For Flute Clarinet Horn Piano Percussion Violin Viola Cello and Double Bass. Score. For Flute Clarinet Horn Piano Percussion Violin Viola Cello and Double Bass. Score.

James Weeks ' Sky for Clarinet in B flat and Electronics. Composed 2010 published 2013. Duration: 30 minutes. Sky can be performed as a solo or as part of TIDE with Burnham Air (solo Oboe D'Amore) and Tide (solo Cello with BACH bow). First performed by Andrew Sparling (Clarinet) with Paul Archbold (Electronics) Flowers East Gallery London 21st June 2010. Recorded by Andrew Sparling on TIDE MSV28532. James Weeks ' Sky for Clarinet in B flat and Electronics. Composed 2010 published 2013. Duration: 30 minutes. Sky can be performed as a solo or as part of TIDE with Burnham Air(solo Oboe D'Amore) and Tide (solo Cello with BACH bow). First performed by Andrew Sparling (Clarinet) with Paul Archbold (Electronics) Flowers East Gallery London 21st June 2010. Recorded by Andrew Sparling on TIDE MSV28532.

(Trias) by Evis Sammoutis was first performed 29 June 2003 at Tanglewood Festival USA by Tanglewood Music Centre Fellows & Laura Jackson conductor. 10'; for clarinet (doubling bass clarinet) horn percussion and cello

James Weeks ' Digger for solo Guitar. This work is dedicated to John Habron and Bethan James on the occasion of their wedding 27 March 2010. It was commissioned and first performed by Stephen Chase Bank St Arts Sheffield 21 April 2010. James Weeks ' Digger for solo Guitar. This work is dedicated to John Habron and Bethan James on the occasion of their wedding 27 March 2010. It was commissioned and first performed by Stephen Chase Bank St Arts Sheffield 21 April 2010.

D - Score-Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets one bass Clarinet and one Percussionist (Vibraphone and Marimba). The work's main purpose is to play with two possible meanings for Short Cuts . That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated. Short Cuts was commissioned by the Apollo Saxophone Quartet in 2003/4 and was originally scored for two sopranos one tenor and one baritone. This new version however asks for a different scoring of three Bb Clarinets one bass Clarinet and one Percussionist (Vibraphone and Marimba). The work's main purpose is to play with two possible meanings for ' Short Cuts '. That is both with the idea of sharp and cutting musical gestures and the idea of taking a different shorter path to reach a specific destination. But most of all it was written thinking of the wonderful sonority and the rare qualities of the ASQ to whom the work was dedicated.

Sadie Harrison 's My Hazara People for Voice and String Orchestra. This work sets a text by Shukria Rezaei.

Two Songs For Female Chorus by Jo Kondo. Texts by Ariake Kanbara ('Random Thought' and 'Vermilion Patches'). Commissioned by Female Choir Akatsuki. 7'30; for SSA choir. Two Songs For Female Chorus by Jo Kondo. Texts by Ariake Kanbara ('Random Thought' and 'Vermilion Patches'). Commissioned by Female Choir Akatsuki. 7'30'; for SSA choir.

Rough Cut for solo Violin. Composed and published 2015. Duration: 5'10. Winner of the Contemporary Music Research Centre Call for Scores. Rough Cut was composed in the spring of 2015 for the CMRC call for scores and was first performed by Peter Sheppard Skaerved at a solo recital in the National Centre for Early Music in June that year. Rough Cut for solo Violin. Composed and published 2015. Duration: 5'10'. Winner of the Contemporary Music Research Centre Call for Scores. Rough Cut was composed in the spring of 2015 for the CMRC call for scores and was first performed by Peter Sheppard Skaerved at a solo recital in the National Centre for Early Music in June that year.

Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This piece was written as an introduction to a gig we did at the York Spring Festival in 2004. It sets my own text and is influenced by 'Our Prayer' heard on Brian Wilson's album Smile as well as the Belgian/Central African a cappella group Zap Mama and the soundtrack to the film Belleville Rendez-Vous. It was first performed by Juice at York Spring Festival in May 2004. Kerry Andrew 's Lullaby For The Witching Hour for three voices (SSA). Duration: 4 minutes Composed: 2004 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This piece was written as an introduction to a gig we did at the York Spring Festival in 2004. It sets my own text and is influenced by 'Our Prayer' heard on Brian Wilson's album Smile as well as the Belgian/Central African a cappella group Zap Mama and the soundtrack to the film Belleville Rendez-Vous. It was first performed by Juice at York Spring Festival in May 2004.

