For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf). For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf).

For Counter-Tenor and String Quartet. Parts. For Counter-Tenor and String Quartet. Parts.

For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram First performance: Intrasonus Festival Venice 3 May 2008 This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence I would say that it is based on the idea of 'two things seen/heard as one'. a2 (a due) is a well-known term to musicians; it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal implementation of the term a2 as a 'compositional strategy' would have been too much (!) for a piece of chamber music consisting of no more than two players. Not surprisingly this never happens in this work; in fact the opposite is true: regardless of how it appears on paper (i.e. on one or two staves) the music for each instrument is constantly based on two layers. This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border death-strip killing and escape to freedom had a particularly evocative resonance especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There there was a nameless road whose destination the authorities did not want you to know but the locals called it the 'death-road'. In no way programmatic in this context the extra-musical dimension of the principal idea is very much part of the piece. Here the musical and extra-musical interpretations cannot easily be separated for they are two parts of the same thing: a2. As if to add another dimension to this idea there are two versions of this piece: for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram First performance: Intrasonus Festival Venice 3 May 2008 'This music was composed during my DAAD residency in Berlinin October — November 2007. If I were to describe it in one sentence I would say that it is based on the idea of 'two things seen/heard as one'. 'a2 (a due) is a well-known term to musicians; it is often found in orchestralscores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family the literal

2 playing scores. Oboe and percussion (vibraphone marimba metal/wood/bamboo wind chimes bongos conga djembe maraca rainstick and berimbau) 2 playing scores. Oboe and percussion (vibraphone marimba metal/wood/bamboo wind chimes bongos conga djembe maraca rainstick and berimbau)

Commissioned by the Shizuoka City Foundation of Cultural Promotion Japan. First performance: 16th March 2003 in Shizuoka Japan by Tomoko Kato (vln) Yashiko Kawamoto (vla) Tsuyoshi Tsutsumi (vc) and Hiromi Okada (pno). Commissioned by the Shizuoka City Foundation of Cultural Promotion Japan. First performance: 16th March 2003 in Shizuoka Japan by Tomoko Kato (vln) Yashiko Kawamoto (vla) Tsuyoshi Tsutsumi (vc) and Hiromi Okada (pno).

For Bassoon and String Orchestra. First published in 2004. First performance: Kim Walker 2005 Classical Music Awards presented by APRA and Australian Music Centre Sydney Conservatorium of Music 18th July 2005. Score. For Bassoon and String Orchestra. First published in 2004. First performance: Kim Walker 2005 Classical Music Awards presented by APRA and Australian Music Centre Sydney Conservatorium of Music 18th July2005. Score.

For string quartet. Published 2004. Second Prize of the 2005 Lutoslawski Award. First performance: Rubenstein Quartet Warsaw 14th February 2005. For string quartet. Published 2004. Second Prize of the 2005 Lutoslawski Award. First performance: Rubenstein Quartet Warsaw 14th February 2005.

For Oboe. Published in 2001. First performed by Melinda Maxwell at Dartington Hall August 2001. Score. For Oboe. Published in 2001. First performed by Melinda Maxwell at Dartington Hall August 2001. Score.

For chamber ensemble. Published 2001. 2(1st+picc).0.2(2nd+bcl).0.asx.tsx / 1.2.1.1 / pf.acc.perc(1) / 0.0.2.3.0 First performance: Luxembourg Sinfonietta International Composition Prize Luxembourg 20th April 2002. Score. For chamber ensemble. Published 2001. 2(1st+picc).0.2(2nd+bcl).0.asx.tsx / 1.2.1.1 / pf.acc.perc(1) / 0.0.2.3.0 First performance: Luxembourg Sinfonietta International Composition Prize Luxembourg 20th April2002. Score.

Published 1980. First performance: Medici Quartet Altrincham 21st December 1981. Published 1980. First performance: Medici Quartet Altrincham 21st December 1981.

Round Time 2 by Luís Tinoco. Full score. Round Time 2 by Luís Tinoco. Full score.

Thomas Simaku's Réflexions de la Croix II for Chamber Ensemble. Alto Flute Clarinet (or Bass Clarinet) Percussion 2 Violins Viola and Cello. Published in 2003. First performance: Ticom Ensemble 30th November 2003 Innsbruck Austria. Thomas Simaku's Réflexions de la Croix II for Chamber Ensemble. Alto Flute Clarinet (or Bass Clarinet) Percussion 2 Violins Viola and Cello. Published in 2003. First performance: Ticom Ensemble 30th November 2003 Innsbruck Austria.

Study Score for Balkan Dances And Laments by Nigel Osborne. For Oboe violin viola 'cello and piano. Study Score for Balkan Dances And Laments by Nigel Osborne. For Oboe violin viola 'cello and piano.

Thomas Simaku 's Plenilunio II for String Orchestra (6.6.4.3.1). Composed 2003-2004 published 2005. First Prize of the 2004 Serocki International Competition. First performance: Polish Radio Chamber Orchestra conducted by Agnieszka Duczmal 6th June 2004. Duration: 13 minutes. Performance materials for hire. Thomas Simaku 's Plenilunio II for String Orchestra (6.6.4.3.1). Composed 2003-2004 published 2005. First Prize of the 2004 Serocki International Competition. First performance: Polish RadioChamber Orchestra conducted by Agnieszka Duczmal 6th June 2004. Duration: 13 minutes. Performance materials for hire.

Published 1969. First performance: Gilbert Biberian Wigmore Hall 1969. Published 1969. First performance: Gilbert Biberian Wigmore Hall 1969.

For Ensemble-For 15 instruments. Score. 1.1.1.1. 1.1.1.0. 1 pno. + 1 perc. 2.1.1.1. First performance: Nouvel Ensemble Moderne conducted by Lorraine Vaillancourt International Young Composers Forum 2000 Adelaide Australia 18th March 2000. For 15 instruments. Score. 1.1.1.1. 1.1.1.0. 1 pno. + 1 perc. 2.1.1.1. First performance: Nouvel Ensemble Moderne conducted by Lorraine Vaillancourt International Young Composers Forum 2000 Adelaide Australia 18th March 2000.

For SSAA and three solo sopranos. Lament of the Pious Women of Jerusalem (2008) in memory of Wilfrid Mellers. For SSAA and three solo sopranos. Lament of the Pious Women of Jerusalem (2008) in memory of Wilfrid Mellers.

For Alto Flute Vibraphone and Cello. Published in 2007. First performed by Seymour Group Sydney Australia 10th June 1995. Score and Parts. For Alto Flute Vibraphone and Cello. Published in 2007. First performed by Seymour Group Sydney Australia 10th June 1995. Score and Parts.

For Soprano and Ensemble (Flute (+Alto Flute) Clarinet (+Bass Clarinet) Piano and Cello. Published in 1965. Score. For Soprano and Ensemble (Flute (+Alto Flute) Clarinet (+Bass Clarinet) Piano and Cello. Published in 1965. Score.

Published 1967. First performance: Peter Carter and Sally Mays Park Lane Group Concert Wigmore Hall 8th April 1968. Published 1967. First performance: Peter Carter and Sally Mays Park Lane Group Concert Wigmore Hall 8th April 1968.