 1972. Commissioned by Cheltenham Festival. First performed by the Orion Trio with the composer Cheltenham 1972. Score.

Aster was expertly composed in 1995 by Sadie Harrison . The piece was written in 6 different movements all varying in texture and mood. All six movements featured on Harrison 's 2001 album Taking Flight . This piece is for Female Voice Flute Violin Viola and Cello. Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko AlexSouth Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others. Aster was expertly composed in 1995 by Sadie Harrison . The piece was written in 6 different movements all varying in texture and mood. All six movements featured on Harrison 's2001 album Taking Flight . This piece is for Female Voice Flute Violin Viola and Cello. Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements fromindigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working alongside a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far.Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus ChamberOrchestra and many others.

For Vibraphone Quartet. For Vibraphone Quartet.

Waltzes for string orchestra. Waltzes for string orchestra.

For solo Violin. First published in 1998. First performance by Vania Lecuit ISCM World Music Days in Luxembourg 4th October 2000. For solo Violin. First published in 1998. First performance by Vania Lecuit ISCM World Music Days in Luxembourg 4th October 2000.

For Flute Tuba Piano Percussion. Published 1985. Commissioned by Bowery Ensemble New York. First performance: New York 1986 Bowery Ensemble. For Flute Tuba Piano Percussion. Published 1985. Commissioned by Bowery Ensemble New York. First performance: New York 1986 Bowery Ensemble.

Score for solo voices boys' choir girls' choir chamber choir chorus piano 3 Violins Handbell choir Rrgan 12 Trumpets and Orchestra. Score for solo voices boys' choir girls' choir chamber choir chorus piano 3 Violins Handbell choir Rrgan 12 Trumpets and Orchestra.

For Piano solo Flute(+Alto Flute) Clarinet Viola Cello and Chinese Bell. Published 1978. Commissioned by Gemini. First performance by Ronald Lumsden and Gemini conductor Peter Wiegold Bristol 1978. Score. For Piano solo Flute(+Alto Flute) Clarinet Viola Cello and Chinese Bell. Published 1978. Commissioned by Gemini. First performance by Ronald Lumsden and Gemini conductor Peter Wiegold Bristol 1978. Score.

For Flute Mime 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977. For Flute Mime 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977.

For Orchestra (triple winds). Published in 1977. 3(all+picc 3rd+afl).3(3rd+ca).3(3rd+Ebcl bcl).3(3rd+cbn) / 4.4.3(2T 1B).1 / amplified harp.pf.6perc / 12.12.12.10.8 Commissioned by BBC. First performance: BBCSO conductor Pierre Boulez Paris 1977. Score. For Orchestra (triple winds). Published in 1977. 3(all+picc 3rd+afl).3(3rd+ca).3(3rd+Ebcl bcl).3(3rd+cbn) / 4.4.3(2T 1B).1 / amplified harp.pf.6perc / 12.12.12.10.8 Commissioned by BBC. Firstperformance: BBCSO conductor Pierre Boulez Paris 1977. Score.

For Flute Clarinet Percussionist (Marimba and Vibraphone) Piano Violin and Cello. First published in 1999. For Flute Clarinet Percussionist (Marimba and Vibraphone) Piano Violin and Cello. First published in 1999.

For Tuba 3 Mimes Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival Rotterdam Holland 1979. For Tuba 3 Mimes Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival Rotterdam Holland 1979.

For Orchesta. Score. For Orchesta. Score.

For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Study Score. For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Study Score.

For Sopranino-Saxophone and Flute. Published 1978. Commissioned by Ryo Noda. First performance: Tokyo 1978 Ryo Noda (sax) Yukihiko Nishizawa (fl) For Sopranino-Saxophone and Flute. Published 1978. Commissioned by Ryo Noda. First performance: Tokyo 1978 Ryo Noda (sax) Yukihiko Nishizawa (fl)

For Flute Clarinet Violin Viola Cello and Piano. Commissioned by the Australia Ensemble. First performance: Sydney June 1985. For Flute Clarinet Violin Viola Cello and Piano. Commissioned by the Australia Ensemble. First performance: Sydney June 1985.

For SSATBB choir. For SSATBB choir.

For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recorded and broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992. For Orchestra (Triple Winds) For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989. Recordedand broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992.