The rolling 12/8 meter of this new Martin Pentecost piece is immediately compelling. The piano accompaniment provides a steady unction as the choral parts build to expressive and evocative phrases. The use of the beloved hymnCome Thou Fount of Every Blessing is effective. The invocation of God's Holy Spirit into hearts and lives is the foundational ministry of this anthem. Fulfilling!

Great Performer's Edition. An exiting and passionate piece arranged for Viola with Piano accompaniment.

Beginning-intermediate level. 108 studies carefully written and edited to build right hand picking technique. All studies are presented in notation and tablature. Beginning-intermediate level. 108 studies carefully written and edited to build right hand picking technique. All studies are presented in notation and tablature.

for Cello and Guitar-Through the centuries the Christmas season has inspired composers poets lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate capo chords are shown.The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout thevarious seasons in the church year. Through the centuries the Christmas season has inspired composers poets lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols andadvent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate capo chords are shown.The author has alsoindicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughoutthe various seasons in the church year.

Incorporating the beloved It Came Upon a Midnight Clear this anthem is a must for seasonal programming. Presenting a beautiful tableau of the nativity the writers weave a blanket of calm covering the listener with a sense ofawe. A tender reminder of the peace that is ours in Christ.

My First Gospel Banjo Picking Songs is a fun and easy approach to gospel music for five-string Banjo. The book explains right and left hand techniques notes basic chords and practice tips. Twenty-four great gospel songs are presented in tablature including Amazing Grace Just Over In Glory Land What a Friend We Have In Jesus and more. This method is a great introduction to the Banjo and its wonderful role in gospel music. The book comes with audio. My First Gospel Banjo Picking Songs is a fun and easy approach to gospel music for five-string Banjo. The book explains right and left hand techniques notes basic chords and practice tips. Twenty-fourgreat gospel songs are presented in tablature including Amazing Grace Just Over In Glory Land What a Friend We Have In Jesus and more. This method is a great introduction to the Banjo and its wonderful role ingospel music. The book comes with audio.

The Saeviat Tellus Inter Rigores makes substantial virtuosic demands in the Soprano solo part. It is written in six movements very specifically for the Order of Carmelites.Handel's early musical life in Hamburg led him to an encounter with a member of the de Medici family who may have inspired him to make his seminal visits to Italy beginning in 1706. Surprisingly in view of his Lutheranism Handel's first compositions in Italy were for the church including this motet written for the Feast of Our Lady of Mount Carmel and performed in 1707.

Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that as well as the violin and cello he also thought of making use of the typical melodic character of the flute in this way. Through the skillful use of broken chords he even succeeds in creating the illusion of polyphony. It soon becomes clear that Bach’s lyrical cantilenas are convincing even without the support of accompanying chords on a keyboard instrument. A high point in flute literature!

This arrangement of the popular American folksong is atmospheric and expressive with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoah has been recorded by The King's Singers on the album GOLD (Signum SIGCD500).

Favorite 50 American Traditional Fiddle Tunes For Flatpicking Guitar Vol. 1: A-F-This collection of fiddle tunes originally appeared in Kaufman's Collection of American Fiddle Tunes for Flatpicking Guitar. Steve Kaufman says he can't emphasize enough the importance of developing a large repertoire of tunes. Fiddle tunes give us melodies that eventually allow us to begin to improvise. Sometimes without even knowing it. The more tunes you know the more melodies and intersecting melody lines you know. This allows you to eventually cut and paste portions of the melody line into another song. In the beginning you will probably unknowingly replace an ending run. These are the last two measures of the section of a tune. Many of them in the same key areinterchangeable unless they are specific to the melody of the song. After a while you will cut out measures in the middle of the song and then you will be able to take the snips of melodies and play them in another song in a different key thus beginning to improvise. All of this is possible because you built up your repertoire of tunes. Includes access to online audio. This collection of fiddle tunes originally appeared in 'Kaufman's Collection of American Fiddle Tunes for Flatpicking Guitar (MB 95748). Steve Kaufman says he can't emphasize enough the importance of developinga large repertoire of tunes. Fiddle tunes give us melodies that eventually allow us to begin to improvise. Sometimes without even knowing it. The more tunes you know the more melodies and intersecting melody lines you know. Thisallows you to eventually cut and paste portions of the melody line into another song. In the beginning you will probably unknowingly replace and ending run. These are the last two measures of the section of a tune. Many of them inthe same key are interchangeable unless they are specific to the melody of the song. After a while you will cut out measures in the middle of the song and then you will be able to take the snips of melodies and play them inanother song in a different key thus beginning to improvise. All of this is possible because you built up your repertoire of tunes. Includes access to online audio.

Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue. - Andrew Achenbach Gramophone These five songs for voice with piano and string quartet accompaniment take the Severn River and itshistorical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler. - James A. Altena Fanfare Magazine

This joyous upbeat anthem sets a text by contemporary poet Sean Street on the subject of 'alma mater' reflecting on the profound ties we can form to a time or a place. The bright driving Organ part with solo interjections is juxtaposed with sustained vocal writing with rich lush harmonies.

This book and companion audio present 38 classic children's songs arranged for solo ukulele. Included are nursery rhymes lullabies and rounds. Because sing-alongs are an important part of children's playtime words are included. These arrangements sound wonderful played by musicians of all levels. In the solo style the lead melody is voiced on the higher strings while chords are voiced on the lower strings. The result is a pleasant full-sounding arrangement that makes the ukulele sound surprisingly big and complete. Includes access to online audio. This book and accompanying audio present 38 classic children's songs arranged for solo Ukulele. Included are nursery rhymes lullabies and rounds. Because sing-alongs are an important part of children's playtime words areincluded. These arrangements sound wonderful played by musicians of all levels. In the solo style the lead melody is voiced on the higher strings while chords are voiced on the lower strings. The result is a pleasant full-sounding arrangement that makes the Ukulele sound surprisingly big and complete. Includes access to online audio.

Patrick Hawes ' 2011 arrangement of the English folk song Early One Morning for solo Soprano Flute Oboe Harp and Strings. This is a Vocal score for Soprano with Piano accompaniment. Patrick Hawes ' 2011 arrangement of the English folk song Early One Morning for solo Soprano Flute Oboe Harp and Strings. This is a Vocal score for Soprano with Piano accompaniment.

More experienced choirs will love the metric twists and turns in this fresh approach to the traditional Christmas carol. Mckelvy Deck The Halls In 7/8 Satb

Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ttbb Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

The edition is part of the ABRSM syllabus (grade 6)

This terrific English rhapsody for Orchestra from 1907 has been beautifully arranged for Two Pianos Four Hands by Philip Heseltine. Note that you will need two copies of this book if you want to perform this work.

This new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano. This new Wiener Urtext Edition presents Bach 's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the Harpsichord as well as on the Piano.

Mezzo-soprano and Piano.