Vexilla Regis was composed and published 2014. Dedicated to Benjamin Nicholas and the choir of Merton College Oxford on the occasion of the 750th anniversary of the foundation of the college. A setting of Venantius Fortunatus (530-609 CE). Vexilla Regis prodeunt;fulget Crucis mysterium quo carne carnis conditorsuspensus est patibulo. The banners of the king advance;the mystery of the cross shines forth through which the creator of the flesh was in his fleshhung upon a cross. (Translation: Dr Scott Scullion Fellow and Tutor in Classics Worcester College Oxford.) Vexilla Regis was composed and published 2014. Dedicated to Benjamin Nicholas and the choir of Merton College Oxford on the occasion of the 750th anniversary of the foundation of the college. A setting of Venantius Fortunatus (530-609 CE). Vexilla Regis prodeunt;fulget Crucis mysterium quo carne carnis conditorsuspensus est patibulo. The banners of the king advance;the mystery of the cross shines forth through which the creator of the flesh was in his fleshhung upon a cross. (Translation: Dr Scott Scullion Fellow and Tutor in Classics Worcester College Oxford.)

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts . Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

James Weeks ' Come Away for Soprano Violin Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano Sophie Appleton Violin Ken Ichinose Cello James Weeks Piano) at Kettle’s Yard Cambridge on 10 February 2008. James Weeks ' Come Away for Soprano Violin Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano Sophie Appleton Violin Ken Ichinose Cello James Weeks Piano) at Kettle’s Yard Cambridge on 10 February 2008.

Two songs for three-part upper voices and Piano with music by Betty Roe and words by Leonard Clark. Evocative character pieces with wonderful imagery of Butterflies and Bees.

Contents: Handy-Spandy Jack œ Jack and Jill œ Jumping Jacks œ Little Jumping Joan œ Lullaby œ The Old Mr Turtle œ Pease Porridge Hot œ Rock-A-Bye Baby. Eight fun pieces in a variety of styles for the younger player.

Written for guitar. Written for guitar.

for SATB and organ or piano or orchestra The exuberant chorus from Messiah. The orchestral material is available on hire. For SATB and organ or piano or orchestra The exuberant chorus from Messiah. The orchestral material is available on hire.

Dast Be Dast ('Hand to hand in friendship') was commissioned by Cuatro Puntos a pioneering ensemble of chamber musicians dedicated to global cooperation and peace through the writing and performance of new music worldwide. The piece was written specifically for their violist Kevin Bishop and for Rubab player Samim Zafar a student of the extraordinary Afghanistan National Institute for Music (ANIM) in Kabul. Kevin suggested that the piece should represent the two distinct but equal musical cultures of the performers and as such both players are required to adopt characteristics of each other's traditions both techniques and languages. Dast Be Dast illuminates variousaspects of Afghan and Western music-making with both instruments exploring improvisation alongside notation controlled imitation with spontaneous elaboration and Western tonality within Afghan scales. The piece is based on three Afghan songs each heard clearly in the three movements which are played without a break: I Anar Anar (Pomegranates): a fast song where the two instruments imitate each other gradually becoming more and more elaborate. II Allah Hu (This is God): a meditative movement for solo viola based on a specific interpretation of Allah Hu sung as a lullaby by Veronica Doubleday in 2004. III Watan Jan (Dear Homeland): based on a whirling atan dance in 7/8. Gradually getting faster and faster the players have to keep up with each other's virtuosity. The work was premiered by Samim and Kevin on 23 June 2014 at ANIM Kabul Afghanistan.The work is dedicated to them both with admiration. Dast Be Dast ('Hand to hand in friendship') was commissioned by Cuatro Puntos a pioneering ensemble of chamber musicians dedicated to global cooperation and peace through the writing and performance of new music worldwide. The piece was written specifically for their violist Kevin Bishop and for Rubab player Samim Zafar a student of the extraordinary Afghanistan National Institute for Music (ANIM) in Kabul. Kevin suggested that the piece should represent the two distinct but equal musical cultures of the performers and as such both players are required to adopt characteristics of each other's traditions both techniques andlanguages. Dast Be Dast illuminates various aspects of Afghan and Western music-making with both instruments exploring improvisation alongside notation controlled imitation with spontaneous elaboration and Western tonality within Afghan scales. The piece is based on three Afghan songs each heard clearly in the three movements which are played without a break: I Anar Anar (Pomegranates): a fast song where the two instruments imitate each other gradually becoming more and more elaborate. II Allah Hu (This is God): a meditative movement for solo viola based on a specific interpretation of Allah Hu sung as a lullaby by Veronica Doubleday in 2004. III Watan Jan (Dear Homeland): based o

Melodies and More contains 30 beautiful arrangements for mountain dulcimer including 25 traditional tunes from England Ireland Scotland Wales and five original tunes by Martha Einan. Most of the arrangements include multiple parts for melody simple melody harmony bass and/or fingerpicking. All of the melody parts are also suitable for solo dulcimer. Twenty-eight arrangements are for three-string dulcimer in DAD tuning and two arrangements are for four-equidistant-string dulcimer in DADD tuning. The tunes are written in standard notation and tablature for intermediate to advanced players. This collection contains 25 beautiful traditional tunes from England Ireland Scotland and Wales as well as five original compositions by Martha Einan . Most of the arrangements include multiple parts formelody simple melody harmony bass and/or fingerpicking. All of the melody parts are also suitable for solo Dulcimer. Twenty-eight of the arrangements are for three-string Dulcimer in DAD tuning and two arrangements are forfour-equidistant-string Dulcimer in DADD tuning. All of the tunes featured in Melodies And More For Mountain Dulcimer are written in standard notation and tablature for intermediate to advanced players.

