Posthumous work. Posthumous work.

This concerto is small in scale; the first movement making much of an energetically rising arpeggio figure a lyrical second movement with some chromatic harmony that foreshadows parts of Sheherazade and a brisk march-like finale with an extended cadenza. In addition to the traditional cadenza this edition contains an alternative for the more advanced player. A solo part in treble clef also is included.

This first version was compiled from sketches by musicologist Antonio Gallego in 1986. Originally written in 1914-15.

TTBB unaccompanied For supply to USA please contact ECS Publishing.

for string orchestra

This new piece by Stef Minnebo allows your band show off its rhythmical side. All groups are showcased and it is totally suitable for young dynamic bands.

Machweo is Swahili for �sunset�.This clever composition in African style has been provided with an optional chorale section.The text of the chorale section is derived from the songs �Just before the sunset� and �Africa my Continent�.

Work for Narrator Mixed Choir and Orchestra. Work for Narrator Mixed Choir and Orchestra.

Also suitable for singing an octave lower. Set for the Guildhall School Grade 6 examination.

Book 6-Book six for SSABT & SSATBaB with works by Gibbons Lassus Morley and Weelkes among others

'Je connais un pauvre Enfant'

Four pieces for violin quartet-The four dances featured in this new volume aim to complement individual instrumental teaching and to develop the students’ taste for ensemble playing. Four pieces for violin quartet.

High Voice Piano. Brahms J High Voice Piano. Brahms J

No. 2 Silverly-Unison. Burge J

Today the Gloria RV 589 (BA 7674) is one of Vivaldi ’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “ Gloria ” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).

Voix Moyennes Et Piano-Recueil- Gabriel Pierné (1863-1937) was a French composer conductor and organist. Despite being predominantly remembered as a conductor his Trois Chansons De Métiers remains a recognised piece in the Vocal repertoire. Pierné studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series Concerts Colonne in 1910. He remained in the post until 1933 and during this time he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierné composed for a variety of instruments. Trois Chansons DeMétiers is arranged for two vocal groups and contains many characteristics typical of the French style such as lyrical melodies a significant amount performance directions flourishes of semiquavers chromaticism and many changes in dynamics. Trois Chansons De Métiers 1) The Tailor 2) The Shoemakers and 3) The Rope Maker is a varied piece essential to the repertoire of aspiring choristers.

Extrait du film Peau d'Âne- Michel Legrand 's Recette Pour Un Cake D’Amour for Voice and Piano featuring lyrics by Jacques Demy .

Quarter Military Band QMB 314-Symphonic Band (full score). Grundman C

Quarter Military Band QMB 577-Symphonic Band (score & parts). Chance Jb

Edward Fairlie 's Storm And Urge is a significant work for Wind Band and portrays a journey of emotional turbulence. The title comes from the German “Sturm und Drang ” a literary and musical movement of the late 1700s which focused on extremes of emotion. Opening with a simple and reflective theme we are then taken through a range of emotional settings from uncertainty to resistance and then calm resolve and self-knowledge. With a variety of textures and vivid imagery this is a masterful work for the contemporary ensemble. Instrumentation: Piccolo Flute I Flute II Oboe Eb Clarinet Bb Clarinet I Bb clarinet II Bb clarinet III Bassclarinet Contrabass Clarinet Bassoon Soprano Saxophone Alto Saxophone I Alto Saxophone II Tenor Saxophone Baritone Saxophone Trumpet I Trumpet II.