This extremely effective and witty composition is now presented with extended instrumentation for a modern symphonic wind orchestra. Stravinsky’s deliberately smaller original arrangement remains recognisable however and can still be played using this new version.

We are is a dynamic and vibrant setting of 'The human family' a powerful poem by American poet Maya Angelou. The poet's message that 'we are more alike than we are unalike' is carried through the piece by a compelling rhythmic figure and the a cappella textures and interplay between voices creates an infectious energy. The rich texture of the double choir scoring allows the two groups of singers to work together to create the sense of unity and common purpose the poem speaks to. We are was commissioned by The King's Singers for their 50th anniversary celebrations and features on their album 'GOLD' (Signum SIGCD500). The piece was originally presented with the first choir scoring as AATBarBarB but has since been rescored for SATTBB with the option for the second choir to be SA or SATB remaining unchanged. Bob Chilcott's We Are for SATB. We are is a dynamic and vibrant setting of 'The human family' a powerful poem by American poet Maya Angelou. The poet's message that 'we are more alike than we are unalike' is carried through the piece by a compelling rhythmic figure and the a cappella textures and interplay between voices creates an infectious energy. The rich texture of the double choir scoring allows the two groups of singers to work together to create the sense of unity and common purpose the poem speaks to. We are was commissioned by The King's Singers for their 50th anniversary celebrations and features ontheir album 'GOLD' (Signum SIGCD500). The piece was originally presented with the first choir scoring as AATBarBarB but has since been rescored for SATTBB with the option for the second choir to be SA or SATB remaining unchanged.

Practice your favorite hymns with an accompanist at home or in your studio! Hymns for Flute and Piano Made Easy is a collection of fifteen traditional hymns arranged for flute solo with piano accompaniment: A Mighty Fortress is Our God: All Glory Laud and Honor: Amazing Grace: Christ the Lord is Risen Today: Come Ye Thankful People and more. The flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn: the first is played on piano and the second on pipe organ. The collection is perfect for the flutist who wishes to play familiar hymns in the churchsetting. The book contains the flute solo part and the piano accompaniment. The piano accompaniment is also available as an online download. With this collection of easy-to-play hymns for the Flute you can practice your favourite hymns with an accompanist at home at a service or in the studio. Hymns For Flute And Piano Made Easy is acollection of fifteen traditional hymns arranged for solo Flute with Piano accompaniment. This collection includes the hymns: A Mighty Fortress is Our God All Glory Laud and Honor Amazing Grace Christ the Lord is RisenToday and more. The Flute score includes both the hymn tune and an easy descant part that will add variety to the performance setting. The online recording contains two accompaniment tracks for each hymn; the first isplayed on Piano and the second on Pipe Organ. The collection is perfect for the flutist who wishes to play familiar hymns in the church setting.

Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima One Minute Later Tales and The Choice. Two of the tracks 'Elvira Maria” and the 3-movement Sonata 'Banc d'Arguin” are strictly guitar solos while 'Richi” is a solo accompanied by light percussion. 'Kilian's Mountain” is a reduced score of an extended duet with a pianist and 'Desierto” and 'Virgianna” include expert sidemen on saxophone bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves all played with spontaneity and aheightened awareness of time dynamics color technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging but they provide a roadmap to the recordings and rare insight to the workings of a unique musical mind. Diego Barber's Compositions for Classical Guitar are written in standard notation only with online access to stellar solo and ensemble recordings. About Sonata 'Banc d'Arguin” … Diego Barber is a native of Lanzarote in the Canary Islands just off the northeast coast of Africa: in writing Sonata 'Banc d'Arguin ” the main solo piece in this collection he was inspired by the major cities Nouadhibou and Nouakchott the Banc d'Arguin National Park and the desert of the West African country of Mauritania. Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima One Minute Later Tales and The Choice . Two of the tracks Elvira Maria and the 3-movement Sonata Banc d'Arguin are strictly guitar solos while Richi is a solo accompaniedby light percussion. Kilian's Mountain is a reduced score of an extended duet with a pianist and Desierto and Virgianna include expert sidemen on saxophone bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves all played with spontaneity and a heightened awareness of time dynamics color technique and tone. Even seasoned guitarists will find thesepieces rhythmically and technically challenging but they provide a roadmap to the recordings and rare insight to the workings of a unique musical mind. Diego Barber's Compositions for ClassicalGuitar are written in standard notation only with online access to stellar solo and ensemble recordings. About Sonata Banc d'Arguin … Diego Barber is a native ofLanzarote in the Canary Islands just off the northeast coast of Africa; in writing Sonata Banc d'Arguin the main solo piece in this collection he was inspired by t

