For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Parts. For Clarinet in A (Eb Clarinet / Bass Clarinet) Violin Cello and Piano. Published in 1986. Parts.

Orchestra-The Beginning of the Day by Anne Boyd orchestral version. 5'; for orchestra (triple winds). Published 1994. 3(3rd=picc).2.3(3rd=bcl).3(3rd=cbn) / 4.3.3.1 / 3perc / strings The Beginning of the Day by Anne Boyd orchestral version. 5'; for orchestra (triple winds). Published 1994. 3(3rd=picc).2.3(3rd=bcl).3(3rd=cbn) / 4.3.3.1 / 3perc / strings

Includes 2 performing scores (Bass Clarinet and Vibraphone). Includes 2 performing scores (Bass Clarinet and Vibraphone).

David Blake 's Diversions On Themes Of Hanns Eisler for Alto Saxophone and Piano. David Blake 's Diversions On Themes Of Hanns Eisler for Alto Saxophone and Piano.

For Flute and Guitar. Published 1996. Commissioned by Yukihiko Nishizawa. First performance: Tokyo 1997 Yukihiko Nishizawa (fl) Norio Sato (guitar). For Flute and Guitar. Published 1996. Commissioned by Yukihiko Nishizawa. First performance: Tokyo 1997 Yukihiko Nishizawa (fl) Norio Sato (guitar).

For two Bass Clarinets. Published in 1995. Commissioned by Das Klarinettenduo Zelinsky/Smeyers. First performance at Alte Feuerwoche Cologne 26th October 1995. Score and Parts. For two Bass Clarinets. Published in 1995. Commissioned by Das Klarinettenduo Zelinsky/Smeyers. First performance at Alte Feuerwoche Cologne 26th October 1995. Score and Parts.

For solo Viola. Published in 2002. First performed by Joel Hunter at the Goldberg Contemporary Festival Manchester 16th February 2002. For solo Viola. Published in 2002. First performed by Joel Hunter at the Goldberg Contemporary Festival Manchester 16th February 2002.

For string quartet. Published 1973. First performance: Tokyo 1973 Masao Kawasaki Hiroyuki Yamaguchi Toru Yasunaga Hakuro Mori. For string quartet. Published 1973. First performance: Tokyo 1973 Masao Kawasaki Hiroyuki Yamaguchi Toru Yasunaga Hakuro Mori.

For solo Piano. Published in 2001. First performed by Ian Pace University of York 18th June 2002. For solo Piano. Published in 2001. First performed by Ian Pace University of York 18th June 2002.

For Cello and Piano commissioned by Ralph Kirshbaum for the Manchester International Cello Festival. First performed by Alban Gerhardy and Simon Parkin Manchester 3rd May 1998. For Cello and Piano commissioned by Ralph Kirshbaum for the Manchester International Cello Festival. First performed by Alban Gerhardy and Simon Parkin Manchester 3rd May 1998.

For String octet. Commissioned by NHK (Japan Broadcasting Corp). First performance: 1979 Tokyo Chikashi Tanaka String Ensemble Ryoichi Kawai (cond). For String octet. Commissioned by NHK (Japan Broadcasting Corp). First performance: 1979 Tokyo Chikashi Tanaka String Ensemble Ryoichi Kawai (cond).

Edition for Soprano and 2 Cellos-For Soprano and 2 celli. Also available is an edition for Soprano and 2 Bass Viols. First performed by Evelyn Tubb with Music and Mirth. Score and Parts. For Soprano and 2 celli. Also available is an edition for Soprano and 2 Bass Viols. First performed by Evelyn Tubb with Music and Mirth. Score and Parts.

For String Quartet and Children's String Ensemble. Published in 2002. First performed at the Goldberg Contemporary Festival Manchester by The Goldberg Ensemble 16th January 2002. Score. For String Quartet and Children's String Ensemble. Published in 2002. First performed at the Goldberg Contemporary Festival Manchester by The Goldberg Ensemble 16th January 2002. Score.

First performance: Peter Sheppard Skaerved Glyptothek Museum Munich 6th December 2002. Recorded on Metier Records MSV CD 92084. First performance: Peter Sheppard Skaerved Glyptothek Museum Munich 6th December 2002. Recorded on Metier Records MSV CD 92084.

Flauto Acerbo-For Alto and Tenor Recorders. Duration: 11' Published 2008. Commissioned by Christopher Orton with funds provided by the BBC Performing Arts Fund. Winner of the BASCA Award 2009 for the solo/duo instrumental category For Alto and Tenor Recorders. Duration: 11' Published 2008. Commissioned by Christopher Orton with funds provided by the BBC Performing Arts Fund. Winner of the BASCA Award 2009 for the solo/duoinstrumental category

7 pieces for solo Bass Clarinet. Twinned with 'Twinned Set' by the same composer. 7 pieces for solo Bass Clarinet. Twinned with 'Twinned Set' by the same composer.

For Soprano Flute Oboe and Violin. duration: 3'30 Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour. Parts.For Soprano Flute Oboe and Violin. duration: 3'30' Volte-face is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performedseparately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Alongupon The duration of Wessex Heights is about an hour. Parts.

Three Interludes 2015-For solo Oboe D'Amour. For solo Oboe D'Amour.