Henry G Ley's That Eastertide With Joy Was Bright for SATB.

Cantata for Sunday Sexagesimae- Gleichwie Der Regen Und Schnee Vom Himmel Fällt (Like As The Raindrops And Snow From Heaven Fall) BWV 18 Cantata for Sunday Sexagesimae Leipzig Version - Performance material (BA10018) vocal score (BA10018-90) & study score (TP1018) available for sale Barenreiter's editions of Bach 's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one forevery Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

There are 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements especially weddings the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles not just slow waltzes.The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of the tunes are very well knownsuch as: Daisy Home On The Range Anniversary Waltz After The Ball Ash Grove Greensleeves Laredo Scarborough Fair Star Of The County Down The Black Velvet Band The Greenwood Tree Southwind The Four Marys Barbara Allen Flowers Of The Thorn Beautiful Brown Eyes Give Me Your Hand and many more. There are 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements especially weddings the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles not just slow waltzes.The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of the tunes are verywell known such as: Daisy Home On The Range Anniversary Waltz After The Ball Ash Grove Greensleeves Laredo Scarborough Fair Star Of The County Down The Black Velvet Band The Greenwood Tree Southwind The Four Marys Barbara Allen Flowers Of The Thorn Beautiful Brown Eyes Give Me Your Hand and many more.

Jigs hornpipes and reels from Ireland Scotland Breton Normandy and Gallicia.

The history of rock and roll can be traced back as far as the musical influence of the first African slaves to arrive in North America. The style borrows heavily from rhythm and blues and early rock stars such as Ike Turner Bill Haley Chuck Berry Buddy Holly and Elvis Presley had a huge influence through the newly-invented juke box and liberated the youth of the day by giving them a music of their own. Rockin? Tumpets gives the young band a chance to rock and roll with the trumpets taking the lead. Treat your trumpets to this lively solosection feature.

Thema Und Variationen (Theme And Variations) Op.13 is a beautiful work for Horn in F with Piano Accompaniment composed by Franz Strauss (1822-1905). This piece will provide an enjoyable challenge for the hornist and pianist alike. The solo Horn in F part is also included on a separate insert.

The Legend of Ratu Kidul carries us into the world of Indonesian mythology on the island of Java:Once upon a time the Queen of the Southern Seas was a kind and beautiful princess. She was the daughter of Prabu Munding Wangi the favourite ofthe entire court and the local people. Her royal father doted on his daughter. Her name was Dewi Kadita but many called her Dewi Srengenge or the Angry Princess.Prabu Munding Wangi longed for an heir but Dewi Kadita’s mother couldn’t fulfil thiswish. So he took a second wife called Poetri Moentiara who was very jealous of the lovely princess and her mother. She begged the king to banish both her rivals from court. However Prabu Munding Wangi didn’t do as she asked. He loved his first wifeand her daughter. The second wife bore him a healthy heir but the monarch remained firm. So Poetri Moentiara called upon the renowned witch Djahil. She promised her a princely reward if Dewi Kandita and her mother were banished. Djahil thought fora moment and incanted this rapal (spell): “May leprosy befall you both”. Soon both mother and daughter began to suffer this dreadful disease. According to the law of the land they were to be banished to the wild forest high on the mountain. With aheavy heart King Munding Wangi saw the law carried out. So the two set off on their way to the forest covered in terrible sores. A great sadness fell across the land except for Poetri Moentiara the second wife of the king who had achieved heraim. The princess fell on hard times. In the forest lived a hermit who took pity on the mother and daughter. The queen couldn’t bear the shame and within a few days had died. Now Dewi Kandita was all alone in the world. There was still the hermit however who fortunately provided food and shelter in a cave temple. He bound her weeping sores but couldn’t relieve her emotional pain. Dewi Kandita became increasingly bitter and eventually left the hermit. She travelled southward from village tovillage further and further until eventually she reached the shores of the Southern Sea. She climbed upon a high cliff and gazed out onto the sea that spread before her. She was tempted to dive into the deep green and blue. In the cool waters shewould be able to forget all her pain and suffering. Suddenly awaking from these thoughts she jumped into the deep. The gods who had looked on Dewi Kandita throughout her hardships were filled with deep compassion. So they transformed her into apowerful spirit of the netherworld Ratu Kidul and to this day she resides in her grand palace under the sea.