For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score and Parts. For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello). Published in 2001. Commissioned by the Britten Sinfonia. First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury. Score and Parts.

Percussion part for John Rutter's setting of this classic American patriotic song which dates back to the Civil War.

Evis Sammoutis ' L'Oracle De Nicosia for Soprano and Double Bass. Composed and published 2016. Duration c. 3 minutes. The Oracle of Nicosia is the first of several works planned for the 2016 / 17 seasons that are directly inspired by particular features of my homeland Cyprus and my hometown of Nicosia more specifically. The composition is written for and dedicated to two exceptional musicians and exponents of new music Double Bassist Uli Fussenegger and Soprano Hélène Fauchère. I never had the chance to set French poetry in any of my previous works and I was delighted to collaborate with Dorian Astor. I was already familiar with his outstanding oeuvre andhis previous collaborations with composers and after several exchanges Dorian Astor created the ideal text for the vision I had for the new work with a prose that is colorful concise evocative mysterious and cryptic at the same time creating a text of hymnal yet fragmentary form. The key concepts circle around ancient mystery the esoteric universe of the Delphic oracle the Eleusinian Mysteries and the Dionysian or Orphic cults - Evis Sammoutis Evis Sammoutis ' L'Oracle De Nicosia for Soprano and Double Bass. Composed and published 2016. Duration c. 3 minutes. The Oracle of Nicosia is the first of several works planned for the 2016 / 17 seasons that are directly inspired by particular features of my homeland Cyprus and my hometown of Nicosia more specifically. The composition is written for and dedicated to two exceptional musicians and exponents of new music Double Bassist Uli Fussenegger and Soprano Hélène Fauchère. I never had the chance to set French poetry in anyof my previous works and I was delighted to collaborate with Dorian Astor. I was already familiar with his outstanding oeuvre and his previous collaborations with composers and after several exchanges Dorian Astor created the ideal text for the vision I had for the new work with a prose that is colorful concise evocative mysterious and cryptic at the same time creating a text of hymnal yet fragmentary form. The key concepts circle around ancient mystery the esoteric universe of the Delphic oracle the Eleusinian Mysteries and the Dionysian or Orphic cults - Evis Sammoutis

One of two works composed by Rutland in 1937 as recital pieces for his daughter Joy who was then at the beginning of an outstanding career as a soloist.

Contents: Prélude et Scherzo (Henri Busser) Concertino Op. 107 (Cecile Chaminade) Concertino Op. 45 (Alphonse DuVernoy) Cantabile et Presto (Georges Enesco) Fantasie Op. 79 (Fauré) Andante et Scherzo (Louis Ganne) Fantasie Nocturne at Allegro Scherzando (Philippe Gaubert) Ballade (Périlhou) Andante Pastoral et Scherzettino (Paul Taffanel). Recordings of pianoaccompaniments available separately: HL50490448A collection of flute pieces which were all requested by the Paris Conservatory for its annual contest at some time. Each is a real challenge for the performer technically and musically. Includes Cecile Chaminade's Concertino Georges Enesco's Cantabile et Presto and Paul Taffanel's Andante Pastoral et Scherzettino . Edited by Louis Moyse.

Simon Foxley has arranged this most durable of inspirational songs for SSA choir with piano accompaniment. Amazing Grace arranged by Simon Foxley. this most enduring of inspirational songs is scored for SSA and Piano Accompaniment. Originally composed as a hymn by John Newton in the late 1770s it slowly drifted into secular use to become one of the most famous songs in the world after being set to its defining melody in the 1840s.

