For Trombone and Piano. Published 1982. Commissioned by Katsumi Hagiya. First performance: Tokyo 1982 Katsumi Hagiya (tb) Ritsuko Tsuchiya (pf). For Trombone and Piano. Published 1982. Commissioned by Katsumi Hagiya. First performance: Tokyo 1982 Katsumi Hagiya (tb) Ritsuko Tsuchiya (pf).

For Soprano Tenor Male Narrator and Ensemble. Published in 1970. Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists. Score. For Soprano Tenor Male Narrator and Ensemble. Published in 1970. Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists. Score.

Born Of The Stars-Texts by Stéphane Mallarmé. Commissioned by Katharine Durran and Alison Smart from The New French Song Project.First performance: Purcell Room London July 2004. Recorded on Metier Records MSV CD 92100. Texts by Stéphane Mallarmé. Commissioned by Katharine Durran and Alison Smart from The New French Song Project.First performance: Purcell Room London July 2004. Recorded on Metier Records MSV CD 92100.

For Oboe (Oboe d'Amour and Cor Anglias) and Percussion. First published in 2007. Includes separate scores for Oboe and Percussion. For Oboe (Oboe d'Amour and Cor Anglias) and Percussion. First published in 2007. Includes separate scores for Oboe and Percussion.

Written for Rohan de Saram For Solo Cello Duration: 11 minutes Published in 1997 Score Only. Written for Rohan de Saram For Solo Cello Duration: 11 minutes Published in 1997 Score Only.

For Violin Cello and Piano. Composed in 2008. Commissioned by Trio Arboz. Full Score. For Violin Cello and Piano. Composed in 2008. Commissioned by Trio Arboz. Full Score.

For Orchestra (double winds). Published in 1999. First performance (revised version): English Northern Philharmonia conducted by Elgar Howarth National Composer's Forum Sir Jack Lyons concert hall 29th April 1999. Score. For Orchestra (double winds). Published in 1999. First performance (revised version): English Northern Philharmonia conducted by Elgar Howarth National Composer's Forum Sir Jack Lyons concert hall 29th April1999. Score.

Thomas Simaku's Reflexions de la Croix I for Chamber Ensemble published in 2003. Alto Flute Clarinet (or Bass Clarinet) Piano Percussion Violin and Cello. First performed by the Concorde Ensemble Dublin 7th March 2004. Parts. Thomas Simaku's Reflexions de la Croix I for Chamber Ensemble published in 2003. Alto Flute Clarinet (or Bass Clarinet) Piano Percussion Violin and Cello. First performed by theConcorde Ensemble Dublin 7th March 2004. Parts.

For Trumpet (Flugelhorn) Percussion multi-track tape and live electronics. Study Score. For Trumpet (Flugelhorn) Percussion multi-track tape and live electronics. Study Score.

Published 2002. First performance: March 2003 Bollington Festival Tavec String Quartet. Published 2002. First performance: March 2003 Bollington Festival Tavec String Quartet.

20': soprano solo large choir brass band organ Written for the Sydney University Musical Society (SUMS) First performance: Intervarsity Music Festival Newcastle Town Hall Australia 25 January 2008. Sydney University Musical Society Waratah Brass band Vocal score. 20'; soprano solo large choir brass band organ Written for the Sydney University Musical Society (SUMS) First performance: Intervarsity Music Festival Newcastle Town Hall Australia 25 January 2008. Sydney UniversityMusical Society Waratah Brass band Vocal score.

Commissioned by the University of Birmingham Symphony Orchestra. First performance: Great Hall The University of Birmingham University of Birmingham Symphony Orchestra conducted by Vic Hoyland 1998. Commissioned by the University of Birmingham Symphony Orchestra. First performance: Great Hall The University of Birmingham University of Birmingham Symphony Orchestra conducted by Vic Hoyland 1998.

Published 1973. Commissioned by Yuri Takahashi. First performance: Tokyo 1974 Yuri Takahashi. Published 1973. Commissioned by Yuri Takahashi. First performance: Tokyo 1974 Yuri Takahashi.

Two Songs: The Colour And All In Green was expertly composed in 1997 by Sadie Harrison . This piece was first performed for the BMIC Cutting Edge Series in November 2004 at The Warehouse London by Sarah Leonard and Jonathan Powell . Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne areamong many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others. Two Songs: The Colour And All In Green was expertly composed in 1997 by Sadie Harrison . This piece was first performed for the BMIC Cutting Edge Series in November 2004 at The Warehouse London by Sarah Leonard and Jonathan Powell . Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry withher own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplishedmusicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and manyothers.

with footnotes-For Bass Clarinet 3 Cellos and Tape. First performed by Roger Heaton Sophie Harris Ruth Phillips Sarah Butcher Nottingham Playhouse 1993. Published 1993. Score. For Bass Clarinet 3 Cellos and Tape. First performed by Roger Heaton Sophie Harris Ruth Phillips Sarah Butcher Nottingham Playhouse 1993. Published 1993. Score.

For Flute Clarinet Percussion Viola and Cello. Published in 1969. Commissioned by Pierrot Players. First performed by Pierrot Players conducted by Harrison Birtwistle London 1969. Score. For Flute Clarinet Percussion Viola and Cello. Published in 1969. Commissioned by Pierrot Players. First performed by Pierrot Players conducted by Harrison Birtwistle London 1969. Score.

For Clarinet Bassoon piano Violin Viola Cello Published 1993 Commissioned by Edinburgh Contemporary Arts Trust. First performance: Edinburgh 1994 Hebrides Ensemble. For Clarinet Bassoon piano Violin Viola Cello Published 1993 Commissioned by Edinburgh Contemporary Arts Trust. First performance: Edinburgh 1994 Hebrides Ensemble.

For Vibraphone Quartet. For Vibraphone Quartet.

For Trombone prepaired Piano Harp 2 Banjos Double Bass Published 1972 First performance: Tokyo 1973 Norio Sato (banjo) Ayako Shinozaki (hp) Aki Takahashi (pno) et al. For Trombone prepaired Piano Harp 2 Banjos Double Bass Published 1972 First performance: Tokyo 1973 Norio Sato (banjo) Ayako Shinozaki (hp) Aki Takahashi (pno) et al.

For Oboe Bassoon Piano Guitar 2 Percussion Violin Published 1985. First performance: Tokyo 1985 Ryoichi Kawai (cond) Musica Practica Ensemble. For Oboe Bassoon Piano Guitar 2 Percussion Violin Published 1985. First performance: Tokyo 1985 Ryoichi Kawai (cond) Musica Practica Ensemble.