For 5 instruments: Flute Clarinet Harp Piano Percussion. Published 1986. Commissioned by Ensemble ARK Tokyo. First performance: Tokyo 1986 Ensemble ARK. For 5 instruments: Flute Clarinet Harp Piano Percussion. Published 1986. Commissioned by Ensemble ARK Tokyo. First performance: Tokyo 1986 Ensemble ARK.

For 6 amplified voice and minimal percussion. First published in 1980. First performed by Singcircle at St. John's Smith Square 1980. For 6 amplified voice and minimal percussion. First published in 1980. First performed by Singcircle at St. John's Smith Square 1980.

For unison children's voices and strings (or with Piano). Published in 1994. Six poems of Jessica George (1984-94) First performance by Jessica's friends St Olave's Church York on 22nd October 1994. Vocal Score. For unison children's voices and strings (or with Piano). Published in 1994. Six poems of Jessica George (1984-94) First performance by Jessica's friends St Olave's Church York on 22nd October1994. Vocal Score.

For String Orchestra (5.4.2.2.1) Published in 1988. Commissioned by John Lubbock and the Orchestra of St John's for the 21st anniversary of the Orchestra. Score. For String Orchestra (5.4.2.2.1) Published in 1988. Commissioned by John Lubbock and the Orchestra of St John's for the 21st anniversary of the Orchestra. Score.

For amplified voices and quad or stereo tape. FIrst published in 1988. First performed by Electric Phoenix at the Huddersfield Contemporary Musci Festival 1988. For amplified voices and quad or stereo tape. FIrst published in 1988. First performed by Electric Phoenix at the Huddersfield Contemporary Musci Festival 1988.

Vocal Score-Vocal Score for Mezzo-Soprano and Female Chorus Vocal Score for Mezzo-Soprano and Female Chorus

Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests his mother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit of Gabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end of time there to livein eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narrator whose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for a work Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75th anniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd ’s personal musical aesthetic which she describes as the intersection of Christian Love with Buddhist silence. Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work

For Flute Bass Clarinet Flugelhorn Violin and Double Bass. Published in 1985. Commissioned by Lysis with funds made available by the Arts Council of Great Britain. First performed by Lysis at the Purcell Room London 14th January 1986. Score. For Flute Bass Clarinet Flugelhorn Violin and Double Bass. Published in 1985. Commissioned by Lysis with funds made available by the Arts Council of Great Britain. First performed by Lysis at the PurcellRoom London 14th January 1986. Score.

Winsen Dance Step was expertly composed by Jo Kondo for Flute Vibraphone and Guitar in 1995. This selection includes 3 performance scores. Winsen Dance Step was commissioned by Ensemble L'ART POUR L'ART (Germany). First performed in Munich 1996 by Ensemble L'ART POUR L'ART. Winsen Dance Step was expertly composed by Jo Kondo for Flute Vibraphone and Guitar in 1995. This selection includes 3 performance scores. Winsen Dance Step wascommissioned by Ensemble L'ART POUR L'ART (Germany). First performed in Munich 1996 by Ensemble L'ART POUR L'ART.

David Blake 's Diversions On Themes Of Hanns Eisler for Alto Saxophone and Piano. David Blake 's Diversions On Themes Of Hanns Eisler for Alto Saxophone and Piano.

Published in 1994 and commissioned by Tall Poppies. First performed by Ian Munro. Pieces 1 and 5 are also featured in the Pianthology collection. For Solo Piano. Published in 1994 and commissioned by Tall Poppies. First performed by Ian Munro. Pieces 1 and 5 are also featured in the Pianthology collection. For Solo Piano.

Aster was expertly composed in 1995 by Sadie Harrison . The piece was written in 6 different movements all varying in texture and mood; all six movments featured on Harrison 's 2001 album Taking Flight . Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had theprivilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and many others. Aster was expertly composed in 1995 by Sadie Harrison . The piece was written in 6 different movements all varying in texture and mood; all six movments featured on Harrison 's 2001 album Taking Flight . Australian born freelance composer and performer Sadie Harrison ’s unique fusion of elements from indigenous Lithuanian music and poetry withher own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplishedmusicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances of Harrison 's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and manyothers.

For Soprano Flute Percussion and Cello. For Soprano Flute Percussion and Cello.

For Mandolin. Published 1988. Commissioned by Masayuki Kawaguchi. For Mandolin. Published 1988. Commissioned by Masayuki Kawaguchi.

For Clarinet Trumpet Piano 2 Percussion Double Bass. Commissioned by ARRAYMUSIC Toronto. First performance: Toronto 1993 ARRAYMUSIC. For Clarinet Trumpet Piano 2 Percussion Double Bass. Commissioned by ARRAYMUSIC Toronto. First performance: Toronto 1993 ARRAYMUSIC.

For Oboe and Percussion (optional 2nd perc). Published 2000. First performance: Dartington Festival UK Melinda Maxwell (oboe) Richard Benjafield (perc). For Oboe and Percussion (optional 2nd perc). Published 2000. First performance: Dartington Festival UK Melinda Maxwell (oboe) Richard Benjafield (perc).

Commissioned by Northern Sinfonia. First performance: Adrian Clarke and the Northern Sinfonia conducted by Lionel Friend Central Hall York 3rd February 1995. Commissioned by Northern Sinfonia. First performance: Adrian Clarke and the Northern Sinfonia conducted by Lionel Friend Central Hall York 3rd February 1995.

For solo Cello. Published 1999. Commissioned by Steven Isserlis with funds from the John S Cohen Foundation. First performance: Steven Isserlis Aldeburgh Festival 10th June 2000. Score. For solo Cello. Published 1999. Commissioned by Steven Isserlis with funds from the John S Cohen Foundation. First performance: Steven Isserlis Aldeburgh Festival 10th June 2000. Score.

For Piano with Ensemble (Flute Clarinet Horn Trumpet 2 Violins Viola Cello Double Bass) Commissioned by Shuku Iwasaki and 'Music In Style' (Japan).First performance: Kamo 1986 Shuku Iwasaki (Piano) Ryoichi Kawai (cond) et al.Recorded on ALCD-36. For Piano with Ensemble (Flute Clarinet Horn Trumpet 2 Violins Viola Cello Double Bass) Commissioned by Shuku Iwasaki and 'Music In Style' (Japan).First performance: Kamo 1986 Shuku Iwasaki (Piano) Ryoichi Kawai(cond) et al.Recorded on ALCD-36.

For solo Guitar. Published in 1999. First performed by David Starobin Wigmore Hall December 1999. For solo Guitar. Published in 1999. First performed by David Starobin Wigmore Hall December 1999.