version I-Four pieces for solo piano Four pieces for solo piano

For eleven players. Published 1999. 1(+afl).0.1(=bcl).1 / 1.0.1.0 / pf.perc / 1.0.1.1.1 Commissioned by the CCB/Fundacao das Descobertas. First performance: Lisbon Metropolitan Orchestra Soloists conducted by Jean-Marc Burfin Centro Cultural de Belem 17th March 1999. Score. For eleven players. Published 1999. 1(+afl).0.1(=bcl).1 / 1.0.1.0 / pf.perc / 1.0.1.1.1 Commissioned by the CCB/Fundacao das Descobertas. First performance: Lisbon Metropolitan Orchestra Soloists conducted byJean-Marc Burfin Centro Cultural de Belem 17th March 1999. Score.

Published 1963. First performance: Janet Craxton Wigmore Hall 1965. Published 1963. First performance: Janet Craxton Wigmore Hall 1965.

For Violin Horn and Piano. Published in 2007. First performed at the University of Sheffield. Parts. For Violin Horn and Piano. Published in 2007. First performed at the University of Sheffield. Parts.

for clarinet (Eb/A) oboe(+cor anglais) viola harp for clarinet (Eb/A) oboe(+cor anglais) viola harp

For Guitar. Published in 1991-94 revised in 2003. First performed by Charles Ramirez West Dean College 25th August 1995. For Guitar. Published in 1991-94 revised in 2003. First performed by Charles Ramirez West Dean College 25th August 1995.

For brass quintet (1.2.1.1) Published 1999 Commissioned by the Quinteto de Metais do Seixal. First performance: The Wallace Collection Ocean Room London 26th November 2001. Parts. For brass quintet (1.2.1.1) Published 1999 Commissioned by the Quinteto de Metais do Seixal. First performance: The Wallace Collection Ocean Room London 26th November 2001. Parts.

For Speaker and Orchestra. 2(2nd=picc).2 (2nd=ca).2(2nd=bcl).2(2nd=cbn) / 2.2.1.0 / hp.pno.3perc / str / cd text (in English) by Terry Jones commissioned by the Orquestra Metropolitana de Lisboa First performance: Joäo Reis (speaker) and the Orquestra Metropolitana de Lisboa Cesário Costa (cond.) Teatro Municipal de S.Luiz Lisboa 10 March 2006. Score For Speaker and Orchestra. 2(2nd=picc).2 (2nd=ca).2(2nd=bcl).2(2nd=cbn) / 2.2.1.0 / hp.pno.3perc / str / cd text (in English) by Terry Jones commissioned by the Orquestra Metropolitana de Lisboa Firstperformance: Joäo Reis (speaker) and the Orquestra Metropolitana de Lisboa Cesário Costa (cond.) Teatro Municipal de S.Luiz Lisboa 10 March 2006. Score

For Flute (Piccolo Alto Flute Basss Flute) Clarinet (Bass Clarinet) Piano Violin Viola and Cello. Published in 2005. Commissioned by the Onix Ensemble. Parts. For Flute (Piccolo Alto Flute Basss Flute) Clarinet (Bass Clarinet) Piano Violin Viola and Cello. Published in 2005. Commissioned by the Onix Ensemble. Parts.

Commissioned by the Quatuor Bozzini with the assistance of the Japan-Canada Fund a gift to the Canada Council for the Arts from the Government of Japan. Commissioned by the Quatuor Bozzini with the assistance of the Japan-Canada Fund a gift to the Canada Council for the Arts from the Government of Japan.

For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score. For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score.

For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981. For Horn and String Quartet (or Violin 2 Violas Cello). Published 1981. First performance: Locrain Quartet 9th October 1981.

Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musical direction. My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railway compartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Their tales are not told publicly but in theirown imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. This introspection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. The result is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey. - Stephen Plaice Luis Tinoco (Composer) and Stephen Plaice (Libretto) wrote 'Paint Me' and Opera for six singers and Chamber Orchestra. Rui Horta and Joana Carneiro are responsible for the stage direction and the musicaldirection. 'My idea in writing Paint Me was to bring together six characters all of whom have a prolific imaginative interior life and to explore what they would make of each other in the confines of a railwaycompartment. The model for my libretto is Geoffrey Chaucer’s The Canterbury Tales. The travellers in Paint Me are also on their way to Canterbury but they are strangers thrown together by the randomness of modern travel. Theirtales are not told publicly but in their own imaginations. Most journeys in the modern age are anonymous and conducted in silence. We have only a visual or perhaps manneristic impression of the people sitting opposite us. Thisintrospection in public opens up a private fantasy space in which our fellow travellers can become the characters in instant psychological dramatisations.I wanted to formalize each character’s fantasy into a full narrative. Theresult is a kind of anthology of operatic short stories surrounded by the framework of an ordinary journey. ' - Stephen Plaice

For choir (4 sopranos 4 altos 4 tenors 4 basses) and string orchestra (7 violins 2 violas 2 celli 1 double bass). For choir (4 sopranos 4 altos 4 tenors 4 basses) and string orchestra (7 violins 2 violas 2 celli 1 double bass).

For Horn and Harp. First performed by Stephen Stirling and Christina Rhys St James Piccadilly London 11th November 2005. Published in 2005. Score and Parts. For Horn and Harp. First performed by Stephen Stirling and Christina Rhys St James Piccadilly London 11th November 2005. Published in 2005. Score and Parts.

For string quartet. Published 1999. First performance: Medici Quartet Norfolk and Norwich Festival 1999. Score. For string quartet. Published 1999. First performance: Medici Quartet Norfolk and Norwich Festival 1999. Score.

For Violin Horn and Piano. Published in 2007. Score. For Violin Horn and Piano. Published in 2007. Score.

7 pieces for solo Bassoon. Twinned with 'Set Two' by the same composer. 7 pieces for solo Bassoon. Twinned with 'Set Two' by the same composer.

For Cello and Accordion. For Cello and Accordion.

Published 1973. Commissioned by Tokyo Percussion Ensemble. First performance: Tokyo 1973 Tokyo Percussion Ensemble. Published 1973. Commissioned by Tokyo Percussion Ensemble. First performance: Tokyo 1973 Tokyo Percussion Ensemble.