A comprehensive guide to some of the best Blues Riffs for Alto Saxophone and E Flat instruments. This book is ideal for most levels of musicianship from the beginner/intermediate student who is interested in understanding and playing the blues to the more advanced players that need new ideas to help stimulate their creativity. An accompanying CD is included with every example.

Dvorák’s Symphony No. 7 was commissioned by the “Royal Philharmonic Society” in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák’s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)

God Save The Queen- The national anthem of the United Kingdom arranged by Benjamin Britten for Chorus and Orchestra.

Edward MacDowell can be regarded as the first great American composer although he disliked the idea of being classified as any sort of musical nationalist. He composed a large number of orchestral works but it is the charming and unpretentious suite of musical miniatures Woodland Sketches that has survived as his best-known work with To a Wild Rose being the most popular. Philip Sparke has expertly arranged this simple work for brass band.

as performed by Ed Sheeran- Perfect – written by Ed Sheeran for his girlfriend – was one of the biggest hits of 2017. Filip Ceunen has turned it into a colourful flexible arrangement allowing you to perform it with bands of almost any size.

F minor A major C major-Bärenreiter continues its Urtext edition of the complete Beethoven piano sonatas with an important contribution. The frequently played Sonatas op. 2 Nos. 1-3 stem from the time when the young composer took lessons from Joseph Haydn in Vienna and are dedicated to his teacher. After Beethoven’s three early sonatas which he wrote as a youth in Bonn the so-called “Kurfürsten-Sonaten” Beethoven started 10 years later in the mid 1790s to develop a style independent from the legacy of Mozart and Haydn and presented with his op. 2 his first fully valid piano sonatas. Bärenreiter continues its Urtext edition of the complete Beethoven Piano sonatas. They begin with the frequently played Op.2 Sonatas (Nos. 1-3) (BA10859) which stem from his early yet mature oeuvre when he was developing an independent style from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata Op.28 (BA11814) from his middle period (nicknamed “Pastorale” by the publisher of the original edition) and finally to the Sonata Op.101 (BA11811) Beethoven ’s first sonata specifically intended for the “hammerklavier” and the one that introduced his esoteric late style to the Piano sonatas. The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven ’s lifetime. The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship together with a detailed Critical Commentary. All volumes stand out in terms of their elegant and well-presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice. New critical performing editions at the cutting edge of scholarship. Optimum page-turns. Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng).

Step By Step To The Classics Book 1 is a wonderful selection of easy solo Piano pieces which serve as an enrichment to the elementary piano player's repertoire as selected and annotated by Felix Swinstead.

Anthem- The Anthem in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices choir and orchestra. The anthem 'O sing unto the Lord' presented here based on words of the 96th Psalm is a particularly beautiful example of the transformation of the traditional and the modern style into a unified whole. Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Strings Basso continuo Full score choral score and parts (BA2901) available for sale

Edmund Rubbra's Tenebrae Op. 72 1st Nocturne for SATB.

Cello Guitar. Romberg B

Kiss Me Kate- Another Op’nin’ Another Show from the Cole Porter musical Kiss Me Kate is a fantastic and dazzling favourite opening number. It is a typical Porter masterpiece full of pizzazz and vim the opener to end all openers! Arranged for 2-Part chorus and Piano by Howard Cable.

10 pieces for Cello and Piano for grades 1 to 3. Composed by Tim Wells. A CD recording is included with performance and playalong versions of all the songs.

Music Kit is designed to cover all the likely instrumental combinations found in schools. Each set comprises of two of each of the following parts: 1st C Melody 2nd C Melody B Flat Melody C Harmony B Flat Harmony E Flat And F Instruments Easy B Flat Easy Violin/Viola Piano/Conductor Guitar Bass Percussion 1 & 3 Percussion 2 & 4 Music Kit can be played by any number of instruments in any combinations on the principle that one melody part and the Piano part are essential and all others optional.

Cantata for Whitsunday- Erschallet ihr Lieder BWV 172 Cantata for Whitsunday (C major version) Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work. - Urtext of the New Bach Edition -Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale

Written after William Shakespeare La Mort D'Ophélie is a piece by Hector Berlioz . For two female voices (Soprano and Contralto) accompanied by a Piano this piece tells the story of the death of Ophélie while she was picking some flowers next to a torrential river. Even though the end of the story is sad the music is highly lyrical resulting from the combination of the two voices and the Piano part could be played by an upper intermediate player. Hector Berlioz (1803-1869) was a French Romantic composer who made a significant contribution to music. His best-known pieces are hisFantastic Symphony and his Requiem.

Schöne Klavierstücke für alle Fälle-Carl Czerny (1791-1857) and William Gillock (1917-1993) unfortunately did not have the opportunity to meet each other personally. But in her witty comic strips Martina Schneider brings the two men together by means of a trans-Atlantic phone call.Both composers exchange brief comments about their masterpieces musically demanding little etudes and studies. Though they each speak their own language have no fear: it’s all translated! What the 27 Delightful Piano Pieces for All Occasionshave in common is that they are all ideal both for teaching and recital purposes. Contents: Czerny: op. 139 Nr. 24 Nr. 38 Nr. 40 Nr. 59 Nr. 72 Nr. 88 / op. 261 Nr. 69 / op. 481 Nr. 27 / op. 599 Nr. 56 Nr. 73 Nr. 86 / op. 718 Nr. 11 / op. 821 Nr. 88 Gillock: Capriccietto / Carnival in Rio / Castanets / Flamenco / Mission Bells / Mister Trumpet Man / Moonlight / Sarabande / Summertime Blues / Taking it easy / The Constant Bass / The Juggler / Yo-Yo Tricks This delightful book by Elisabeth Haas contains 27 pieces by two renowned composers from different centuries - Carl Czerny and William Gillock . Fun and rewarding to play the pieces in Hello Mr Gillock! Carl Czerny! are designed to stimulate the imagination make the fingers supple touch the emotions and train the mind. This book contains the pieces Summertime Blues Moonlight Yo-Yo Tricks (Gillock) Etude in G Op.139 No.24 Etude in F Op.139 No.40 Etude in D Op.481 No.27 (Czerny) and more and offers a great repertoire of pieces that are perfect forrecitals. Hello Mr Gillock! Carl Czerny! contains two pieces that are featured in the LCM Piano 2013-2017 grade exams - Gillock's Carnival In Rio (grade 3) and The Juggler (grade 4).

Oratorio in three acts- Composed in 1748 Handel’s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre. He attached special importance to the choir: rarely does Handel’s music have such extended choral numbers ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts. - Clear straightforward piano reduction in the vocal score - Urtext of the Halle Handel Edition - Full score (BA10709-01) & vocal score (BA10709-90) available for sale - Performance material available for hire

(1964 version)- 1964 version of Stravinsky's Russian Cred written in Church Slavonic with English phonectics. For mixed choir a cappella.

String Quartet No. 1 by E. Machonchy. Parts.

Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which – with their polyphonic structure – are closely related to German choral music of the 17th century. The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down. This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements – no longer eight – which reflects the composer's intentions. The new performance material is not compatible with the old one. Presented in a revised Urtext edition Clear straightforward Piano reduction in the vocal score Urtext of the Halle Handel Edition Full score performance material (BA10704) & Vocal score (BA10704-90) available for sale