For solo Piano. Published in 2011. Score. For solo Piano. Published in 2011. Score.

Allah hu is the central movement of a work entitled Dast be Dast (Hand to hand in friendship) which was commissioned by the American ensemble Cuatro Puntos for their violist Kevin Bishop and for Samim Zafar a student rubab player at the Afghanistan National Institute of Music in Kabul. Dast be Dast celebrates the diversity of Afghan and Western music-making with both instruments exploring improvisation alongside notation controlled imitation with spontaneous elaboration and Western tonality within Afghan scales. The complete work was premiered by the dedicatees Kevin and Samim on 23 June 2014 (joined by tabla player Madhurjya Barthakur) at the French Cultural Centre inKabul. Allah hu is a meditative movement for solo viola based on a specific interpretation of the traditional melody sung as a lullaby by Veronica Doubleday in 2004. The work was recorded by Kevin Bishop for Toccata Classics (TOCC0342) on the album The Rosegarden of Light. (This recording was made with A tuned to 432 hertz in lieu of the Western standard of 440-442 hertz.) Allah hu is dedicated to Kevin. Duration of approximately 6 minutes. Allah hu is the central movement of a work entitled Dast be Dast (Hand to hand in friendship) which was commissioned by the American ensemble Cuatro Puntos for their violist Kevin Bishop and for Samim Zafar a student rubab player at the Afghanistan National Institute of Music in Kabul. Dast be Dast celebrates the diversity of Afghan and Western music-making with both instruments exploring improvisation alongside notation controlled imitation with spontaneous elaboration and Western tonality within Afghan scales. The complete work was premiered by the dedicatees Kevin and Samim on 23 June 2014 (joined by tabla player Madhurjya Barthakur) at the FrenchCultural Centre in Kabul. Allah hu is a meditative movement for solo viola based on a specific interpretation of the traditional melody sung as a lullaby by Veronica Doubleday in 2004. The work was recorded by Kevin Bishop for Toccata Classics (TOCC0342) on the album The Rosegarden of Light. (This recording was made with A tuned to 432 hertz in lieu of the Western standard of 440-442 hertz.) Allah hu is dedicated to Kevin. Duration of approximately 6 minutes.

The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy Maddy Prior and Bella Hardy amongst many others and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. The matter-of-fact representation of the terrible tale thatcharacterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester. The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy Maddy Prior and Bella Hardy amongst many others and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. Thematter-of-fact representation of the terrible tale that characterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.

Laurence Roman 's Columba Canticles was composed in 2013 for Narrator SATB Chorus Uilleann pipes Harp and String Orchestra. This reduction is for Narrator SATB Choir and Piano. Duration: 41 minutes I. Kyrie – The Choir Vestry II. Gloria in Excelsis III. The Chapter House IV. The Nave – The Bell Tower V. Sanctus VI. Sunday School – Agnus Dei ' Columba Canticles seeks to explore the medium and tradition of devotional music in a fresh and contemporary way. All the movements embrace the convention of including a cantus firmus or plainsong. Several of these Gregorian chants date back to the 9th Century and have ever since provided the creative backbone to a vast body ofecclesiastical music. In Columba Canticles whenever you hear something sung in Latin you can be sure that somewhere in the background there also hovers one of these ancient chants.' - laurenceroman.com Laurence Roman 's Columba Canticles was composed in 2013 for Narrator SATB Chorus Uilleann pipes Harp and String Orchestra. This reduction is for Narrator SATB Choir and Piano. Duration: 41 minutes I. Kyrie – The Choir Vestry II. Gloria in Excelsis III. The Chapter House IV. The Nave – The Bell Tower V. Sanctus VI. Sunday School – Agnus Dei ' Columba Canticles seeks to explore the medium and tradition of devotional music in a fresh and contemporary way. All the movements embrace the convention of including a cantus firmus or plainsong. Several of these Gregorian chants date back to the 9thCentury and have ever since provided the creative backbone to a vast body of ecclesiastical music. In Columba Canticles whenever you hear something sung in Latin you can be sure that somewhere in the background there also hovers one of these ancient chants.' - laurenceroman.com

Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member of Sistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics. Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member ofSistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics.

Voice/Piano-Canciones Sobre Poemas based on poems by Eduardo Hurtado: 'Globo' 'Luciérnagas' and 'Faro'. 13'; for Voice and Piano.Score and Part. Canciones Sobre Poemas based on poems by Eduardo Hurtado: 'Globo' 'Luciérnagas' and 'Faro'. 13'; for Voice and Piano.Score and Part.

