An entertainment for ten singers/actors and small orchestra. 10 SINGERS/ACTORS FLT (PIC) OB (CORA) CLT1 (ASAX) CLT2 (BASS CLT) BSN 2HN TPT TBN 2PERC PFC GTR (BJO) STR INST(44222 OR MORE) DB WITH LOW C. ONSTAGE: VLN VLC PFC ELECPF GTR EGTR 2 GAVELS TAMBOURINE An entertainment for ten singers/actors and small orchestra. 10 SINGERS/ACTORS FLT (PIC) OB (CORA) CLT1 (ASAX) CLT2 (BASS CLT) BSN 2HN TPT TBN 2PERC PFC GTR (BJO) STR INST(44222 OR MORE) DB WITH LOW C. ONSTAGE:VLN VLC PFC ELECPF GTR EGTR 2 GAVELS TAMBOURINE

Sadie Harrison 's Suite Theo for Bass Clarinet Bassoon and Piano. Performing score/parts. In five movements: I - Theo's Lullaby II - Theo's Toddle III - Theo's Tears IV - Theo's Dreamtime V - Theo's Raindance Duration: c. 10 minutes. Sadie Harrison 's Suite Theo for Bass Clarinet Bassoon and Piano. Performing score/parts. In five movements: I - Theo's Lullaby II - Theo's Toddle III - Theo's Tears IV - Theo'sDreamtime V - Theo's Raindance Duration: c. 10 minutes.

Traceries by Sadie Harrison Published 1997. First performance: Peter Sheppard Skaerved and Aaron Storr Purcell Room London May 1997. Recorded by Premier Records MSV CD92053. 8'; for violin and piano Traceries by Sadie Harrison Published 1997. First performance: Peter Sheppard Skaerved and Aaron Storr Purcell Room London May 1997. Recorded by Premier Records MSV CD92053. 8'; for violin and piano

Cantata for Soprano and Ensemble (Flute Clarinet Violin Viola and Cello). Published in 1990. Commissioned by Gemini. First performed at Huddersfield Festival November 1991. Score. Cantata for Soprano and Ensemble (Flute Clarinet Violin Viola and Cello). Published in 1990. Commissioned by Gemini. First performed at Huddersfield Festival November 1991. Score.

10': for Banjo 2 Guitars Harp Taisho-Koto Harmonica First performance: Tokyo 1974 Norio Sato (banjo) Ayako Shinozaki (hrp) et al. 10'; for Banjo 2 Guitars Harp Taisho-Koto Harmonica First performance: Tokyo 1974 Norio Sato (banjo) Ayako Shinozaki (hrp) et al.

For Clarinet Bassoon Piano Violin Viola Cello Published 1993 Commissioned by Edinburgh Contemporary Arts Trust. First performance: Edinburgh 1994 Hebrides Ensemble. For Clarinet Bassoon Piano Violin Viola Cello Published 1993 Commissioned by Edinburgh Contemporary Arts Trust. First performance: Edinburgh 1994 Hebrides Ensemble.

Sadie Harrison 's Suite Theo for Bass Clarinet Bassoon and Piano. Score. In five movements: I - Theo's Lullaby II - Theo's Toddle III - Theo's Tears IV - Theo's Dreamtime V - Theo's Raindance Duration: c. 10 minutes. Sadie Harrison 's Suite Theo for Bass Clarinet Bassoon and Piano. Score. In five movements: I - Theo's Lullaby II - Theo's Toddle III - Theo's Tears IV - Theo's Dreamtime V -Theo's Raindance Duration: c. 10 minutes.

For Violin and Piano. Published in 1987. Commissioned by Miranda Fulleylove with funds provided by Greater London Arts. First performance: BMIC London 13th April 1988. Score and Part. For Violin and Piano. Published in 1987. Commissioned by Miranda Fulleylove with funds provided by Greater London Arts. First performance: BMIC London 13th April 1988. Score and Part.

For 4 Clarinets or Clarinet and Tape. Published in 1993. First performed by Roger Heaton Lilian Bayliss Theatre Sadlers Wells London 1995. Score. For 4 Clarinets or Clarinet and Tape. Published in 1993. First performed by Roger Heaton Lilian Bayliss Theatre Sadlers Wells London 1995. Score.