Laurence Roman 's Carpathian Dances for Viola and Piano accompaniment. Laurence Roman 's Carpathian Dances for Viola and Piano accompaniment.

A beautiful and expressive piece arranged for SSAA and Piano Accompaniment to words by William Blake. A beautiful and expressive piece arranged for SSAA and Piano Accompaniment to words by William Blake.

For Clarinet Ensemble. E flat Clarinet 7 B flat Clarinets Alto Clarinet (or Bassett Horn) 2 Bass Clarinets Contra-Alto Clarinet in B flat (or Contra-Bass Clarinet in B flat) For Clarinet Ensemble. E flat Clarinet 7 B flat Clarinets Alto Clarinet (or Bassett Horn) 2 Bass Clarinets Contra-Alto Clarinet in B flat (or Contra-Bass Clarinet in B flat)

Zeta Potential was composed in 2012 for the Nieuw Ensemble from Amsterdam. This piece was commissioned as part of the European Composers Professional Development Programme led by Huddersfield Contemporary Music Festival. Zeta Potential is the scientific term used for a calculation which measures the stability of semi-fluid/semi-solidsubstances. The piece Zeta Potential plays with the capability of the ensemble and texture to remain as a coordinated and stable system. The piece traces a constant flux between ‘solid’ and ‘fluid’ textures framed around cycles of growing and decaying musical patterns whichundergo constant transformation. Zeta Potential was composed in 2012 for the Nieuw Ensemble from Amsterdam. This piece was commissioned as part of the European Composers Professional Development Programme led by Huddersfield Contemporary Music Festival. Zeta Potential is the scientific term used for a calculation which measures the stability of semi-fluid/semi-solidsubstances. The piece Zeta Potential plays with the capability of the ensemble and texture to remain as a coordinated and stable system. The piece traces a constant flux between ‘solid’ and ‘fluid’ textures framed around cycles of growing and decaying musical patterns whichundergoconstant transformation.

Cello-Bass-Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts. Several players may be used on each part. Whenever possible every effort was made to keep the viola and violin/cello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The pieces may be performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is not necessary.The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment AND ensemble score downloads are available for use with this title. Many selections in this volume are unique and until now have been inaccessible to the string ensemble repertoire. These pieces are intended for multiple strings for performance in the classroom as well as performance in concerts.Several players may be used on each part. Whenever possible every effort was made to keep the viola and violoncello/double bass parts melodic rather than simply filling in the various harmonic chord progressions. The piecesmaybe performed as a solo for each instrument (Violin 1 Violin 2 Viola or Cello) with piano accompaniment or as duets or trios as well as full orchestra. If performed with full orchestra the piano accompaniment is notnecessary. The string ensemble series meets all standards for ASTA with NSOA (American String Teachers Association/National School Orchestra Association) and Suzuki Association of the Americas Inc. Free piano accompaniment ANDensemble score downloads are available for use with this title.

This transcription of the Fuga No.10 in E minor from the first book of Bach's Well Tempered Clavichord was written in São Paulo in July 1931.

17th Century work for SAT Chorus A Cappella edited by David Tunley.

Franz Schubert 's Fantasy In C - Wanderer-Fantasie C D 760 .

Three carols arranged for Piano 4-hands.

Paul Mealor 's Autumn Evening for SSA divisi chorus unaccompanied. This piece was commissioned by BBC Radio 3 for Les Sirènes Choir of the Year Champions 2012 and was first performed on 6 June 2014 at St John’s-Renfield Church Kelvindale Glasgow. Autumn Evening is dedicated to Andrew Nunn and Les Sirènes. Paul Mealor 's Autumn Evening for SSA divisi chorus unaccompanied. This piece was commissioned by BBC Radio 3 for Les Sirènes Choir of the Year Champions 2012 and was first performed on 6 June 2014 at St John’s-Renfield Church Kelvindale Glasgow. Autumn Evening is dedicated to Andrew Nunn and Les Sirènes.