For SATB choir. An a cappella Christmas song composed in 2005 to a poem written by the composer. First performed and recorded (on VIF Records) by the Choir of Worcester College Oxford directed by Thomas Allery. London Premiere: Choir of the Chapel Royal St James's in the chapel of St James's Palace (the Chapel Royal) directed by Dr Andrew Gant. For SATB choir. An a cappella Christmas song composed in 2005 to a poem written by the composer. First performed and recorded (on VIF Records) by the Choir of Worcester College Oxford directed by ThomasAllery. London Premiere: Choir of the Chapel Royal St James's in the chapel of St James's Palace (the Chapel Royal) directed by Dr Andrew Gant.

Song To The Bare City was expertly composed by Jonathan Brigg . Song To The Bare City was expertly composed by Jonathan Brigg .

James Weeks ' Narrow Path . Performing score for Flute. James Weeks ' Narrow Path . Performing score for Flute.

The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl) Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and peace through the teaching writing and performance of music worldwide. Cuatro Puntos gave the premiere on 24 September 2015 at the Lutheran Church of St. Mark Glastonbury Connecticut USA. Gulistan-e Nur: The Rosegarden of Light was commissioned with generous support from the Arts Council England International Development Fund and the Ambache Charitable Trust. Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl) Interlude 2 Sextet Movement

The Way of Theseus - Two Pictures- Full Score for Luís Tinoco's O Caminho De Teseu. Work commissioned by Alberto Roque with funds made available by the Portuguese DGArtes (Direcção-Geral das Artes). It was first performed by Alberto Roque and the ESML Wind Orchestra conducted by Jean-Marc Burtin - Audit6rio Vianna da Mota Esco/a Superior de Musica de Lisboa on the 25th May 2018

For Piano and Percussion. Published 1990. Commissioned by Kit Young and Tom Goldstein. First performance: New York 1993 Tom Goldstein et al. For Piano and Percussion. Published 1990. Commissioned by Kit Young and Tom Goldstein. First performance: New York 1993 Tom Goldstein et al.

For Clarinet quartet (3 cl bcl). Published 1985. Commissioned by Tadaaki Takeda Clarinet Quartet. First performance: Tokyo 1985 Tadaaki Takeda Clarinet Quartet. For Clarinet quartet (3 cl bcl). Published 1985. Commissioned by Tadaaki Takeda Clarinet Quartet. First performance: Tokyo 1985 Tadaaki Takeda Clarinet Quartet.

For solo Cello. Published in 2001. For solo Cello. Published in 2001.

For solo Vibraphone commissioned by Miguel Bernat and first performed at the Totally Huge New Music Fesitval Perth Australia 11th May 2000. For solo Vibraphone commissioned by Miguel Bernat and first performed at the Totally Huge New Music Fesitval Perth Australia 11th May 2000.

For Flute and Orchestra. Published 1993. 3(2nd+picc 3rd+afl).3(3rd+ca).3(2nd+Ebcl 3rd+bcl). 3(3rd+cbn) / 4.3.3.1 / 3perc.hp / strings. Commissioned by James Galway and the Zurich Tonhalle Orchestra. First performance by James Galway and the Zurich Tonhalle Orchestra conducted by Zuohuang Chen Tonhalle Zurich 7th October 1994. Score. For Flute and Orchestra. Published 1993. 3(2nd+picc 3rd+afl).3(3rd+ca).3(2nd+Ebcl 3rd+bcl). 3(3rd+cbn) / 4.3.3.1 / 3perc.hp / strings. Commissioned by James Galway and the Zurich TonhalleOrchestra. First performance by James Galway and the Zurich Tonhalle Orchestra conducted by Zuohuang Chen Tonhalle Zurich 7th October 1994. Score.

For Orchestra (Triple Winds). Published 1998. Commissioned by South Bank Centre London. First performance: London (Takemitsu Festival) 1998 Philharmonia Orchestra Stefan Ashbury (cond). For Orchestra (Triple Winds). Published 1998. Commissioned by South Bank Centre London. First performance: London (Takemitsu Festival) 1998 Philharmonia Orchestra Stefan Ashbury (cond).

For Flute Clarinet Violin Cello Piano. Published 2000. First performance: Pontino Festival Latina Italy June 2000 Ensemble Alternance for Luis de Pablo's 70th birthday For Flute Clarinet Violin Cello Piano. Published 2000. First performance: Pontino Festival Latina Italy June 2000 Ensemble Alternance for Luis de Pablo's 70th birthday

For 8 Violins. Published 1981. First performance: Tokyo 1982 Kenji Kobayashi (solo ensemble using tape). For 8 Violins. Published 1981. First performance: Tokyo 1982 Kenji Kobayashi (solo ensemble using tape).

For 5 instruments: Flute Clarinet Harp Piano Percussion. Published 1986. Commissioned by Ensemble ARK Tokyo. First performance: Tokyo 1986 Ensemble ARK. For 5 instruments: Flute Clarinet Harp Piano Percussion. Published 1986. Commissioned by Ensemble ARK Tokyo. First performance: Tokyo 1986 Ensemble ARK.