11 claims and a turn for student pianists for solo Piano. 11 claims and a turn for student pianists for solo Piano.

For SATB Choir. Published in 1984. Commissioned by the Choir of St James's Piccadilly. First performed by the Choir of St James's PIccadilly on 11th May 1984 conducted by Harry Bickett. Choral Score. For SATB Choir. Published in 1984. Commissioned by the Choir of St James's Piccadilly. First performed by the Choir of St James's PIccadilly on 11th May 1984 conducted by Harry Bickett. Choral Score.

For Bass Voice and Piano. Published in 1970. Text from the Opera 'Isis and Osiris' Op.74 First performed by David Read and Susan Bradshaw BBC. Score. For Bass Voice and Piano. Published in 1970. Text from the Opera 'Isis and Osiris' Op.74 First performed by David Read and Susan Bradshaw BBC. Score.

My music is influenced by all kinds of polyphonic writing - meaning both vocal and instrumental varieties. Recently I have become interested in the ways in which musical forms based on rhythmic processes can enable layering to emerge so that harmonies and textures coexist rather than resolve. Chamber Concerto scored for seven players (Flute Clarinet Bass Clarinet Horn Piano Violin Cello) works with this idea in a piece conceived for the virtuoso musicians of The New Music Players. The work is in four movements. - Ed Hughes Chamber Concerto was first performed by The New Music Players conducted by Patrick Bailey Kings Place London Out Hear Series 27September 2010. ' My music is influenced by all kinds of polyphonic writing - meaning both vocal and instrumental varieties. Recently I have become interested in the ways in which musical forms based on rhythmic processes can enablelayering to emerge so that harmonies and textures coexist rather than resolve. Chamber Concerto scored for seven players (Flute Clarinet Bass Clarinet Horn Piano Violin Cello) works with this idea in apiece conceived for the virtuoso musicians of The New Music Players. The work is in four movements. ' - Ed Hughes Chamber Concerto was first performed by The New MusicPlayers conducted by Patrick Bailey Kings Place London Out Hear Series 27 September 2010.

Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score. Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score.

15': Concerto for solo violin with string orchestra and percussion (1) 15'; Concerto for solo violin with string orchestra and percussion (1)

Study Score. For Viola and Orchestra. Study Score. For Viola and Orchestra.

For Soprano Flute Oboe and Violin. Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.For Soprano Flute Oboe and Violin. Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in anycombination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The durationof Wessex Heights is about an hour.

Written in 2006. Duration: 7 minutes. For clarinet and string quartet (after W. A. Mozart) Written for Sounds New Mozart NOW Festival. First performance 2006. Written in 2006. Duration: 7 minutes. For clarinet and string quartet (after W. A. Mozart) Written for Sounds New Mozart NOW Festival. First performance 2006.

Published 1991. Commissioned by Tokyo Summer Festival. First performance: Tokyo (Tokyo Summer Festival) 1991 Yasunori Yamaguchi Sumire Yoshihara Atsushi Sugawara. Published 1991. Commissioned by Tokyo Summer Festival. First performance: Tokyo (Tokyo Summer Festival) 1991 Yasunori Yamaguchi Sumire Yoshihara Atsushi Sugawara.

For Soprano (or any voice). Published in 1979. Text by Graves. First performed by Dorothy Dorow BBC 18th January 1983. Score. For Soprano (or any voice). Published in 1979. Text by Graves. First performed by Dorothy Dorow BBC 18th January 1983. Score.

Revised October 2016-Jeremy Dale Roberts' Capriccio for Violin and Piano. First performed by Frances Mason and Roger Smalley first broadcast by Yfrah Neaman and Howard Ferguson. Published in 1965. Revised in October 2016. Jeremy Dale Roberts' Capriccio for Violin and Piano. First performed by Frances Mason and Roger Smalley first broadcast by Yfrah Neaman and Howard Ferguson. Published in 1965.Revised in October 2016.

For Recorder and Piano. For Recorder and Piano.

For Quartet of Male Voices - 3 Tenors and 1 Bass. Vocal Score. For Quartet of Male Voices - 3 Tenors and 1 Bass. Vocal Score.

For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978. For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978.

Published 2003. Solo Violin and Orchestra. Published 2003. Solo Violin and Orchestra.

For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Alongupon The duration of Wessex Heights is about an hour.

For Piano Violin and Cello. Published 2004. Commissioned by the City of London Festival for the Piano Trio of Vienna. First performance: Piano Trio of Vienna City of London Festival LSO St Lukes Old Street London 23 June 2004. Score and parts. For Piano Violin and Cello. Published 2004. Commissioned by the City of London Festival for the Piano Trio of Vienna. First performance: Piano Trio of Vienna City of London Festival LSO St Lukes OldStreet London 23 June 2004. Score and parts.

Published 1977. First performance: Janet Craxton Perry Hart Redcliffe Concert 21st January 1981. Published 1977. First performance: Janet Craxton Perry Hart Redcliffe Concert 21st January 1981.

For String Quartet. Published 1976. First performance: Medici Quartet York 12th June 1976. For String Quartet. Published 1976. First performance: Medici Quartet York 12th June 1976.