With Online Audio-Complete in three volumes this widely used method series presents classical guitar instruction in a logical and clear manner. The student is thoroughly grounded in left and right hand technical studies and is acquainted with the works of the masters. In this volume the student will be introduced to the Third Fourth Fifth Seventh and Ninth Positions. There is complete treatment for the development of these positions including etudes solos duets and chord studies. This book gives much attention to keys seldom presented in detail in other methods namely the keys of E flat C Minor A flat F Minor D flat B flat Minor G flat E flat Minor F sharp and D sharp Minor. Thisvolume will be a valuable asset to the student desiring to master these more difficult positions and keys. Notation only. Includes access to online audio which demonstrates most of the exercises and solos in the book at performance tempo. Complete in three volumes this widely used method series presents classical guitar instruction in a logical and clear manner. The student is thoroughly grounded in left and right hand technical studies and is acquainted withthe works of the masters. In this volume the student will be introduced to the Third Fourth Fifth Seventh and Ninth Positions. There is complete treatment for the development of these positions including etudes solos duets and chord studies. This book gives much attention to keys seldom presented in detail in other methods namely the keys of E flat C Minor A flat F Minor D flat B flat Minor G flat E flat Minor F sharp and D sharpMinor. This volume will be a valuable asset to the student desiring to master these more difficult positions and keys. Notation only. Includes access to online audio which demonstrates most of the exercises and solos in thebook at performance tempo.

Per Voce E Pianoforte (Soprano/Tenore)- Tosti Francesco Paulo A Vucchella Soprano Or Tenor & Piano Book

Includes selections chosen for the ABRSM singing syllabus grade 7.

for SATB double choir organ brass timpani and percussion In this rousing anthem for double choir Rutter uses frequent time signature changes to breathe new life into Psalm 148. This anthem forms the conclusion to John Rutter's Psalmfest for which scores and parts are available on hire. John Rutter 's O Praise The Lord Of Heaven for SATB Double Choir Organ Brass Timpani and Percussion. In this rousing anthem for double choir Rutter uses frequent time signature changes to breathe new life into Psalm 148. This anthem forms the conclusion to John Rutter 's Psalmfest for which scores and parts are available on hire.

This collection of piano solos includes twelve classic hymns-a variety of themes representative of the Christian faith's heritage. The unique arrangements are an addition to anyone's music library and can be used for many occasions. Examples include Amazing Grace introduced as a round a medley of Abide with Me and Pachelbel's Canon and an arrangement of A Mighty Fortress Is Our God with four key changes and an ending from Sigismond Thalberg's Les Huguenots Op. 20. This collection of Piano solos includes twelve classic hymns a variety of themes representative of the Christian faith's heritage. Unique arrangements are an addition to anyone's music library and can be used for manyoccasions. Examples include Amazing Grace Abide with Me and an arrangement of A Mighty Fortress Is Our God with four key changes and an ending from Sigismond Thalberg's Les Huguenots Op.20.

from Matilda- When I Grow Up comes from Matilda he Musical the award-winning stage version of Roald Dahl’s classic children’s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. This choral version for SATB and piano accompaniment is arranged by Simon Foxley. Watch this brilliant performance from Matilda: The Musical (West End) - When I Grow Up :

Patrick Hadley's I Sing Of A Maiden for SATB.

Duftig erglanzen Orangen-SATB (Choral Score). Mascagni P

Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave Tumbao for one and two drums Yambú Guaguancó (Havana) Guaguancó (Matanzas) Rumba columbia Conga (Havana) Conga (Matanzas) and Conga (Santiago). Part two is structured just like partone but covers a different set of rhythms: Bembe Makuta Yuka Palo Arará Abakuá (Havana) Abakuá (Matanzas) Gagá Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion. Trevor Salloum: Afro-Cuban Rhythms combines two of the renowned author's popular previous editions. This Gig Savers book has been specially designed for the intermediate to advanced level percussionistwho has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. Thematerial is presented in a concise and user-friendly style. This section includes information on Clave Tumbao for one and two drums Rumba columbia Conga (Havana) Conga (Matanzas) Conga (Santiago) and much more. Parttwo is structured just like part one but covers a different set of rhythms: Bembe Makuta Yuka Palo Arar Abaku (Havana) Abaku (Matanzas) Gag and Iyesa. All rhythms presented in this edition areeasily adapted to conga drums and Afro-Cuban hand percussion.

Clive Barnwell. A sparkling musical based on the Greek myth of Theseus and the Minotaur. Links in with History Key Stage 2. Ten songs with short narrative passages. Score contains parts for recorders and tuned percussion.

L'il Liza Jane an American song arranged for unaccompanied SATB chorus by Gordon Lawson. A piano part is included for rehearsal purpose only.