For any two melody instruments of the same kind. Published 1973. Commissioned by Ayako Shinozaki. First performance: Tokyo 1973 Ayako Shinozaki (solo ensemble using pre-recorded tape). For any two melody instruments of the same kind. Published 1973. Commissioned by Ayako Shinozaki. First performance: Tokyo 1973 Ayako Shinozaki (solo ensemble using pre-recorded tape).

Electric Guitar and String Quartet. Published 1975. First performance: Mitchell Dalton Chilingirian String Quartet Bat 2nd July 1976. Electric Guitar and String Quartet. Published 1975. First performance: Mitchell Dalton Chilingirian String Quartet Bat 2nd July 1976.

For Viola and Piano. Score. First performance: Dan Shilladay (Viola) Peter White (Piano) Barber Institute University of Birmingham 21st May 2001. For Viola and Piano. Score. First performance: Dan Shilladay (Viola) Peter White (Piano) Barber Institute University of Birmingham 21st May 2001.

For monochord counter-tenor tenors 1 & 2 and baritone. Vocal score. For monochord counter-tenor tenors 1 & 2 and baritone. Vocal score.

For Counter-Tenor and String Quartet. Score. For Counter-Tenor and String Quartet. Score.

Written to commemorate the 20th anniversary of the Ensemble L'ART POUR L'ART. Written to commemorate the 20th anniversary of the Ensemble L'ART POUR L'ART.

For Percussion. Published in 2002. Commissioned by the Swedish Arts Festival. First performed by Mika Takehara Stockholm Sweden September 2002. Score. For Percussion. Published in 2002. Commissioned by the Swedish Arts Festival. First performed by Mika Takehara Stockholm Sweden September 2002. Score.

For SATB (with divisi). Published 2008. Score. For SATB (with divisi). Published 2008. Score.

Published 1981. First performance: Michael Finnissy Purcell Room 28th October 1984. Published 1981. First performance: Michael Finnissy Purcell Room 28th October 1984.

For solo Trombone. First performance given by Heider Nasralla 14th May 2011 at the Anthony Burgess Institute Manchester. For solo Trombone. First performance given by Heider Nasralla 14th May 2011 at the Anthony Burgess Institute Manchester.

For Choir (SATTBarB). For Choir (SATTBarB).

For choir (SSATB) and Organ. Published 2004. Commissioned by St Catharine's College Cambridge for the 300th anniversary of the consecration of the chapel. First performance: Dr Edward Wickham Max Pappenheinz (organ scholar) and the St Catharine's Chapel Choir 25th November 2004. Conducting and organ score. For choir (SSATB) and Organ. Published 2004. Commissioned by St Catharine's College Cambridge for the 300th anniversary of the consecration of the chapel. First performance: Dr Edward Wickham Max Pappenheinz(organ scholar) and the St Catharine's Chapel Choir 25th November 2004. Conducting and organ score.

For Orchestra (triple winds). Published 1967. First performance: BBC Training Orchestra conducted by Walter Susskind 16th February 1969. For Orchestra (triple winds). Published 1967. First performance: BBC Training Orchestra conducted by Walter Susskind 16th February 1969.

Jeremy Dale Roberts ' Spoken To A Bronze Head (2009) for Mezzo Soprano and Piano. This is a setting for text by Ursula Vaughan Williams . ' In all the long years that I knew her – and it was a matter of regret between us – I never set a word of Ursula’s poetry. It was only after her death when I was asked to contribute a setting of one of her poems to a celebratory concert held at the Royal College of Music that I ‘jumped’: I knew immediately which one I wanted to do – lines ‘Spoken to a Bronze Head’. This was the portrait bust of RVW made by David McFall: not the Jacob Epstein which neither of them liked very much. It stood always in her sitting room a benign presence a‘virtual’ companion in her long widowhood. My setting is in an ‘arioso’ style quite simple and austere – maybe to match the rather ‘Augustan’ style of the verse. It is of course a memorial also a salute: and I wanted to enshrine in it the two of them Ralph and Ursula. So at the heart of it is a clangourous bronze-like chord lifted from the last movement of VW’s 6th Symphony from which I quote a passage just before the conclusion . - Jeremy Dale Roberts Jeremy Dale Roberts ' Spoken To A Bronze Head (2009) for Mezzo Soprano and Piano. This is a setting for text by Ursula Vaughan Williams . ' In all the long years that I knew her – andit was a matter of regret between us – I never set a word of Ursula’s poetry. It was only after her death when I was asked to contribute a setting of one of her poems to a celebratory concert held at the Royal College of Musicthat I ‘jumped’: I knew immediately which one I wanted to do – lines ‘Spoken to a Bronze Head’. This was the portrait bust of RVW made by David McFall: not the Jacob Epstein which neither of them liked very much. It stood alwaysin her sitting room a benign presence a ‘virtual’ companion in her long widowhood. My setting is in an ‘arioso’ style quite simple and austere – maybe to match the rather ‘Augustan’ style of the verse. It is of course amemorial also a salute: and I wanted to enshrine in it the two of them Ralph and Ursula. So at the heart of it is a clangourous bronze-like chord lifted from the last movement of VW’s 6th Symphony from which I quote a passagejust before the conclusion . - Jeremy Dale Roberts

For Baritone and Piano. First performed by John Muriello and David Gompper first broadcast by Stephen Varcoe and John Constable. Published in 1976. Score. For Baritone and Piano. First performed by John Muriello and David Gompper first broadcast by Stephen Varcoe and John Constable. Published in 1976. Score.

For Voice Percussion and Strings. Commissioned by the Vigani Project 2007 First performance: Lesley-Jane Rogers Farran Scott and members of the Cambridge Music Faculty The Long Gallery of Queen's College Cambridge 17 March 2007. For Voice Percussion and Strings. Commissioned by the Vigani Project 2007 First performance: Lesley-Jane Rogers Farran Scott and members of the Cambridge Music Faculty The Long Gallery of Queen's College Cambridge 17March 2007.

Published 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum New York in celebration of Les Murray. First performance: Elizabeth Farnum (sop) Curtis Macomber (vn) New York June 2002. Published 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum New York in celebration of Les Murray. First performance: Elizabeth Farnum (sop) Curtis Macomber (vn) New York June 2002.

For Wind Quintet. Flute (Piccolo Alto Flute) Oboe (Cor Anglais) Clarinet (Bass Clarinet) Bassoon and French Horn. Commissioned by the 4th Mafra International Music Festival. First performed by the Galliard Ensemble 21st October 2000. Published in 2000. Score. For Wind Quintet. Flute (Piccolo Alto Flute) Oboe (Cor Anglais) Clarinet (Bass Clarinet) Bassoon and French Horn. Commissioned by the 4th Mafra International Music Festival. First performed by the GalliardEnsemble 21st October 2000. Published in 2000. Score.

For Soprano Violin Viola and Cello. Published in 1971. Score. For Soprano Violin Viola and Cello. Published in 1971. Score.

A scene from an opera for 4 players. Clarinet. Horn in F Viola and Cello.