Luís Tinoco 's Diptych for Piano and Orchestra. This work was commissioned by the the Matosinhos City Hall and first performed by Antonio Rosado (Pf.) and the Orquestra Nacional do Porto on the 30th of April 2005 at the Casa da Musica in Porto conducted by maestro Martin Andre. Luís Tinoco 's Diptych for Piano and Orchestra. This work was commissioned by the the Matosinhos City Hall and first performed by Antonio Rosado (Pf.) and the Orquestra Nacional do Porto on the30th of April 2005 at the Casa da Musica in Porto conducted by maestro Martin Andre.

For String Quartet. Score. Uy a t'an was written in 1997-98 commissioned by the Festival Octobre en Normandie and funds from fellowship of Sistema Nacional de Creadores (Mexico). It was premiered in October 98 at the Eglise de la Madeleine in Rouen by my most loyal colleagues in the Arditti Quartet to whom the piece is dedicated. For String Quartet. Score. Uy a t'an was written in 1997-98 commissioned by the Festival Octobre en Normandie and funds from fellowship of Sistema Nacional de Creadores (Mexico). It was premiered in October 98 at theEglise de la Madeleine in Rouen by my most loyal colleagues in the Arditti Quartet to whom the piece is dedicated.

For Clarinet and Piano. Published 2004. Commissioned by Ian Mitchell for inclusion in the Associated Board's forthcoming Spectrum Volume for Clarinet. Score and part. For Clarinet and Piano. Published 2004. Commissioned by Ian Mitchell for inclusion in the Associated Board's forthcoming Spectrum Volume for Clarinet. Score and part.

Commissioned by Beverley Davison and Hot Strings. First performance: conducted by the composer Birmingham 1991. Commissioned by Beverley Davison and Hot Strings. First performance: conducted by the composer Birmingham 1991.

For Flute Clarinet Violin Cello and Piano. Published 2001. Commissioned by Bath International Music Festival and South West Arts with funds from Foundation for Sport and the Arts. First performance: 1st June 2001 Bath Festival New Music Players. For Flute Clarinet Violin Cello and Piano. Published 2001. Commissioned by Bath International Music Festival and South West Arts with funds from Foundation for Sport and the Arts. First performance: 1st June 2001 BathFestival New Music Players.

f Score-For 4 Percussion Quartet (2 vibraphones 2 marimbas). For 4 Percussion Quartet (2 vibraphones 2 marimbas).

For Orchestra. Score. Developed for performance by the BBC Philharmonic for SPNM 2005/06 season. Premiere: recorded for broadcast on BBC Radio 3 at Broadcasting House Manchester 24 November 2005 cond. JamesMacMillan.

For Piano and String Quartet. Published in 2001. Score. For Piano and String Quartet. Published in 2001. Score.

Parts - for Alto Flute or Oboe Viola Violin and Cello. Parts - for Alto Flute or Oboe Viola Violin and Cello.

Published 2005. Commissioned by the Ultima Festival Oslo. First performance: Frode Haltli (acc) Cikada String Quartet Lindemannsalen Norwegian State Academy of Music 9th October 2005. Published 2005. Commissioned by the Ultima Festival Oslo. First performance: Frode Haltli (acc) Cikada String Quartet Lindemannsalen Norwegian State Academy of Music 9th October 2005.

Published 1978. First performance: Medici Quartet Hampsted 18 March 1979. Published 1978. First performance: Medici Quartet Hampsted 18 March 1979.

For Flute Clarinet and Piano/Vibraphone. Score and Parts. For Flute Clarinet and Piano/Vibraphone. Score and Parts.

Commissioned by the Tate Ensemble with funds from The Holst Foundation. First performance: The Tate Ensemble Carnegie Hall New York USA June 2002. Recorded on Metier Records MSV CD 92084. Commissioned by the Tate Ensemble with funds from The Holst Foundation. First performance: The Tate Ensemble Carnegie Hall New York USA June 2002. Recorded on Metier Records MSV CD 92084.

version III-Five pieces for voice violin and piano Five pieces for voice violin and piano

For mixed chorus 4 Flutes (2nd+Piccolo 3rd+Bass Flute 4th=Alto Flute) 3 Percussion. Published 1972. Text: poems of the Gabon pygmies. First performance: BBC Chorus conducted by Michael Green Round House 22nd May 1972. For mixed chorus 4 Flutes (2nd+Piccolo 3rd+Bass Flute 4th=Alto Flute) 3 Percussion. Published 1972. Text: poems of the Gabon pygmies. First performance: BBC Chorus conducted by Michael Green RoundHouse 22nd May 1972.

For Solo Violin. Published in 2006. First performed by Irvine Arditti. Score. For Solo Violin. Published in 2006. First performed by Irvine Arditti. Score.

Published 1979. First performance: Michael Finnissy British Music Information Centre 18th December 1979. Published 1979. First performance: Michael Finnissy British Music Information Centre 18th December 1979.

For SATB and Piano. Written to commemorate the centenary of St. Swithun's Church Pymble Sydney. For SATB and Piano. Written to commemorate the centenary of St. Swithun's Church Pymble Sydney.

For Solo Flute Solo Violin Published 2002. Commissioned by Bath Film Festival with funds from South West Arts First performance with screening of the film 'I Was Born But...' directed by Yasujiro Ozu 2nd September 2002 Purcell Room London. For Solo Flute Solo Violin Solo Percussion 4 Clarinets and String Quartet.Published 2002.Commissioned by Bath Film Festival with funds from South West ArtsFirst performance with screening of the film 'I Was Born But...' directed by Yasujiro Ozu 2nd September 2002 Purcell Room London.

Bassoon-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II - Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables Metamorphoses after Britten are just that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception of Fountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I verymuch viewed these pieces as musical Haiku and in that sense I hope they embody a sense of peace brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vicki and Andrew Vaughan - Philip Venables Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010. I - A Mountain II -Fixation III - Flowers IV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces. I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity. The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell. The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan' - Philip Venables