Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers 2 trebles 3 male speakers mixed chorus and orchestra. Based on the play ‘Die Befristeten’ by Elias Canetti (trans. Carol Stewart). Music: Elisabeth Lutyens Libretto: Minos Volonakis. Composed 1965/67. Duration: 135'. Elisabeth Lutyens ' The Numbered : an opera in Prologue and Two Acts. For 13 singers 2 trebles 3 male speakers mixed chorus and orchestra. Based on the play ‘Die Befristeten’ by Elias Canetti (trans. Carol Stewart). Music: Elisabeth Lutyens Libretto: Minos Volonakis. Composed 1965/67. Duration: 135'.

Inside and outside (the set-up which defines our existence' - Chris Newman). Four musicians facing into the wind. Commissioned by Plus-Minus Ensemble. First performed by Plus-Minus Ensemble at Kings Place London 18th March 2013. Inside and outside (the set-up which defines our existence' - Chris Newman). Four musicians facing into the wind. Commissioned by Plus-Minus Ensemble. First performed by Plus-Minus Ensemble at Kings Place London 18th March 2013.

The World In Tune was expertly composed by James Weeks . The World In Tune received its UK premiere on the 18th November 2013 at St Thomas' Church Huddersfield. This piece has been written for Solo Soprano Voice. James is an active organ recitalist pianist and writer on contemporary music and broadcasts regularly on early and new music for BBC Radio 3. The World In Tune was expertly composed by James Weeks . The World In Tune received its UK premiere on the 18th November 2013 at St Thomas' Church Huddersfield. This piece has been written for Solo Soprano Voice. James is an active organ recitalist pianist and writer on contemporary music and broadcasts regularly on early and new music for BBC Radio 3.

Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A4 study score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movement with moments of harmonic transparency contrasting withsections of greater modal complexity. There are some sections which also feature soloists in the orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014) Ed Hughes ' Sky Blue for solo Clarinet and Orchestra. A4 study score. ' This concerto for Clarinet and Orchestra is approximately eight minutes long. It was composed especially for Alison Hughes (clarinettist) and the University of Sussex Symphony Orchestra. Sky Blue is inspired by a painting of the same name made in 1940 by Wassily Kandinsky in which figures appear to float free across a clear blue sky. The painting has been described (by Mona Molarsky 2009) as 'an ethereal Miró-like confection with biomorphic squiggles that buzz like glimmering insects in the afternoon sun'. The music is a continuous single movement withmoments of harmonic transparency contrasting with sections of greater modal complexity. There are some sections which also feature soloists in the orchestra perhaps like the free-floating figures in Kandinsky's painting. ' - Ed Hughes (June 2014)

For Trombone MIDI Keyboard and Electronics. For Trombone MIDI Keyboard and Electronics.

Songs From The Solitary Dreamer - Study Score-first performed and recorded by Raquel Camarinha (soprano) and the Gulbenkian Orchestra conducted by David Alan Miller at the Gulbenkian Auditorium in June 2012. first performed and recorded by Raquel Camarinha (soprano) and the Gulbenkian Orchestra conducted by David Alan Miller at the Gulbenkian Auditorium in June 2012.

Thomas Simaku 's String Quartet No.5 (2015). Parts. Dedicated to Terry Holmes. Commissioned by the Huddersfield Contemporary Music Festival. World Premiere: Quatuor Diotima 28 November 2015. Thomas Simaku 's String Quartet No.5 (2015). Parts. Dedicated to Terry Holmes. Commissioned by the Huddersfield Contemporary Music Festival. World Premiere: Quatuor Diotima 28 November 2015.

