Rainy Days

Yuya

In All The Galaxies

Albiga

Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015. Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015.

Songs from The Solitary Dreamer-For solo Soprano and Orchestra. First performed and recorded by Raquel Camarinha (Soprano) and the Gulbenkian Orchestra conducted by David Alan Miller at the Gulbenkian Auditorium in June 2012. For solo Soprano and Orchestra. First performed and recorded by Raquel Camarinha (Soprano) and the Gulbenkian Orchestra conducted by David Alan Miller at the Gulbenkian Auditorium in June 2012.

James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom. James Weeks ' Sacred Muses for Trumpet and Organ. 2 x performing scores. Sacred Muses is a transcription of Byrd’s elegy for Tallis Ye Sacred Muses in which the original has undergone a process of erosion into a new form. It was written at the request of Alison Balsom.

Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30 ' Even more than Schoenberg’s or Webern’s Berg’s music made an enormous impact on me during the late 1950s and early 1960s when studying with Alexander Goehr. Work on this little piece was commenced on the 25th anniversary of Berg’s death and to commemorate the first performance of his Piano Sonata in April 1911 it was first performed in April 1961 by the pianist and composer Madeleine Coates Russell at a our own ‘society for private performances’ in London. Its shape is simple - a stage-by-stage progression from slow and gentle to a dense climax at double speed then a return to the spirit if not the material of the opening. Its public première the first of any of mycompositions was given by Susan Bradshaw at a Macnaghten Concert in November 1961. It was awarded Morley College’s Fricker Composition Prize. ' - Anthony Gilbert Recorded on Prima Facie PFCD007 'Piano Music' by Richard Casey/Ian Buckle. Duration: 2'30'

E - Parts-Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for short cuts. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated. Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets and one bass Clarinet. The work's main purpose is to play with two possible meanings for 'short cuts'. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated.

– Nyx was expertly composed by Evis Sammoutis for Bassoon and Piano. The piece was completed in 2013 and performed at the 62 Internationaler Musikwettbewerb der ARD München. The Cypriote born composer has worked with some of the worlds leading composers including among many others Brian Ferneyhough Georges Aperghis George Benjamin as well as studying under Thomas Simaku for his Phd in Musical Composition. Sammoutis ’ works have been commissioned by festivals and organisations such as Venice Biennale Klangspuren Royaumont and ARD and performed at leading festivals and contemporary music seriesin more than 40 countries across the globe. Sammoutis has been awarded over 35 compositional awards including among many others the Royal Philharmonic Society Award and the Irino Prize.

For two Alto Flutes Bass Flute Violin Viola Cello. Composed and published 2015. Walled Garden for String and Flute trios is a set of three pieces designed to be interleaved with Mala punica a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015 by Daniel Pioro (Violin) Robert Ames (Viola) Oliver Coates (Cello) Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes. For two Alto Flutes Bass Flute Violin Viola Cello. Composed and published 2015. Walled Garden for String and Flute trios is a set of three pieces designed to be interleaved with Mala punica a sequence of canons for eight-voiced vocal ensemble written in 2008-9. Commissioned by Spitalfields Music and first performed with Mala punica at Spitalfields Music Summer Festival on 3rd June 2015 by Daniel Pioro (Violin) Robert Ames (Viola) Oliver Coates (Cello) Jane Mitchell and Rebecca Larsen (Alto Flutes) and Helen Keen (Bass Flute). Duration: c. 24 minutes.

Pack of 10 choral scores-Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. Pack of 10. (Single copies available - M570368242) Venetian Sky was commissioned by Sage Gateshead. It was written for the second CoMA Festival of Contemporary Music for All and first performed by all-comer workshop participants alongside members of Royal Northern Sinfonia and Chorus and the New Tyneside Orchestra at Sage Gateshead on 3rd and 4th March 2018. Pack of 10. (Single copies available - M570368242)

Estrofas Del Viento by Hilda Paredes for Viola Da Gamba and Clarinet. Two Performing Scores.

James Weeks ' The Catford Harmony for Oboe Clarinet Alto Saxophone Piano Violin and Cello.Composed 2008 revised and published 2014. Duration: 8'30. Commissioned by Gwyn Pritchard. First performed by Uroboros Ensemble at The Warehouse London on 10th April 2008. James Weeks ' The Catford Harmony for Oboe Clarinet Alto Saxophone Piano Violin and Cello. Composed 2008 revised and published 2014. Duration: 8'30'. Commissioned by Gwyn Pritchard. First performed by Uroboros Ensemble at The Warehouse London on 10th April 2008.

Score and part for Double Bass and Piano accompaniment. Score and part for Double Bass and Piano accompaniment.

James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007. James Weeks ' Stacking Weaving Building Joining for any number of pitched instruments (at least six). Performing score. Stacking Weaving Building Joining was first performed by The Hola with CoMA Sussex Brighton March 2007.

Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music is highly repetitive with rhythm and pitch cycles used toimitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an attempt to dispel the evil spirits through the beauty of song. The piece was kindly commissioned by The Friends of Music at Wells Cathedral School and given its first performance by Nick Lum and Gemma Beeson at Wells Cathedral School on 23 June 2013. Sadie Harrison 's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes. Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ghost' in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country's annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with gongs' kendang drums' and bamboo flutes'. The music ishighly repetitive with rhythm and pitch cycles used to imitate the structure of much gamelan music. The piece is divided into three main sections. The first and last are dark and menacing marked a slow procession of spirits'. The central section entitled The ghost's dance' is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night. The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an a

First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London. First performed by Ruth Nicholson on May 24th 2012 at Royal Holloway College London.

Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movement with moments of harmonic transparency contrastingwith sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014) Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A3 Conductor's score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movementwith moments of harmonic transparency contrasting with sections of greater modal complexity. There are some sections which also feature soloists in the Orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014)

Hope's Place by Anthony Gilbert. 18'18; for septet of 4 Wind and String trio. Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C Bassoon Violin Viola Cello. Commissioned for Clark Rundell and Ensemble 10/10. First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013. Hope's Place by Anthony Gilbert. 18'18'; for septet of 4 Wind and String trio. Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet in Bb & Clarinet in A or Basset Clarinet in A with extension to low written C; Bassoon; Violin; Viola; Cello. Commissioned for Clark Rundell and Ensemble 10/10. First performance by Ensemble 10/10 dir. Clark Rundell at The Cornerstone Liverpool Hope University on 16th October 2013.