Caisse Claire Et Piano- 2 Pieces (for snare drum and piano)

Fugue sur un Sujet d'Henri Rabaud; Variations sur un Thème de Rimsky-Korsakov

Work first published in 1958.

A solo and SATB chorus

5 Easy pieces by Jean Sichler for Alto Saxophone and Piano. Includes CD of demonstration and backing tracks.

A work published in 1954.

Vocal Duets- Scherzo à 2 Voix (S (or T) S (or Bar) and piano (French text)

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Allegro and Finale for bass brass or Double Bass with Piano accompaniment is an exquisite and unique addition to the repertoire. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1953 Bozza 's Allegro andFinale reflects the composer's success in composing for a variety of instrumentations. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

SATB chorus (with T solo ad lib.)

1.Air Polonais; 2.Ritournelle; 3.Air vif; 4.Adoration du Soleil; 5.Menuet; 6.Chaconne

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Fourteen Arabesque Studies for Flute will enable the pupil to attain brilliant technique on the instrument. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. The studies in Bozza 's books prepare students for this most difficultrhythms and melodic writings. Furthermore Fourteen Arabesque Studies contain virtuosic exercises including range intervals embouchure breath control phrasing articulation performance directions dynamics and chromaticism among other aspects. Being Arabesques all Bozza 's studies are exploited with complex rhythms and ornamentation making for a unique and essential aid in the progression of advanced Flute studies.

SSATB soli SATB chorus and continuo

for trumpet harpsichord and string orchestra

Antonio Vivaldi 's Concerto Op.8 No.12 In C Major is arranged here for 7 Saxophones (SSSATBarB) by Armando Ghidoni .

3 Pieces (for 2 saxophones (or 2 clarinets))

Composed by Eugène Bozza in 1947 Short Suite In Trio Form Op. 67 is a piece for Oboe Clarinet and Bassoon. This edition features the parts for the three instruments and a full score. This four-movement work is quite difficult and would be perfect for advanced players. A great piece for recitals it is also really interesting to play for each of the three instruments. The four movements are Allegro moderato which starts with the Oboe Allegro vivo Adagio espressivo and Allegro vivo and the piece lasts approximatively 10 minutes. Eugène Bozza won different prizes at theConservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

4 Cors En Fa- Suite by Eugène Bozza (1905-1991) is a set of 5 pieces for a quartet of F Horns. This volume includes all parts as well as the conductor's score. These five pieces are: - Prélude / Prelude - La Chasse / The hunt - Chanson ancienne / Old Songs - Danse / Dance - Choral / Choir - Fanfare / Fanfare Written for advanced players this set of pieces can be played one after the other or separately and is ideal for recitals. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting andcomposition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

for 5 horns

Being a fascinatingly unique composer Olivier Messiaen pushes the conventions of composition to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge in to the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen 's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. It is for these reasons that the composer compiled The Technique of my Musical Language . The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition among many others. For all fans of Messiaen The Technique of my Musical Language is essential to the understanding of the composer's much loved music.

Adaptées à la Trompette Ut ou Sib au Cornet et au Saxhorn-Italian operatic tenor Marco Bordogni (1789-1856) received great success as a singer and teacher when he moved to Paris. His Vingt-Quatre Vocalises have remained popular so much so that G. Armand Porret saw the need to adapt the studies for brass instruments. In Porret 's arrangement which is adjustable to C or B? Trumpet Cornet and Saxhorn a handy transposition table is included. The Vingt-Quatre Vocalises enable the performer to focus on tone lyricism articulation dynamic contrast fingering and breath control among other significant aspects. Being notably versatile and having remained a popular aid to vocalists and instrumentalists for over two centuries it isclear that Vingt-Quatre Vocalises adapted for C or B? Trumpet Cornet and Saxhorn would be a crucial aid to a performer's progression. Italian operatic tenor Marco Bordogni (1789-1856) received great success as a singer and teacher when he moved to Paris. His Vingt-Quatre Vocalises have remained popular so much so that G. Armand Porret saw the need to adapt the studies for brass instruments. In Porret 's arrangement which is adjustable to C or B? Trumpet Cornet and Saxhorn a handy transposition table is included. The Vingt-Quatre Vocalises enable the performer to focus on tone lyricism articulation dynamic contrast fingering and breath control among other significant aspects. Being notably versatile and having remained apopular aid to vocalists and instrumentalists for over two centuries it is clear that Vingt-Quatre Vocalises adapted for C or B? Trumpet Cornet and Saxhorn would be a crucial aid to a performer's progression.