A revised version of Stanford's For Lo I Raise Up for SATB and organ.

Georges Brassens ' Le Fossoyeur for Voice and Piano.

Rachmaninov premiered the Piano Concerto No. 3 Op. 30 in New York with the New York Symphony Orchestra led by Walter Damrosch on November 28 1909. The following January he played it with the New York Philharmonic Orchestra conducted by Gustav Mahler. This a deep work which is full of virtuosic hurdles and lengthy cadenzas. Today this concerto carries the nickname of Rach 3 and has become the most popular choice among piano competition candidates wanting to perform a virtuoso display piece. This particular work is a reduction for two pianos.

Hawkes Pocket Scores HPS 1231-Study Score - Hawkes Pocket Score 1231. Druckman J

Excerpts from Movement 1-Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many just the tune type transcription/ arrangements Mr. Bulla's work ambitiously explores a good portion of Mozart's miraculous musical development so that your musicians can begin to understand the true genius of the Classical icon. Those who know Mozart will appreciate the integrity of the transcription. Those who don't know Mozart have a wonderful treat in store! A classic!

Do your bit for l'entente cordiale with this pot-pourri of musique de France. This melange par excellence is an à la carte menu of brassy bon-bons and chic chansons the crème de la crème of musical haute cuisine from the 17th to the 20th centuries. Extraordinaire! Recommended to players with élan panache and joie de vivre. Do your bit for l'entente cordiale with this pot-pourri of musique de France. This melange par excellence is an à la carte menu of brassy bon-bons and chic chansons the crème de la crème of musical haute cuisine from the 17th to the 20th centuries. Extraordinaire! Recommended to players with élan panache and joie de vivre.

Berceuse op. 16 (3'02) transcription pour violoncelle et Guitaree . Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Film-Suite for Band-Symphonic Band (score & parts). Copland A

Accomp French Horn Concert Pieces-'The award winning wind and brass tutor series. Learn As You Play provides everything you need from the first lesson up to grade three. A well structured course of exercises studies and pieces ensures a good grounding in technique and musicianship. Also available in Dutch French German and Spanish language editions. Piano Accompaniment. Wastall P

Raminish treats advanced choruses to this largely homophonic and fanfare-like work with energetic rhythms a celebratory homage to J.S. Bach. SSATBB. Raminsh I

(TTBB Piano Part)-The Piano part for Max Raabe 's Küssen Kann Man Nicht Alleine a wonderful work arranged for TTBB chorus and Piano Accompaniment. The vocal score is available to purchase separately. The Piano part for Max Raabe 's Kussen Kann Man Nicht Alleine a wonderful work arranged for TTBB chorus and Piano Accompaniment. The vocal score is available to purchase separately.

Jacques Hotteterre 'le Romain': Suite in F (Op.2/1) for Treble Recorder and Continuo edited by David Lasocki. [Formerly published by Nova Music as NM162].

Typically bands that play at this level have some Clarinet players who are comfortable above the break and others who are not. By staying below the break throughout this light and spirited Clarinet section feature let’s you give the entire section a bit of the limelight. This is a perfect vehicle to help your Clarinet section learn to shape a phrase and the cheerful melody let’s you program this piece anywhere you like. It’s also a good selection to use to take the pressure off Brasses before a particularly taxing major work. Remind the critically important Clarinet section that you value their efforts as much as any other section. Breezy!

40 variations covering different aspects of technique.

Daryl Runswick's Follow Follow for Piano and String Quintet. Follow Follow is so-called because it contains canons (or rounds) where the players quite literally follow one another. The piece begins with a gentle melody played first by one person then after a dreamy piano ripple by everyone as a round. A second melody is given the same treatment after which a third is played first by the strings then by the piano. Finally the very first melody returns with a hint of regret. - Daryl Runswick Commission made possible by Robert and Diana Justham to celebrate their first wedding anniversary.

26 Italian Songs And Arias contains arias sung and loved by the greatest singers in the world and this version is for Medium/Low Voice with Piano Accompaniment. This edition draws on original manuscripts and historical first editions along with recent research of prominent musicologists to meet a high standard of accuracy and authenticity. It also enhances your enjoyment of the arias with a fascinating background about their original appearance in cantatas and operas and about their composers. It will be easier than ever to learn the arias because the use of the International Phonetic Alphabet removes doubts about correctpronunciation.

Clementi's Sonatinas are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Opus 4 was previously referred to as Opus 37 Nos. 2 1 & 3 and Opus 38 Nos. 1 2 & 3. Clementi Sonatinas Op.36 and 4 Edited by Kendall Taylor. The Sonatinas presented in this edition are first rate examples of that style of work which Beethoven admired and for the student they give the opportunity to show beautiful singing tone clear sparkling fingerwork crisp rhythms and to show by intelligent phrasing and considered relationships of phrases and sections how compositions constructed in the classical sonata form can be tastefully and effectively presented. In brief here are works full of interest for their own merits which also give complete musical and pianistic preperation for the study and appreciation of the works of the great masters.

Imagine Tchaikovsky on a vacation trip that was arranged by a really really bad travel agent. That in a “nutshell” describes The Nutty Nutcracker . This humorous style parody of what may arguably be some of the best-known melodies on the planetis a certain crowd pleaser. Everybody knows the tunes but not like THIS! The Arabian Tango; The Chinese Hoedown; TheWaltz of the Mariachi Flowers; The Dance of the Klezmer Clarinets and MORE. You get the idea! Great fun for everyone.You’llwant to use Mike Hannickel’s A Nutty Nutcracker again and again. Whoops! Where are we?

from Islas y Montañas-Shelley Hanson originally composed Islas y Montañas for orchestra. Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for La Tumba de Alejandro Garcia Caturla originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed byharmonic shifts intense soli writing and driving rhythms that sweep through the ensemble. Symphonic Band (full score). Hanson S

Piano-12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.