Luís Tinoco 's Lídia for 16 musicians. Score. This work was commissioned by the Companhia Nacional de Bailado for “Lídia” – a ballet with choreography by Paulo Ribeiro. It was first performed by Lisbon Metropolitan Orchestra soloists conducted by Pedro Neves – Teatro Camões in Lisbon 7th of November 2014. Instrumentation: Flute (= Piccolo) Oboe (= Cor Anglais) 2 Clarinets in Bb (2nd = Bass clarinet) Bassoon (= Contrabassoon) Horn in F Trumpet in Bb (= Flugelhorn) Trombone 2 Percussionists Harp 2 Violins Viola Violoncello and Contrabass (with C extension). Luís Tinoco 's Lídia for 16 musicians. Score. This work was commissioned by the Companhia Nacional de Bailado for “Lídia” – a ballet with choreography by Paulo Ribeiro. It was first performed by Lisbon Metropolitan Orchestra soloists conducted by Pedro Neves – Teatro Camões in Lisbon 7th of November 2014. Instrumentation: Flute (= Piccolo) Oboe (= Cor Anglais) 2 Clarinets in Bb (2nd = Bass clarinet) Bassoon (= Contrabassoon) Horn in F Trumpet in Bb (= Flugelhorn) Trombone 2 Percussionists Harp 2 Violins Viola Violoncello and Contrabass (with C extension).

For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune.

Mezzo Soprano Version-Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. - Thomas Simaku' Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. ' - Thomas Simaku

Hilda Paredes ' Son Dementes Cuerdas for Guitar and String Quartet. Composed 2015 published 2016. Duration: c. 15 minutes. Commissioned by Josef White quartet with funds provided by FUNCA in Mexico. These are the A3 portrait parts. For the B4 landscape score please click here . Hilda Paredes ' Son Dementes Cuerdas for Guitar and String Quartet. Composed 2015 published 2016. Duration: c. 15 minutes. Commissioned by Josef White quartet with funds provided by FUNCA in Mexico. These are the A3 portrait parts. For the B4 landscape score please click here .

The latest in a series of pieces written for CoMA string players Bee Haven is a sound environment an imaginary outdoor space populated by plants flowers and bees. The sound of honeybee humming is the main focus of the work; around this the bees' haven' (a living environment free from agricultural poisons and habitat destruction) is created through quiet air noise and gentle brushing of the instruments. There are no events in the piece save one brief flurry of rain; placing themselves within it listeners become part of the imagined space for the duration of the work. The latest in a series of pieces written for CoMA string players Bee Haven is a sound environment an imaginary outdoor space populated by plants flowers and bees. The sound of honeybee humming is the main focus of the work; around this the bees' haven' (a living environment free from agricultural poisons and habitat destruction) is created through quiet air noise and gentle brushing of the instruments. There are no events in the piece save one brief flurry of rain; placing themselves within it listeners become part of the imagined space for the duration of the work.

Hilda Paredes' Chaczidzib arranged for Piccolo.

Chaconne For Jonathan Harvey by Ed Hughes in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013 St Pancras Church London as part of choral evensong and broadcast live on BBC Radio 3. Chaconne For Jonathan Harvey by Ed Hughes in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music with funds from the PRS for Music Foundation. First performed by Michael Waldron on 15 April 2013 St Pancras Church London as part of choral evensong and broadcast live on BBC Radio 3.

Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015. Praeludium On The Name George Frideric Handel was commissioned by the Royal Society of Musicians of Great Britain (of which Handel was a founder member in 1738) and first performed by the Navarra String Quartet as part of the RSM’s Jacqueline du Pré Charity Concert at London’s Wigmore Hall on 3rd March 2015.

Ærc Quartets by James Weeks for any four bowed String Instruments. Score. aerc Quartets by James Weeks for any four bowed String Instruments. Score.

Apocalypse by David Lancaster for SATB choir with Soprano soloist. This work sets the fourteenth century poem 'Pricke of Conscience' (modern translation by Daniela Nunnari and David Lancaster). Vocal score. Apocalypse by David Lancaster for SATB choir with Soprano soloist. This work sets the fourteenth century poem 'Pricke of Conscience' (modern translation by Daniela Nunnari and David Lancaster). Vocal score.

Ærc Duos by James Weeks for any two bowed String Instruments. Score. aerc Duos by James Weeks for any two bowed String Instruments. Score.

James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by Bash . Matsushima is a an archipelago of some 800 islands in an area 12 miles wide densely forested with pine trees whose branches blown by sea winds are twisted into millions of different shapes. Matsushima was commissioned by Andrew Melvin and first performed by him in Steyning Sussex on 20 November 2005. James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by Bash . Matsushima is a an archipelago of some 800 islands in an area 12 miles wide densely forested with pine trees whose branches blown by sea winds are twisted into millions of different shapes. Matsushima was commissioned by Andrew Melvin and first performed by him in Steyning Sussex on 20 November 2005.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS