POD-Only selected works by this publisher are included in the catalogue. O Trinity! O Unity! is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment setting text from Ave Colenda Trinitas translated by J.D. Chambers.

(nach Monteverdi)-Trumpet Trombone Organ. Krol B

The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprised of: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of TheTwelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all) The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprisedof: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of The Twelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all)

2 Cellos. Blacher B 2 Cellos. Blacher B

Dance Rhapsody No. 2 and Eventyr-Full Score. Revised Thomas Beecham (Complete Works Volume 15a) Orchestral material available for rental (Ref. HL74). Full Score. Revised Thomas Beecham (Complete Works Volume 15a) Orchestral material available for rental (Ref. HL74).

Concerto in modo antico-Study Score - Hawkes Pocket Score 1117. Panufnik A

‘Saxpack’ was commissioned for the centenary of the Vienna Police Orchestra whose members include one of the most prolific Austrian saxophonists Gert Kolaja. The work is composed in a very modern style incorporating many contemporary saxophone techniques. This is definitely a piece that saxophonists band and listeners will enjoy.

for horn and piano (or harp)

Fanfare and Celebration was commissioned by the Brass Band of the Western Reserve (Dr Keith M. Wilkinson director) to celebrate their 15th anniversary. Based in north-west Ohio the band was formed in 1997 and was competing in the Championship Section of the North American Brass Band Championships in less than three years. The first performance of Fanfare and Celebration took place in Akron Ohio on November 10th 2012.The opening Fanfare features the cornet section in two groups standing either side of the band. A central horn theme brings a change of mood before the cornets take the lead once more. Celebration follows seamlessly andcontinues the declamatory style until a cantando theme in uneven meter is introduced. A transformed recapitulation ushers in a return of the Fanfare to close the work. Fanfare and Celebration was commissioned by the Brass Band of the Western Reserve (Dr Keith M. Wilkinson director) to celebrate their 15th anniversary. Based in north-west Ohio the band was formed in 1997 and was competing in the Championship Section of the North American Brass Band Championships in less than three years. The first performance of Fanfare and Celebration took place in Akron Ohio on November 10th 2012.The opening Fanfare features the cornet section in two groups standing either side of the band. A central horn theme brings a change of mood before the cornets take the lead oncemore. Celebration follows seamlessly and continues the declamatory style until a cantando theme in uneven meter is introduced. A transformed recapitulation ushers in a return of the Fanfare to close the work.

This composition was written quickly in a matter of days however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter. More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which waspremiered by Anssi Karttunen at the Musica Nova Festival Bremen in May 1988. This composition was written quickly in a matter of days however the composer describes the longer process of writing the piece as unconscious preparation. There are opposite elements on display within the piece fragile coloristic passages give birth to energetic events with clear rhythmic and melodic charachter. More sharpely focused figures pass through different transformations then finally merge back to less dynamic but no less intensive filigration. In bringing these compositional elements together and by forcing opposite modes of expression the composer has aimed to force the listener to stretch their own sensibility. Work for Cello and Electronics which waspremiered by Anssi Karttunen at the Musica Nova Festival Bremen in May 1988.

This flashing piece was commissioned by “Het muziekverbond van West-Vlaanderen” and is dedicated to the “Arlequino” youthband.Colourfully and effectfully instrumentated this piece speeds towards its finale without any tempochanges.The chord-blocks wich characterized the introduction unite this virtuoso piece by reappearing in the end.

Music Theory-Elementær Musikteori - Elementary Music Theory by Åse Söderqvist-Spering . Elementær Musikteori - Elementary Music Theory by Åse Söderqvist-Spering .

Moderato pomposo! Grade: 4-5

for Cornet and Brass Band-In this solo work - a commission for an 18th birthday present - the opening mood of a brooding modal blues gives way momentarily to a more optimistic central section. Following an emotional climax and reflective cadenza the opening material returns but now tying in with the central section and the piece fi nally ends in a more positive mood.

for vibraphone and piano

Vocal score of Bernstein's comic operetta Candide as performed by the Scottish Opera in 1989.

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe). - Urtext of the New Bach Edition - Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale. - Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)

Hawkes Pocket Scores HPS 1194-Study Score - Hawkes Pocket Score 1194. Davies Pm

Song of Peace is an intimate and thoughtful song arranged for two-part voices and Piano with additional words and music by Mary Donnelly. This piece has been arranged by George L.O. Strid .

As with his march Fresena Jacob de Haan assimilated a well-known folksong from his province of birth (Friesland) into this swinging composition. Both works originate from a festival suite that he once wrote by order of this province.