for Eb Alto Saxophone and Concert Band-Ive been arguably credited with having written some 300 songs 299 of which enjoyed a rather bumpy ride from relative obscurity to total oblivion. Heres the other one. These are the words of the great Jazz pianist and composer George Shearing about his hit of the century Lullaby of Birdland . The list of famous artists who performed this Jazz standard runs from From Ella Fitzgerald to Amy Winehouse. Gilbert Tinner wrote this arrangement for Concert Band preserving the distinctive George Shearing Sound.

3 Cellos Double Bass (Score & parts). Braun Pm 3 Cellos Double Bass (Score & parts). Braun Pm

15 Compositions For Piano Each Of Which Harbours a Famous Theme In Disguise-A famous intruder has sneaked into each of these piano compositions - see if you can sport him!

Written for piano solo.

(includes Download card)- Play-Along Flute: Christmas Hits includes 31 festive favourites in melody line arrangements for Flute. The book comes complete with a download card giving access to 31 mp3 backing tracks and 31 mp3 demotracks.

The most popular of Barnby's partsongs Sweet and Low was first published in 1865. Scored for SATB choir with Piano reduction it is a setting of an extract from The Princess a poem by Alfred Lord Tennyson. Sir Joseph Barnby (1838-1896) was an English composer and conductor. He was a chorister at York Minster before studying at the RAM. He later became director of Music at Eton and Principal of theGuildhall School of Music.

Fanfare for the Champions was commissioned by the municipal concert band of Landeck under the direction of Helmut Schmid on the occasion of the 375th anniversary of the band. The orchestra which premiered Nostradamus (a key work of the composer) and which also commissioned Mantua - Freedom of the Eagle has forged a friendship with the composer over a period of many years. This orchestra has participated in the major European competitions and has always performed with distinction—thus the title of the work Fanfare for the Champions .The fanfare which is written in a style typical for the composer should convey a feeling ofhappiness: the feeling to have created or accomplished something special. Don’t resist that feeling!

There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey. The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around. Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