Fragments K. 442- Mozart often began work on a composition only to put it aside unfinished. Some of these fragments contain wonderful music as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer and on this basis they were given the number “442” in Köchel’s catalogue. The first edition used completions by Mozart ’s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed highly rewarding completions by Robert D. Levin.

Opus 118 Nr. 2-When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces op. 118 – they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity.”

from The Greatest Showman-From the hottest movie soundtrack to come along in years here is a high-energy yet playable arrangement of the dynamic opening number.

Op. 2 No. 2

Le Répertoire du Pianiste - the Pianists Repertory for Beginners-ALAIN : Nous n'irons plus au bois - ATWOOD : Sonatine - BACH : Menuets - BARRATT : Zut blues - BARTOK : Chant populaire hongrois - Valse - Etude - CHOSTAKOVITCH : Marche - FRANCK : Les plaintes d'une poupée - FRANCMESNIL (de) : Menuet - FRANCOIS : Mais enfin que fait donc Sally ? - GILLOCK : Fiesta - GRETCHANINOV : Conte de fée - Après le bal - Retour à la maison - Que ne suis-je grand ! - GURLITT : Novelette - Romances sans paroles - Valse - HAENDEL : Menuet - HAYDN : Danse allemande - HUMMEL : Dialogue taquin Ishii J'ai rêvé que j'étais un papillon - KABALEVSKI : Une nuit sur la rivière - Valse - Petite chanson - Petite histoire triste - KHRENNIKOW : Berceuse - Scherzo - LEVY: Espiègle - MAYKAPAR : Children's piece - MEUNIER : C'est nous les joyeux lapins ! - MOZART : Menuet - Allegro - Menuet - NORTON : Chant - PETERSON : Jazz-minuet - REINECKE : Menuets - ROWLEY : Il était une fois - SCARLATTI : Menuet - SCHUBERT : Ländler D679 - SCHUMANN : Premier chagrin - TCHAIKOVSKI : Vieille chanson française - Chanson italienne - WANHALL : Rondo - WHITEHEAD : Le Défilé des minets

For Violin and Orchestra-Mario Castelnuovo-Tedesco’s CONCERT No. 2 for violin and orchestra is dedicated to Jascha Heifetz one of the most important and influential twentieth-century violinists and the first to perform this work conducted by Arturo Toscanini (New York 1933). • This edition is a reduction for violin and piano by Castelnuovo-Tedesco himself. • A much requested classic piece from the Ricordi repertoire once again available in the catalogue.

Per Soprano E Pianoforte

Per Soprano E Pianoforte

I have developed a highly formalised compositional system which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series said Arvo Pärt in 1994. The neutral title itself embodies the essence of the content as the work is based on the text of the Latin Credo. The great simplicity of the piece masks its complexity. The underlying rules ensure that on the surface a cycle of continuous change is created while the deep structure possesses an order of stillness. Saale Kareda

op. 8/3 RV 293 / PV 257

Réduction pour percussion et piano

12 Pop-Hits in Easy Arrangement

Pour Piano A Quatre Mains

18 English Christmas Songs

Die neue Schule für Sopranblockflöte für den Beginn ab 7 Jahren.

Leichte Stücke für Blockflöte

Bassoon Percussion

pour piano - Ed. A. Cortot

éditées par Robert Orledge-This new completely revised edition of the Ogives is based on Robert Orledge's critical edition of Satie's works for piano (in 3 volumes; catalogue numbers: SLB 5960 - SLB 5961 - SLB 5962). Orledge's work has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from.

L'un des maîtres du piano jazz vous donne ses astuces et techniques pour l'improvisation jazz au piano. Martial Solal est certainement le musicien français le plus important apparu depuis la disparition de Django Reinhardt. L'ampleur de sa carrière et la richesse de son œuvre suffiraient à lui attribuer ce titre mais ce serait négliger l'essentiel : ses talents exceptionnels d'instrumentiste et l'incroyable fertilité de son imagination dans l'improvisation qui en ont fait l'un des pianistes les plus admirés bien au-delà du seul cercle du jazz.