Work for Double Choir Trumpets Violins and Continuo.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ‘An American Werewolf in London’ was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by Simon Foxley & Christopher Hussey for SAB choir makes the evocative standard a welcome addition to the Novello Choral Pops series.

Miss Saigon - Piano And Vocal Selections contains twelve songs from Alain Boublil and Claude-Michel Schönberg 's hit musical arranged for Piano and Voice. This selection includes the songs The Heat Is On In Saigon Why God Why? Too Much For One Heart Sun And Moon Maybe and more. ' ...Schönberg's score is warm rich and beautifully orchestrated with Boublil's lyrics sensitive to all the characters' suffering...A real big beast of a blockbuster .' - Andrzej Lukowshi Time Out Miss Saigon - Piano And Vocal Selections contains twelve songs from Alain Boublil and Claude-Michel Schönberg 's hit musical arranged for Piano and Voice. This selection includes the songs The Heat Is On In Saigon Why God Why? Too Much For One Heart Sun And Moon Maybe and more. ' ...Schönberg's score is warm rich and beautifully orchestrated with Boublil's lyrics sensitive to all the characters' suffering...A real big beast of a blockbuster .' - Andrzej Lukowshi Time Out

Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church Kent on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a beautifully produced work that features the pleasing disorientation of false relations and is as inventive as it is impressive. A similarly glowing review in the August-October edtion of The Organ magazine calls this piece a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge thismusic on all recital organists - it is a splendid piece and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita especially. Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church Kent on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a 'beautifully produced work' that features 'the pleasing disorientation of false relations' and is 'as inventive as it is impressive.' A similarly glowing review in the August-October edtion of The Organ magazine calls thispiece 'a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge this music on all recital organists - it is a splendid piece and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita especially.'

Score. Commissioned by the Cheltenham International Music Festival. The First performance was given on 7 July 1996. Four Primo Levi Settings are scored for mezzo-soprano clarinet viola and piano an intimate ensemble of melancholic darkness and autumnal light appropriate for Primo Levi's text.

The Heritage of English Song series is a terrific collection that presents and preserves the long and glorious tradition of English song. Book 12 contains a stunning selection of Roger Quilter songs selected and introduced by Trevor Hold. Quilter was a modest songwriter who encapsulated his ideas with uncomplicated but effective music. Subtle generous and warm they are a delight to play and sing both for amateur or professional. The Twelve Songs in this volume represent the height of Quilter 's work from 1908 to 1935. All pieces are in wonderful settings for medium-high Voice and Piano.

Sadie Harrison 's Sehnsucht for Violin and Piano. Score and part.

Novello Choral Pops: James Bond is a brilliant collection of James Bond theme tunes all expertly arranged for SATB Choir and accompanying Piano. This superb collection includes theme songs from Bond films On Her Majesty's Secret Service Diamonds Are Forever The Spy Who Loved Me Licence To Kill and most recently released Skyfall . Watch and listen to Skyfall here:

Six Poetic Songs-Donald Swann is best known as one half of the comic duo Flanders and Swann who dominated the West End and Broadway stages in the late 1950s and 1960s. Though less recognised he was also a leading exponent of the lyric song having reinterpreted the English art-song tradition exemplified by Parry Quilter Warlock and others in his own distinctive and exotic way. This second volume of his songs for Medium Voice and Piano features a range of styles and moods that fit with the diversity of the poems he has set and demonstrate his sensitivity to the setting of texts to music. These Practical Versions of Swann’s ever evolving songs are a wonderful insight into thecomposer’s ability and justify his place in the canon of English song.

for SAATB and organ or strings Material for viols or modern strings is also available . An Anglican verse anthem by the talented chorister and composer Orlando Gibbons based on text from John Chapter 1 Verses 19-23. Composed For SAATB and organ accompaniment.

The SATB version from O'Regan's 'Triptych'.

His Winding-Sheet is a wonderful piece for SATB Choir a cappella with Soprano soli.

Uhtceare for Flute Percussion Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 8'30. Uhtceare is an Old English word meaning ‘anxiety before dawn’ – surely a familiar experience to many not just the Anglo-Saxons. I particularly associate it with the half-awake early-morning asthma attacks that I had as a child. The piece starts in a nocturnal dreamlike state with chords that pulse gently like the rise and fall of breaths. These swelling patterns become increasingly fraught while soloists sporadically emerge with a sense of urgency and culminate in a loud chaoticpassage where the percussionist moves from tuned Percussion to Drums. Following this the Flute plays agile looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static so that when all three instruments are playing them simultaneously there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester. Uhtceare for Flute Percussion Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 8'30'. Uhtceare is an Old English word meaning ‘anxiety before dawn’ – surely a familiar experience to many not just the Anglo-Saxons. I particularly associate it with the half-awake early-morning asthma attacks that I had as a child. The piece starts in a nocturnal dreamlike state with chords that pulse gently like the rise and fall of breaths. These swelling patterns become increasingly fraught while soloists sporadically emerge witha sense of urgency and culminate in a loud chaotic passage where the percussionist moves from tuned Percussion to Drums. Following this the Flute plays agile looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static so that when all three instruments are playing them simultaneously there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Written in 1683 Welcome To All The Pleasure (Z339) is the first of the three Odes that Purcell wrote for St Cecilia's Day. It was commissioned by the London Music Society for their first festival and sets a poem by Christopher Fishburn. It is scored for SATB Chorus; Alto Tenor and Bass soloists; and Strings.

Sadie Harrison's Coretta for Clarinet Cello and Piano. Coretta was commissioned by New Music in the South West with generous support from Arts Council England. It received its premiere on 4 February 2018 at the Victoria Rooms Bristol performed by Andy Keenan Alison Holford Michelle Ezigbo and Tomaš Klement. The work is dedicated to NMSW's founder and director Julian Leeks. Duration: c. 9 minutes

(Dimorphism) by Evis Sammoutis was written in memoriam Giacinto Scelsi (1905-1988) and was commissioned by the Athens Concert Hall. First performance: 6 March 2004 at Athens Concert Hall (Athens Greece) by Members of the Camerata Friends of Music Orchestra 13'; for two violins

Vagn Holmboe Vagn Holmboe's Omnia Flumina Op.54c from Liber Canticorum Vol.I - for Mixed Choir SSATBB.

Bass Clarinet In Bb Version-Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. - Thomas Simaku' Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. ' - Thomas Simaku

No. 3 or Three American Lyrics-for SATB & piano John Rutter 's The Terrible Tale Of Tom Gilligan for SATB choir and Piano.

For SATB Choir and Organ. For SATB Choir and Organ.