For Soprano Mezzo Countertenor Tenor Baritone Ensemble and Electronics. Singers: Eurydice (Soprano) Princess (Mezzo) Loved One (Countertenor) Orpheus (Tenor) Poet (Baritone) Ensemble: Flute (doubling Piccolo/Alto Flute) Clarinet (doubling Bass Clarinet) Horn Trumpet Percussion (1 player: Timpani Bass Drum 4 x Toms Glockenspiel Vibraphone) Typewriter (to be performed by a member of the ensemble) Harp Piano Violin 1 Violin 2 Viola Cello Double Bass ElectronicsFor Soprano Mezzo Countertenor Tenor Baritone Ensemble and Electronics. Singers: Eurydice (Soprano) Princess (Mezzo) Loved One (Countertenor) Orpheus (Tenor) Poet(Baritone) Ensemble: Flute (doubling Piccolo/Alto Flute) Clarinet (doubling Bass Clarinet) Horn Trumpet Percussion (1 player: Timpani Bass Drum 4 x Toms Glockenspiel Vibraphone) Typewriter (to be performed by a member of the ensemble) Harp Piano Violin 1 Violin 2 Viola Cello Double Bass Electronics

James Weeks' A Tear was commissioned by The Organ Project Union Chapel and first performed by Eclectic Voices (Scott Stroman director) at Union Chapel London on 18th April 2014. This arrangement is for mixed-voice Choir with Organ accompaniment. James Weeks' A Tear was commissioned by The Organ Project Union Chapel and first performed by Eclectic Voices (Scott Stroman director) at Union Chapel London on 18th April 2014. This arrangement is for mixed-voice Choir with Organ accompaniment.

B4 Piano Reduction And Solo Part-Matthew Roddie 's Horn Concerto for solo Horn in F and Orchestra. Reduction for Horn and Piano. Composed and published 2016. Duration: c. 24 minutes. Matthew Roddie 's Horn Concerto for solo Horn in F and Orchestra. Reduction for Horn and Piano. Composed and published 2016. Duration: c. 24 minutes.

Sadie Harrison 's ...Around And A Round... version for solo Piano. This work is dedicated to John Law. Sadie Harrison 's ...Around And A Round... version for solo Piano. This work is dedicated to John Law.

Jo Kondo 's Caccia for Toy Piano. Duration: 4 minutes. Composed and published in 2016. Commissioned by Phyllis Chen with funds provided by New Music America. Jo Kondo 's Caccia for Toy Piano. Duration: 4 minutes. Composed and published in 2016. Commissioned by Phyllis Chen with funds provided by New Music America.

3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F. 3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F.

In James Weeks ' Three Trios musical material is stripped back towards a point at which it marks little more than the time passing; a study in pure structure (a canonic motet) and content nearing transparency (a window nearly); the present as materialised poignant space. Duration: 8 minutes. In James Weeks ' Three Trios musical material is stripped back towards a point at which it marks little more than the time passing; a study in pure structure (a canonic motet) and content nearing transparency (a window nearly); the present as materialised poignant space. Duration: 8 minutes.

Thomas Simaku 's Albanian Folk Song 'My Beautiful Morea' for Violin Cello and Guitar. Score and parts.

6 Performance Scores-6 performance scores for Balkan Dances And Laments by Nigel Osborne. For Oboe violin viola 'cello and piano. 6 performance scores for Balkan Dances And Laments by Nigel Osborne. For Oboe violin viola 'cello and piano.

For Solo Piano. Written for Joseph Houston. For Solo Piano. Written for Joseph Houston.

Jo Kondo 's Caccia Soave for solo Piano. Composed and published in 2016. This work is based on Caccia for toy Piano. Duration: ca. 5 minutes. Jo Kondo 's Caccia Soave for solo Piano. Composed and published in 2016. This work is based on Caccia for toy Piano. Duration: ca. 5 minutes.