For 4 amplified voices and quad tape. For 4 amplified voices and quad tape.

Sadie Harrison 's Quintet: 'No Title Required' was composed in 1994 and revised in 1999. The wonderful work lasts approximately 14 minutes and is arranged for Flute Clarinet Violin Cello and Piano. This piece was commissioned by Double Image who put on the first performance. The title of this work is taken from a poem of the same name by the Polish poet Wislawa Szymborska (winner of the Nobel Prize for Literature in 1996) and considers the importance of revolutions tyrannicides and politicalconspiracies in relation to that of skimming shadows fluttering white butterflies and windblown clouds. No Title Required has two movements. The first is fast and virtuosic the second lyrical and colouristic. Both havethe same formal pattern - a series of variations where one aspect of each section provides the theme' for the following variation. Whereas the first movement juxtaposes blocks of material to create a disjunct segmented structure the second weaves lines together to create a single flexible texture (disrupted towards the end by reminiscences' of the work's opening). No Title Required was commissioned by DoubleImage (to whom the work is dedicated) and has received several performances worldwide. The work was chosen to represent Australia in the ISCM World Music Days Hong Kong in

MIDI Grand Piano Violin Viola Cello Tape and Live Electronics. MIDI Grand Piano Violin Viola Cello Tape and Live Electronics.

For Treble Recorder and Guitar commissioned by John Turner and Craig Ogden. First performed at Warwick University 19th October 1995. For Treble Recorder and Guitar commissioned by John Turner and Craig Ogden. First performed at Warwick University 19th October 1995.

For Soprano and Large Ensemble. Published 1986-7. 2(both+picc).2(1st+ob d'amr).3(all+bcl 2nd+asax 3rd+tsax).1(+cbn) / 2.0.1.0 / 2perc.pf(+cel).hp / 1.1.1.1.1 Commissioned by Paul Webster for the Orpheus Ensemble with funds made available by the Arts Council of Great Britain. First performance: Jane Ginsborg and the Orpheus Ensemble conducted by Paul Webster Almeida Festival 27th June 1987. Score. For Soprano and Large Ensemble. Published 1986-7. 2(both+picc).2(1st+ob d'amr).3(all+bcl 2nd+asax 3rd+tsax).1(+cbn) / 2.0.1.0 / 2perc.pf(+cel).hp / 1.1.1.1.1 Commissioned by Paul Webster for the OrpheusEnsemble with funds made available by the Arts Council of Great Britain. First performance: Jane Ginsborg and the Orpheus Ensemble conducted by Paul Webster Almeida Festival 27th June 1987. Score.

For choir and machine sounds. Duration is variable. For choir and machine sounds. Duration is variable.

For Treble Recorder Soprano voice and Piano Accompaniment. For Treble Recorder Soprano voice and Piano Accompaniment.

For Horn Trumpet Trombone and Percussion. First published in 1998. First performance by University of York New Music Group conducted by James Williams in June 1999. Score. For Horn Trumpet Trombone and Percussion. First published in 1998. First performance by University of York New Music Group conducted by James Williams in June 1999. Score.

For Clarinet Vibraphone Piano Violin. Published 1997. Commissioned by Festival 'Musik unserer Zeit 1997'. First performance: Christine Rudolf (vln) Werner Raabe (cl) Stefan Froleyks (perc) Clemens Rave (pno) Munster (Festival 'Musik unserer Zeit' Germany) 1997. For Clarinet Vibraphone Piano Violin. Published 1997. Commissioned by Festival 'Musik unserer Zeit 1997'. First performance: Christine Rudolf (vln) Werner Raabe (cl) Stefan Froleyks (perc) Clemens Rave (pno) Munster(Festival 'Musik unserer Zeit' Germany) 1997.

For wind ensemble. First performed by the Royal Northern College of Music Wind Orchestra conducted by Timonthy Reynish Spitalfields Festival London 22nd June 2001. For wind ensemble. First performed by the Royal Northern College of Music Wind Orchestra conducted by Timonthy Reynish Spitalfields Festival London 22nd June 2001.

For Solo Clarinet. Published in 2000. FIrst performed by Philip Edwards 7th November 2000 The Warehouse London. Score. For Solo Clarinet. Published in 2000. FIrst performed by Philip Edwards 7th November 2000 The Warehouse London. Score.