Band director and radio presenter Yutaka Nishida hails from Tokyo and has long been a friend of composer Philip Sparke. As well as conducting bands and teaching he also presents a weekly two-hour music programme focusing on both brass and concert bands on the Japanese national radio station Digital Radio Musicbird.The programme is called The Bandwagon and the radio station commissioned Philip Sparke to write a march which could be used as a theme tune for the programme. The result is this bright and breezy march in simple ABA form.

for Double Bass and Piano-The renowned Czech bass player composer and conductor František Hertl (1906–1973) led the double bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument’s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument. Composed in 1946 Hertl’s only Sonata for Double Bass and Piano in three movements is a work of artistic and technical challenges that has maintained its place in the double bass repertoire to the present day. The renowned Czech bass player composer and conductor František Hertl (1906–1973) led the Double Bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatory and the Academy of Musical Arts in Prague. An outstanding virtuoso he had a consummate mastery of his instrument’s expressive potential and sound qualities. He also wrote successful concert and teaching pieces for his instrument. Composed in 1946 Hertl ’s only Sonata For Double Bass And Piano in three movements is a work of artistic and technical challenges that has maintained its place in the Double Bass repertoire to the presentday. New edition of a major repertoire piece for Double Bass. Foreword (Cz/Eng/Ger) by Hertl ’s last pupil Jan Balcar

Six Studies is a set of six studies for Pedal Harps by Eric Schmidt . Reviewed and edited by Pierre Jamet a French Professor at the Paris Conservatoire this set would be ideal for an upper intermediate level and above. Most studies are two pages long and enable the player to work on different technical aspects: I. Allegro (3/4 tempo 120) II. Vivace (4/4 tempo 132) – It focuses finger flexibility with a set: 4-1-3-1-2-1-3-1-4 for the right hand III. Lento (3/4 tempo 48) – It focuses on arpeggios IV. Andante con moto (3/4 tempo 92) - It has the same aim as the second study but includes chords to play on “1” V. Con Bravura (6/8) – This is a work on chords which has few pedalchanges VI. Leggiero Volante (4/4) – Longer than the other studies it also focuses on developing fingers flexibility and features some glissando and some pedal changes Six Studies is a set of six studies for Pedal Harps by Eric Schmidt . Reviewed and edited by Pierre Jamet a French Professor at the Paris Conservatoire this set would be ideal for an upper intermediate level and above. Most studies are two pages long and enable the player to work on different technical aspects: I. Allegro (3/4 tempo 120) II. Vivace (4/4 tempo 132) - It focuses finger flexibility with a set: 4-1-3-1-2-1-3-1-4 for the right hand III. Lento (3/4 tempo 48) - It focuses on arpeggios IV. Andante con moto (3/4 tempo 92) - It has thesame aim as the second study but includes chords to play on 1 V. Con Bravura (6/8) - This is a work on chords which has few pedal changes VI. Leggiero Volante (4/4) - Longer than the other studies it also focuses on developing fingers flexibility and features some glissando and some pedal changes

Medley-A selection of the Bee Gees greatest hits arranged by Ronald Kauffmann in a medley for SSA choir with Piano accompaniment.

La Passione-Haydn’s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45 BA 10971) and the Maria Theresia Symphony (No. 48 BA 10972) but also gems such as La passione (No. 49). The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions operas and symphonic works. La passione is based onthe Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format.

Arrangement and Orchestration by Andrea Cappellari. Full score and 21 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 2) C Instr. (Violin) / 2) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet) / 4) C Instr. (Violin) / 4)str. (Alto Sax.) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola) / 7) Bb Instr. (Clarinet) / 7) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / PiaBass Cello Bassoon / Percussions / Four Hands Piano ad libitum. Performance possibile also without Piano.

