This collection is composed of three musical duos which belong together per region or style. You can order these separately per duo or as an entire collection.A La Nanita Nana Oggi è Nato Ay Si ! Ay No ! Michaud Michaud Blow Blow Thou Winter Wind and So Now Is Come Our Joyful Feast

I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each “musical argument” must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times most orchestral symphonies have been based on a story a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barberán is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle in the 4th century BC called it the art of persuasion. Indeed the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos the pathos and the ethos.Logos (words reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos the second element refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public by creating an emotional connection with the public so that they accept our message.The third element ethos (credibility) refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follow

An album of solos with Piano accompaniment in a variety of twentieth century classical and jazzy styles by Adam Gorb Stephen Dodgson Edward Gregson Chris Hazell and Gordon Lewin. Each piece has been especially composed to be appropriate to the grade of the instrumentalist.

in honorem Beatissimae Virginis Mariae- Missa Cellensis in honorem Beatissimae Virginis Mariae Hob.XXII:5 'Cecilia Mass' The ' Cecilia Mass ' is a milestone in Haydn's compositional work. It marks the beginning of a series of great church music works and is the most important completely preserved composition from the years 1750-66. - Urtext from Joseph Haydn Werke. - Full score parts and vocal score available for sale.

Voice Piano. Offer C

These duets were originally published in Berlin soon after 1791 with the music printed in two part books as in the present volume consisting of arias and instrumental pieces from Mozart's opera The Magic Flute - first staged in Vienna in September 1791.

This book contains all the Easy Piano accompaniments for Peter Lawrance's Easy Winners Flute book.

(Full score). Tredici D

...dans leur Gaine de Mousse (French and English text)

For tuba bass clef and piano. ABRSM Grade 4.

In this work I gave everything I had to give. […] What I did here I will never do again. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven's Ninth this so-called Organ Symphony was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns - Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)

The 'Andante' for flute and orchestra (K.315) was presumably written early in 1778 when Mozart was staying in Mannheim. A wealthy Dutch amateur by the name of De Jean had then commissioned him with several pieces for flute the best-known of which is the Concerto in G (K.313).The Andante is scored for 2 oboes 2 horns and strings. W.A. Mozart Andante In C K315 arranged for Flute and Piano by Max Wolff.

Klavierauszug mit Solostimme-The edition is part of the Trinity syllabus 2007 (grade 8) Hummel's Trumpet concerto is certainly one of the more well known and popular works in the trumpet repertoire. This is a beautifully lyrical piece with many memorable melodies and sonorous harmonies. This version has been arranged for B flat Trumpet with Piano Accompaniment and has been edited by Norman Richardson. Where many piano (or orchestral) reductions can literally be a reduced orchestral score rather than a properly devised accompaniment this piano part has been carefully voiced so as to be performable. This piece will provide an enjoyable challenge for both the trumpeter and pianist alike. The solo trumpet part is also included on aseparate insert.

A selection of Horn solos with Piano accompaniment carefully graded and in a variety of styles.

Easy instrumental solos or duets for any combination of instruments-Who can ever forget those wonderful times around the campfire: sitting in the moonlight enjoying the glow of the fire wonderful friends and singing those timeless campfire classic folk songs? These arrangements are designed to be used in two different ways either as a solo or as a duet. Any combination of instruments can perform together. As long as each performer has the appropriate book for the key of their instrument any combination of instruments will work.

Piano Concerto No.25 in C major K.503. Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicianstake all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

As the title suggests this work is a partita: it consists of a number of variations on a chorale melody. The partita has been popular for centuries especially when it comes to organ music. Henk van Belcum who is active in the choir world chose for his Partita Piccola the German hymn Wunderbarer König as a starting point. Partita Piccola consists of four variations and a choral setting. After a majestic opening fanfare the second variation follows based on a canon by Pachelbel. Händel’s Sarabande is the basis of the third variation. Next comes the chorale setting after which the work ends festively with a dance that has been written in the form of a courante. PartitaPiccola is an asset for church services and for concert platforms.

Tchaikovsky is best known for his purely instrumental compositions. However we must not underestimate him as a composer of operas. Many of his operas such as ¬Pique Dame and Eugene Onegin are still performed regularly throughout the world. Eugene Onegin (also called Jevgeny Onegin) composed in 1877-1878 was not called an opera by Tchaikovsky himself but “lyric scenes”. The work is entirely dominated by lyricism. However there are two moments that contrast sharply with this lyricism: two ball scenes for which Tchaikovsky wrote a waltz and a polonaise.After opening with a less well-known allegro dansant this arrangement features the aforementioned waltz which can beconsidered a beautiful Russian equivalent of the Faust Waltz by Charles Gounod. In the opera this waltz is actually played by a military band. The arrangement concludes with the pompous polonaise (also mentioned above) which opens the last act: the ideal music to characterize high aristocracy in the salon of a palace in St. Petersburg.

Suite-(Full score). Copland A

Grades 5-6-This collection of 19 pieces (in two volumes) was specifically commissioned by ABRSM to provide useful core material for its Bassoon syllabus. The appealing variety of rhythms and styles and the progressive introduction of new technical accomplishments throughout the two volumes will provide invaluable repertoire-building material from Grades 3-6. A collection of pieces specifically commissioned by the Associated Board to provide useful core material for its bassoon syllabus appealing variety of rhythms styles and moods and the progressive introduction of new technical accomplishments will provide invaluable repertoire-building material for teachers