Musicians Wrestle Everywhere Is A Concerto Scored For Ten Instruments Flute Oboe Clarinet Bass Clarinet Horn Trombone Percussion Piano Cello And Bass. The Piece Is A Continuous Thirteen Minute Movement With Influence Coming From The Composer'S Experiences Whilst Walking Around South-East London In An Urban Street Environment. Sounds That Influenced The Piece Include Wind Turbulence Rain Showers Birds Wind Chimes And Traffic Noise. Work Commissioned By The Birmingham Contemporary Music Group First Performance Was Given At The Adrian Boult Hall Birmingham On 5 March 1995. Musicians Wrestle Everywhere is a concerto scored for ten instruments Flute Oboe Clarinet Bass Clarinet Horn Trombone Percussion Piano Cello and Bass. The piece is a continuous thirteen minute movement withinfluence coming from the composer's experiences whilst walking around South-East London in an urban street environment. Sounds that influenced the piece include wind turbulence rain showers birds wind chimes and trafficnoise. Work commissioned by the Birmingham Contemporary Music Group first performance was given at the Adrian Boult Hall Birmingham on 5 March 1995.

This work composed for Children's Voices and String Quartet was commissioned by the Young People's Chorus of New York City.

The spiritual Great Day! arranged by Hall Johnson for SATB choir a cappella.

Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music. A religious characteristic in the form of an anthem for four-part chorus of mixed voices with soprano solo. With Piano accompaniment for rehearsal purposes.

The bass has been called the most important instrument in any band. The bass player must create interesting lines under the chord changes keep the time flow or pulse steady and keep the form of the song together. This book is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz blues R&B gospel Latin and country music. By explaining the basics of intervals chords and scales the author builds a framework for understanding bass line patterns. Then the book presents one- and two-measure patterns that can be used in playing the blues rhythm changes the II-V-I progression and 20 popular jazz standards.The book is written in standard notation with chord symbols. The audio gives you the opportunity to play with one of the finest rhythm sections around. It is in stereo with the bass and drums on the left and piano and drums on the right. Since the examples in the book are presented both with sample bass lines and as chord progressions only you can either follow along with the bass or practice your own lines with the audio as your accompaniment. Access to online audio included. The Bass has been called 'the most important instrument in any band.' The Bass player must create interesting lines under the chord changes keep the 'time flow' or 'pulse' steady and keep the form of the song together. Walking Jazz Lines For Bass is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz blues R&B gospel Latin and country music. Byexplaining the basics of intervals chords and scales the author builds a framework for understanding bass line patterns. This book presents one- and two-measure patterns that can be used in playing the blues rhythmchanges the II-V-I progression and 20 popular jazz standards. Walking Jazz Lines For Bass is written in standard notation with chord symbols. The audio gives you the opportunity to play with one of thefinest rhythm sections around. It is in stereo with the bass and drums on the left and Piano and Drums on the right. Since the examples in the book are presented both with sample Bass lines and as chord progressions only you caneither follow along with the Bass or practice your own lines with the audio as your accompaniment. Access to online audio is included.

A meditative piece ideal for the Lenten season

The world of melodic jazz banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included are over 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string banjoist can benefit from the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the banjo.Starting with basic intervals Straight-Ahead Jazz for Banjo showsthe structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string banjo's potential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examples of original jazz phrases in a variety of keys. Topics include functional major and minor key harmony diminished and augmented scales and how they are used and the integration of altered scale substitutes in the art of jazz improvisation. It stresses listening and learning in a logical structured manner with an example of a daily practice plan. The unique emphasis of the book is on the fingerings which make the instrument work for you technically and thus open up added possibilities for the development of a student's personal style. This long-awaited volume will surely bring new focus and perspective to any banjo style and will be a classic reference for many new generations of banjoists. Includes access to online audio. The world of melodic jazz Banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included areover 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string Banjoist can benefitfrom the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the Banjo. Starting with basic intervals ' Straight-Ahead Jazz for Banjo ' shows the structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string Banjo'spotential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examplesof original jazz phrases in a variety of keys.

From Twilight Saga: Eclipse-From the dramatic fi nale to the popular Twilight Saga movie trilogy here is Howard Shore’s distinctive and memorable main theme. Robert Longfield’s arrangement is carefully scored so that all sections (even the low brass) get a chance to play the haunting theme.

One Piano Four Hands.-One Piano Four Hands. Children's Games' for one piano four hands. Edited by David Goldberger.

Low Voice in D with Piano-Sheet Music Version for a Low Voice and Piano in the key of D.

The World's greatest Drummers note for note. This book is designed as a reference and learning tool for the contemporary drummer. It contains transcriptions of thirteen tracks recorded by some of the most important contemporary drummers in rock and fusion. You will find the exact drum parts recorded on tracks that drummers have been inspired by since their release. The World's greatest Drummers note for note. This book is designed as a reference and learning tool for the contemporary drummer. It contains transcriptions of thirteen tracks recorded by some of the most important contemporary drummers in rock and fusion. You will find the exact drum parts recorded on tracks that drummers have been inspired by since their release.

Score and Parts-Written in 1999 this single movement work was commissioned by the Winsor Music Consortium - a group made up of 12 oboists and four chamber music festivals. The premiere took place in February 2000. 25 minutes.

Love Theme-Some movie themes never seem to grow old - only better. This hauntingly beautiful melody from The Godfather trilogy is almost as well-known as the movies themselves. Dur: 2:45

The Witches' Dance is the second piece in Macdowell's Fantasy Pieces . The witches however seem to be more cheerful than wicked as there is little menace and a feeling of secret celebration.

This lovely French carol has been warmly arranged by sacred music icon Kurt Kaiser. A perfect selection for a Christmas Eve service this gentle number is especially designed for the small church choir. Rehearsal CD and Rehearsal CD 10-Pak available.

Instrumental Accompaniment Set-Includes: 3 Bb Tpt 2 Tbn Tba and Timpani

Recorder Quartets (Playing Score)-A new collection of quartets for descant treble tenor and bass recorders by John Pitts. This varied selection of quartets includes Latin American dances hit show tunes folk and classical favourites blues and ragtime pieces and some original compositions by John Pitts. Challenging and wide-ranging the collection is aimed at the more advanced recorder group. In all the pieces all players have a chance to feature. Separate parts are availableseparately code CH65109.

Festival arrangement for choir and congregation with organ and optional brass and percussion

The development of the character of Lady Macbeth is the subject of contemporary composer Joseph Horovtiz’s Scena. He has selected words from the speeches of Lady Macbeth in Shakespeare’s play and treated them as a mini operatic role. It is a work that offers a superb opportunity for a mezzo of dramatic gifts to inhabit one of the theatre’s most compelling women.Composer and conductor Joseph Horovitz has spent much of his career creating and conducting music for the stage television and cinema. He was music director of the Bristol Old Vic and has written and conducted ballets operas works for Brass Band among many others.

All 24 preludes from Op.28 and the solitary prelude Op.45 edited and fingered by Carl Mikuli. Historical and analytical comments by James Huneker.