2ème Symphonie Le Double is a symphonic piece for Orchestra and chamber orchestra composed by Henri Dutilleux . It was commissioned for the 75th birthday of the Boston Symphony Orchestra in 1959. The piece features three movements which consists in dialogues between the Orchestra and the Chamber Orchestra: I. Animato ma misterioso II. Andantino sostenuto III. Allegro fuocoso — Calmato This is the conductor's score which also includes all parts. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal ofthe Royal Philharmonic Society and the UNESCO's International Rostrum of Composers amongst many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).

100 Ultimate Jazz Riffs for Flute by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing Jazz Ballad Jazz Funk Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard Blue Moon; showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this techniqueyou can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the flute playing the melody line along with a rhythm section of piano bass and drums. All the examples are recorded with the flute and the rhythm section as well as the rhythm section without the flute and with the more difficult examples the rhythm section is recorded at a slowed down tempo. An absolute must for musicians learning and playing various jazz styles.

Mark Vega’s Jazz Solo Series for Trumpet is a great instructional tool for musicians and music students to learn or improve their improvisational abilities in the jazz-swing idiom. There are sixty-six examples in the book starting at a somewhat easy level and gradually increasing in difficulty throughout the book. Sections include: Exercises in all twelve keys using II-V-I and II-V-III-VI-II-V-I chord progressions. Exercises in all twelve keys using I-VI-II-V-III-bIII-II-V-I chord progressions. Complete worked-out solos over chord changes to the popular Jazz standards Stella By Starlight Take The A Train and There Will Never Be AnotherYou . Includes an easy version of the solo followed by a more difficult one. Recordings of the choruses of the above pieces repeated for convenient practicing. A selected discography of Mark’s favourite Jazz albums featuring great Jazz soloists.

from Cantata No 208 'The Hunt Cantata'-There are just over twenty secular cantatas in Bach's prolific output which include The Coffee Cantata (No 211) The Wedding Cantata (No 202) Phoebus and Pan (No 201) and the Hunt Cantata (No 208) which contains the famous aria Sheep May Safely Graze. Written for four vocal soloists it was originally scored for a relatively large orchestra (including flutes (recorders) oboes and horns) and mixed choir. Although secular in character the words describe how well a faithful shepherd keeps watch over his flock and hence has obvious allusions to the teachings of the Christian church. Bring a bit of the Baroque era to your concert with this first class arrangement by Philip Sparke.

The String Quintet in E-flat major Op.97 (with two Violas) is the third work Dvo ák composed during his stay in America. “This quintet may be said in three of its movements to show the influence of American life and American music upon the composer” wrote the American music critic Henry Krehbiel on 7 January 1894. The use of particular melodic and rhythmic elements in his American compositions as typically found in Afro-American gospels strengthened the gathering conception considering Dvo ák to be the founder of an American national style of music. The String Quintet in E-flat major was premiered on 12 January 1894 at the Carnegie Halland was published shortly afterwards in score and parts by Simrock. This first edition is the main source for this publication. Reprint from the Complete Edition of the Works of Antonín Dvo ák Vol. IV/8. New foreword (Cz/Eng/Ger) by David Beveridge with an evaluation of the origin of the composition.

You guessed a funky rock aka a boogaloo groove played around 136 BPM. It's a simple blues with a great melody introduced by alto and trumpet. Written solos provided for alto tenor trumpet and trombone: add the optional parts to include vibes and you have a winner. (3:25) You guessed it! a funky rock aka a boogaloo groove played around 136 BPM. It's a simple blues with a great melody introduced by alto and trumpet. Written solos provided for alto tenor trumpet and trombone; add the optional parts to include vibes and you have a winner.

Cantata for Whitsunday- Erschallet ihr Lieder BWV 172 Cantata for Whitsunday (C major version) Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work. - Urtext of the New Bach Edition -Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale