Luís Tinoco’s Ends Meet was commissioned by the Câmara Municipal De Matosinhos and was first performed by Pedro Carneiro and the ensemble ‘Stroma’ at the NewZealand Arts Festival at Wellington Town Hall on the 12th of March 2002. This transcription for String ensemble was first performed by Pedro Carneiro and the Orquestra Clássica Da Madeira at the Teatro Municipal Baltazar Dias Funchal on the 5th of April 2014. Luís Tinoco’s Ends Meet was commissioned by the Câmara Municipal De Matosinhos and was first performed by Pedro Carneiro and the ensemble ‘Stroma’ at the NewZealand Arts Festival at Wellington Town Hall on the 12th of March 2002. This transcription for String ensemble was first performed by Pedro Carneiro and the Orquestra Clássica Da Madeira at the Teatro Municipal Baltazar Dias Funchal on the 5th of April 2014.

Paul Robinson 's The Triadic Riddles Of Water And Ice for three voices (SSA). Duration: 2 minutes Composed: 1998 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The Anglo Saxon riddles are perhaps more familiar to us than the source from which this riddle is taken (Symphosius). I have always sought opportunities to set Latin and given the international character of the summer school for which it was written Latin was a useful lingua franca. First performed in July 1998 by Trio Mediaeval on the Hilliard Summer School at St. Johns College Cambridge. Paul Robinson 's The Triadic Riddles Of Water And Ice for three voices (SSA). Duration: 2 minutes Composed: 1998 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. The Anglo Saxon riddles are perhaps more familiar to us than the source from which this riddle is taken (Symphosius). I have always sought opportunities to set Latin and given the international character of the summer school for which it was written Latin was a useful lingua franca. First performed in July 1998 by Trio Mediaeval on the Hilliard Summer School at St. Johns College Cambridge.

Concerto For Orchestra is a beautiful composition by Thomas Simaku . This fantastic composition was the award winning work of the international competition for Witold Lutos awski 's 100th birthday. Thomas Simaku 's Concerto For Orchestra is truly a stunning piece. This fantastic score is the perfect addition to any advanced Orchestra's repertoire. Concerto For Orchestra is a beautiful composition by Thomas Simaku . This fantastic composition was the award winning work of the international competition for Witold Lutos awski 's 100th birthday. Thomas Simaku 's Concerto For Orchestra is truly a stunning piece. This fantastic score is the perfect addition to any advanced Orchestra's repertoire.

Parts for String Quartet No.4 by George Nicholson. Written for the Ligeti String Quartet. Parts for String Quartet No.4 by George Nicholson. Written for the Ligeti String Quartet.

Ensemble-Commissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger. Instrumentation: Flutes: Piccolo (sounds an octave higher than written); Alto Flute Clarinets: Clarinet in Bb Bass Clarinet in Bb Percussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;. Percussionist requires a bow and hard and soft mallets Electric Guitar Bass Guitar Piano: Score is in CCommissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger. Instrumentation: Flutes: Piccolo (sounds an octave higher than written); AltoFlute Clarinets: Clarinet in Bb Bass Clarinet in Bb Percussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;.Percussionist requires a bow and hard and soft mallets Electric Guitar Bass Guitar Piano: Score is in C

Helleborus was composed in 2015 for Piano duo (1 Piano 4 hands). Commissioned by Satoko Inoue and written for Hildegard Kleeb and Satoko Inoue. Duration: 6'30 ' Helleborus ' was composed in 2015 for Piano duo (1 Piano 4 hands). Commissioned by Satoko Inoue and written for Hildegard Kleeb and Satoko Inoue. Duration: 6'30'

Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet Huntington Estate Music Festival 29th November 2015. This work is dedicated in memory to the late composer Peter Sculthorpe. Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet Huntington Estate Music Festival 29th November 2015. This work is dedicated in memory to the late composer Peter Sculthorpe.

Scored for Baritone/Narrator and Ensemble this humerous work takes its texts from various sources including internet spam! Baritone Voice/Narrator Flute Oboe Clarinet Bass Clarinet Bassoon French Horn Trumpet Trombone 2 Percussionists Piano and Keyboard Sampler Violin 1 Violin 2 Viola Cello Double Bass Scored for Baritone/Narrator and Ensemble this humerous work takes its texts from various sources including internet spam! Baritone Voice/Narrator Flute Oboe Clarinet BassClarinet Bassoon French Horn Trumpet Trombone 2 Percussionists Piano and Keyboard Sampler Violin 1 Violin 2 Viola Cello DoubleBass

For Violin Cello and Piano. Commissioned by the Bloomsbury Trio and first performed by them in the Church of St Magnus the Martyr London on 22nd November 2005. For Violin Cello and Piano. Commissioned by the Bloomsbury Trio and first performed by them in the Church of St Magnus the Martyr London on 22nd November 2005.

Hortus Musicae - Book 2 by Robert Saxton for solo Piano. Composed and published in 2016. Duration: 35 minutes. 1: The Flowers appear on the Earth 2: Light on the Water Garden 3: The Garden of Changing Perspective 4: Beech Bank (a la recherché)… 5: Light in the hedge garden 6: The Garden at twilight 7: Hortus Animae Alis Fugacis [The Garden of the Swift-Winged Spirit] Hortus Musicae Book 2 was premiered by Clare Hammond at the 2016 Presteigne festival with funds provided by the RVW Trust. Hortus Musicae - Book 2 by Robert Saxton for solo Piano. Composed and published in 2016. Duration: 35 minutes. 1: The Flowers appear on the Earth 2: Light on the Water Garden 3: The Garden of Changing Perspective 4: Beech Bank (a la recherché)… 5: Light in the hedge garden 6: The Garden at twilight 7: Hortus Animae Alis Fugacis [The Garden of the Swift-Winged Spirit] Hortus Musicae Book 2 was premiered by Clare Hammond at the 2016 Presteigne festival with funds provided by the RVW Trust.

Hope's Place by Anthony Gilbert. 18'18; for septet of 4 Wind and String trio. Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C Bassoon Violin Viola Cello. Commissioned for Clark Rundell and Ensemble 10/10. First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013. Hope's Place by Anthony Gilbert. 18'18'; for septet of 4 Wind and String trio. Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C; Bassoon; Violin; Viola; Cello. Commissioned for Clark Rundell and Ensemble 10/10. First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013.

Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movement with moments of harmonic transparency contrastingwith sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014) Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movementwith moments of harmonic transparency contrasting with sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014)

First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London. First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London.

Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music is highly repetitive with rhythm and pitch cycles used toimitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an attempt to dispel the evil spirits through the beauty of song. The piece was kindly commissioned by The Friends of Music at Wells Cathedral School and given its first performance by Nick Lum and Gemma Beeson at Wells Cathedral School on 23 June 2013. Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music ishighly repetitive with rhythm and pitch cycles used to imitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an a

James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007. James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007.

Score and part for Double Bass and Piano accompaniment. Score and part for Double Bass and Piano accompaniment.

James Weeks ' The Catford Harmony for Oboe Clarinet Alto Saxophone Piano Violin and Cello.Composed 2008 revised and published 2014. Duration: 8'30. Commissioned by Gwyn Pritchard. First performed by Uroboros Ensemble at The Warehouse London on 10th April 2008. James Weeks ' The Catford Harmony for Oboe Clarinet Alto Saxophone Piano Violin and Cello. Composed 2008 revised and published 2014. Duration: 8'30'. Commissioned by Gwyn Pritchard. First performed by Uroboros Ensemble at The Warehouse London on 10th April 2008.

Estrofas Del Viento by Hilda Paredes for Viola Da Gamba and Clarinet. Two Performing Scores.

Pack of 10 choral scores-Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. Pack of 10. (Single copies available - M570368242) Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. Pack of 10. (Single copies available - M570368242)

For two Alto Flutes Bass Flute Violin Viola Cello. Composed and published 2015. Walled Garden for String and Flute trios is a set of three pieces designed to be interleaved with Mala punica a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015 by Daniel Pioro (Violin) Robert Ames (Viola) Oliver Coates (Cello) Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes. For two Alto Flutes Bass Flute Violin Viola Cello. Composed and published 2015. Walled Garden for String and Flute trios is a set of three pieces designed to be interleaved with Mala punica a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015 by Daniel Pioro (Violin) Robert Ames (Viola) Oliver Coates (Cello) Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes.