Fairly advanced piece for concert or worship setting Words by E.E. Cummings (not as outlandish as some it almost makes conventional sense)

Sheet Music Version for Medium Voice and Piano in the key of D major.

A systematic approach to developing technique on the classical guitar must include studies designed to focus on concise specific techniques and offer musical challenges as well. The studies in this book will assist in the development of certain techniques of right hand touch right hand finger movement and right hand chordal balance. In addition this book presents clear and direct left hand technical challenges that promote the development of consistent left hand technique. These musical motives also help to develop the ability to recognize and read note groups quickly and should prove to be most helpful in the continuing quest to improve sight-reading skills on theinstrument. Written in notation only. A systematic approach to developing technique on the classical guitar must include studies designed to focus on concise specific techniques and offer musical challenges as well. The studies in this book will assist in thedevelopment of certain techniques of right hand touch right hand finger movement and right hand chordal balance. In addition this book presents clear and direct left hand technical challenges that promote the development ofconsistent left hand technique. These musical motives also help to develop the ability to recognize and read note groups quickly and should prove to be most helpful in the continuing quest to improve sight-reading skills on theinstrument. Written in notation only.

A must for your next concert! The story of Moses from bulrush days to the time when he led his people into the land of milk and honey. This pop cantata is tremendous fun for choir and audience and one high spot is the galloping chase sequence. The nine songs written for unison voices Piano with Guitar chords are linked by suggested Biblical passages which are optional. Solo parts for Moses and the Pharaoh.

For solo Viola. Published in 2002. First performed by Joel Hunter at the Goldberg Contemporary Festival Manchester 16th February 2002. For solo Viola. Published in 2002. First performed by Joel Hunter at the Goldberg Contemporary Festival Manchester 16th February 2002.

Score and Parts-Violin solos and duets with piano. Twelve Little Duets for two violins by F. Mazas Op.38 Book 1 edited and fingered by H. Schradieck.

Fifteen great soul songs specially arranged for Clarinet with play-along accompaniments on CD. Fifteen great soul songs specially arranged for Clarinet with play-along accompaniments on CD.

For a cappella SATB voices with text by Gerard Manley Hopkins. Includes piano accompaniment for rehearsal purposes.

Bach's Christmas Oratorio was composed and compiled for the Christmas season as celebrated in Leipzig in 1734 and early 1735. There are a total of six parts which were intended to be performed on the six major feast days over that 13-day period from December 25 through January 6: the First Day of Christmas Second Day of Christmas Third Day of Christmas Feast of the Circumcision First Sunday of the New Year and the Feast of the Epiphany . This edition is Part One of the oratorio scored for SATB Chorus and Piano.

A part-song for SATB Choir A Cappella setting the words of Elizabeth Barrett Browning.

Any Dream Will Do from Andrew Lloyd Webber's Joseph And The Amazing Technicolor Dreamcoat arranged for SATB choir by Mac Huff. Any Dream Will Do from Andrew Lloyd Webber's Joseph And The Amazing Technicolor Dreamcoat arranged for SATB choir by Mac Huff.

The Lord's Prayer arranged by Carl Deis for three-part chorus of women's voices (SSA) with Piano accompaniment.

This cantata is the outcome of a request and is an easy arrangement of movements of Messiah for use in school near to Christmas. The movements selected are all taken from Part One of Messiah but the order has been slightly changed to group them as a cantata. Arranged for Two-Part Chorus by Watkins Shaw. Duration c. 20 mins

Work for Soprano Solo SATB Choir Narrator and Percussion.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . Includes complete solo part and a reduction of the orchestral part for second piano. Edited by Theodor Kullak. Please note: two scores needed to perform.

German 17th Century-Captivating new setting of the familiar words for small or inexperienced choir with a solo feature that could also be done by a few voices together.

Thomas Arne composed When Daisies Pied to words from Shakespeare's Love's Labour's Lost in 1740. This is an enjoyable song with a melodious clarinet obligato written by Henry Lazarus which compliments both the voice and pianothroughout. The clarinet obligato is printed on a separate insert which is also included.

Most of the music in this book comes from editions or manuscripts from England in the late 1500's. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there were two main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosen for this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular court dances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocal settings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however the voicing of the harmonies have been changed so as to fit on the mandolin. Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there weretwo main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosenfor this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular courtdances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocalsettings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however thevoicing of the harmonies have been changed so as to fit on the mandolin.

The Moments Musicaux were composed during 1827 and 1828 the third and last pieces which were written during 1823 and 1824 excepted. Each is composed in a sectional form and many are dances of some kind.

Composed by Chopin (1810-1849). Throughout this piece he demonstrates a gift for melody an adventurous harmonic sense an intuitive and inventive understanding of formal design and a brilliant piano technique.