Violin and Piano Reduction-This convenient publication in Schirmer's Library of Musical Classics collects Mozart's most often-played violin concertos in one affordable volume. This convenient publication in Schirmer's Library of Musical Classics collects Mozart 's most often-played Violin concertos in one affordable volume.

Contents: Fantaisie Op. 49 œ Scherzo in B Flat Minor Op. 31 œ Scherzo in B Minor œ Scherzo in C# Minor Op. 39 œ Scherzo in E Op. 54. Edited and fingered and provided with an introductory note by Carl Mikuli. Historical and analytical comments by James Huneker.

Judith Weir's We Are Shadows for SATB choir and Orchestra. Vocal score.

This Motown classic went to the top of the charts in 1966. Recreate the sounds of The Four Tops with this great arrangement. Your men will love it! Available for TTB and ShowTrax CD. Performance Time: Approx. 3:00 This Motown classic went to the top of the charts in 1966. Recreate the sounds of The Four Tops with this great arrangement. Your men will love it! Available for TTB and ShowTrax CD. Performance Time: Approx. 3:00

Work for Solo Cello and Orchestral Cello Section. Premiered by Yo Yo Ma. Quoting Tavener: It was while pondering these traditional dicta that I began to write the opening solo melody for the cello. It is in fact a palindromebecause waking and dying are like two sides of a piece of paper. If you wake up spiritually then you will die to all that is not of God. In the middle section which is also a palindrome the orchestral cellos join in theparadoxical meditation providing a platform as it were while the cello line takes on a much more melismatic and decorative character. In fact the whole work is a series of intellectual contradictions realised by thesimplest of musical metaphysics. Dying life life dying waking up in order to die the solo cello always represents the individual mind dying and the individual mind waking up. Then of a sudden just before the end thesolo chant begins again only to be cut off by a distant sentimental memory the memory of 'the blues' reminding us of ordinary human emotion and of our fallen state. The very end suggests a waking up into a kind of peace (notsoul slumber since after death the soul becomes more intensely alive); but we know nothing of that so the music fades beyond our ears.

100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. 100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicatedon each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used aspreludes or offertories throughout the various seasons in the church year.

Score and Parts - Les anges dans nos campagnes-This sparkling setting is a buoyant celebration of the season. Perform it with the original French text or English and with piano or chamber ensemble. Available for SATB and SA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 4:30. This sparkling setting is a buoyant celebration of the season. Perform it with the original French text or English and with Piano or chamber ensemble. Available for SATB and SA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 4:30.

Written by Robert Saxton in 1988 for piano left hand only. 'The Chacony was commissioned by the Aldeburgh Festival and first performed there in 1988 by the American pianist Leon Fleisher. In rising to the challenge ofwriting for left hand alone Saxton has reduced the basic material (the underlying ground bass theme) to the simplest element: a whole tone scale. Thus the opening section gradually reveals via a clear indication that D major isthe central tonality of the work the scale through a series of hesitant gestures the main body of the piece bursting out of the tensions created in the intervals of the scale especially the tritone (which plays an importantpart in the melodic version throughout). As with say the finest variation sets or grounds of a composer like Byrd the considerable virtuosity of the keyboard writing always stems from the musical or intellectual stimulus andis never mere empty show. This is a virtuosic response to the challenge of the imposed limitations beautifully written for piano and culminating in a final section in which D is once more resoundingly affirmed as the centre ofthe work though with equal resonance the tritone has the last word. Duration c. 6mins.

Wisconsin Folksong-The traditional Wisconsin folk tune The Pinery Boy arranged by Pierre LaPlante for SATB choir a cappella.

For SATB Choir A Cappella.

This text includes fifty-eight pieces of music as well as recorded audio of the entire book. Ben Bolt believes these pieces are the best of the best for developing technique musicianship and exposing the guitarist to the ingenious musical world of Fernando Sor. Regardless of your current level of expertise this music will be a joy to learn and listen to. Titles include: Napoleon's Theme: E Minor at Midnight: Rhapsody in D: March of the Wooden Soldier: and Easter Hymn are sure to please any audience. Ben Bolt's digital recordings of his arrangements are superb. His warm tone and singing vibrato bring Sor's music to life. All interpretations are classically correct. Heplays on his Fleta and Sons concert guitar made in Barcelona Spain (1976). Fernando Sor was born in Barcelona Spain (1778). Includes access to online audio. This collection includes 58 pieces of music by the Spanish Guitar master Fernando Sor as well as audio of the entire book recorded by Ben Bolt . Ben Bolt believes these pieces are the 'bestof the best' for developing technique musicianship and exposing the guitarist to the ingenious musical world of Fernando Sor . Regardless of your current level of expertise this music will be a joy to learn and listento. Pieces include: Napoleon's Theme E Minor at Midnight Rhapsody in D March of the Wooden Soldier and Easter Hymn . Ben Bolt 's digital recordings of his arrangements are superb. Hiswarm tone and singing vibrato bring Sor 's music to life. All interpretations are classically correct. He plays on his Fleta and Sons concert Guitar made in Barcelona Spain (1976).

For violin and orchestra (piano reduction). Friedrich Seitz's Pupil's Violin Concerto No.5 In D Op.22 for Violin and Piano as edited and fingered by Philipp Mittell.

Grade 1-1.5 Here's a classic rocker from 1980 that has stood the test of time. Recently featured in the hit movie Shrek 2 this is sure to be an audience favorite. Dur: 2:00 Here's a classic rocker from 1980 that has stood the test of time. Recently featured in the hit movie Shrek 2 this is sure to be an audience favorite.

For Treble Recorder and Guitar commissioned by John Turner and Craig Ogden. First performed at Warwick University 19th October 1995. For Treble Recorder and Guitar commissioned by John Turner and Craig Ogden. First performed at Warwick University 19th October 1995.

Fifteen great pop songs specially arranged for Clarinet with play-along accompaniments on CD. Fifteen great pop songs specially arranged for Clarinet with play-along accompaniments on CD.

William Schuman 's Prologue to a poem by Genevieve Taggard . Reduction for SATB choir with Piano accompaniment.

A fairly easy secular piece for children's choir

Strong vocal writing and a supportive accompaniment combine to make this Styx power ballad a great feature for pop and show groups! Performance Time: Approx. 3:35.Available separately: SATB SAB SSA and ShowTrax CD. Dennis DeYoung's Show Me The Way arranged by Roger Emerson for SATB choir with Piano accompaniment. Strong vocal writing and a supportive accompaniment combine to make this Styx power ballad a great feature for pop and show groups! Performance Time: Approx. 3:35.Available separately: SATB SAB SSA and ShowTrax CD.

Peter Lutkin 's The Lord Bless You And Keep You arranged by William Stickles for SATB choir with Piano or Organ accompaniment.

English. For Tenor and Bass Solo SATB Chorus and Organ.