This composition paints a picture of brave Vikings sailing over the open seas invading foreign lands and terrorising the locals. The Vikings were well known for their cruelty and brutality but equally for their strong sense of honour and their pride. It is these last characteristics above all that are depicted in this work.After a short introduction the lofty main theme is heard accompanied by sombre drum sounds. A brief idyllic passage follows that evokes a beautiful landscape. Gradually a heroic melody is revealed leading to a great tutti in which the rousing main theme is heard once more. Return of the Vikings closes with the sound of heroic brass and festivechords.

Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit) BWV 143. A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text rendering a complete revision of the cantata necessary. On the basis of this new source the work is presented here as part of the “New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach’s writing than the versionfor three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Based on the “New Bach Edition – Revised” Idiomatic piano reduction

This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast percussion and a wide range of layered vocal textures make this an appealing concert choice. Available: SATB a cappella. Performance Time: Approx. 2:15. This a cappella setting of a traditional South African praise song just bursts with joyful energy. Dynamic contrast percussion and a wide range of layered vocal textures make this an appealing concert choice. Available: SATB a cappella. Performance Time: Approx. 2:15.

A playful pop tune with feisty lyrics give this 2010 Sara Bareilles song a contemporary freshness that will instantly connect with audiences and singers alike. And it's fun to sing! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Duration: ca. 3:00.

Schwingt Freudig Euch Empor BWV 36 (final version) Cantata for the First of Advent - Urtext of the New Bach Edition - Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for sale Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Trumpets uplift ye! loud drum-rolls now thunder! BWV 214

Deo Gracias-This wonderful piece is taken from Britten's A Ceremony Of Carols Opus 28. It is based on a beautiful 15th century text and is arranged for SSS choir with Harp or Piano accompaniment.

Who did it? is a composition for youth bands with limited instrumentation. While composing it Jacob de Haan was inspired by a familiar situation: a child caught doing something mischievous such as taking another child’s toy and trying to get away with it. The other children however notice this. The fast tempo of this work reflects the chase that follows - this will be fun for all the band members.

Score with lightly realised figured Keyboard part; separate parts for Treble recorder and Basso Continuo. From the numerous works for Recorder published around 1700 chiefly in Amsterdam and London only 9 works were chosen for this series of 3 books of sonatas. William Williams Andrew Parcham and William Topham are known to us only from the occasional works by them still surviving and by others noted in old publishers' catalogues. Their dates of birth and death are unknown. Nevertheless they offer an engaging glimpse into music-making around the turn of the 18th century. Also available: Volume 2: HM209. Volume 3: HM 237.

Opera Completa Per Canto E Pianoforte In Brochure

Twelve Fantasy-Pieces after the Zodiac for Amplified Piano- George Crumb's Makrokosmos - Volume 1 includes twelve Fantasy-Pieces after the Zodiac for Amplified Piano.

Dotzauer's Violoncello Tutor - Volume 2

Clarinet-A further selection of arrangements for Clarinet and Piano of themes from some of the world's most popular classics as featured in the hugely successful recording compilations.

You can't leave this absolute party hit of UB 40 out of your concert. Reggae Time!!!

A Fun Collection of Original Pieces-This entertaining new play-along book contains 12 solos in styles varying from baroque to blues. The book comes with a CD containing both backing tracks and full performances performed by real musicians. You’re sure to have fun when you Go Solo.

The absolute top slow number of the Eighties sung by Roberta Flack. She is not perhaps so well known among younger people but she has her place in history as one of the absolute divas of the world. Back into time the interlude in your concerts.

Volume 1- La compilation de 34 titres des Années 80 en variété Française pour Piano Voix Guitare.

For unaccompanied 2 or 3-part choir.

Double wind quintet bass.

Psalm 133:1: 'Behold How It is for Brethren to Dwell Together.' For SATB Flute Piano or Organ.