for violin viola and cello

Ballet in 2 Acts

Au Matin; Dans le Hall du Roi des Montagnes; Chanson de Solveig (for 6 horns in F)

French conductor and composer Albert Beaucamp (1921-1967) first studied Organ with his father and then with Marcel Dupré. His compositional catalogue is relatively small however Fantaisie for Flute and Piano remains prominent in the advanced flautist's repertoire. Beaucamp is best remembered for founding the Rouen Conservatory and organising and conducting many concerts. Published in 1954 Fantaisie reflects typical French romantic-modern characteristics including flourishing semiquaver passages chromaticism and much dynamic contrast. For alladvanced flautists seeking alternative repertoire Beaucamp 's Fantaisie is a delightful addition to the repertoire.

French composer Robert Planel (1908-1994) was the son of composer and founder of the Music School of Montelimar Alphonse Planel. Robert Planel was an exceptionally accomplished musician reflected in his composition Suite Romantique for Alto Saxophone and Piano. The fourth movement of Suite Romantique Valse Sentimentale is a charming piece for intermediate to advanced level saxophonists. With a typical performance lasting about two minutes Planel 's Valse Sentimentale addresses a wide range complex rhythms articulation dynamics tempo changes key changes and variety inperformance directions. Planel 's Suite Romantique is an exciting addition to the modern repertoire of the Saxophone and cannot be missed by aspiring saxophonists.

French flautist Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of Flute players and his combined experiences and expertise create this well-informed compilation 18 Exercises or Studies. With notes in French English German and Japanese Moyse 's studies are accessible and versatile. Focus is given to fingering phrasing tempo breath control articulation intervals range and ornamentation among other musical aspects. 18 Exercises or Studies for Flute is essential to the technical progress of advanced flautists. French flautist Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of Flute players and his combined experiences and expertise create this well-informed compilation 18 Exercises or Studies. With notes in French English German and Japanese Moyse 's studies are accessible and versatile. Focus is given to fingering phrasing tempo breath control articulation intervals range and ornamentation among other musical aspects. 18 Exercises or Studies for Flute is essential to thetechnical progress of advanced flautists.

Work published in 1959.

Nouvelle édition par F. Caratgé- First published in 1872 Sept Exercices Journaliers is a set of seven exercises for Flute by André Reichert (1830-1880). This edition presents a version reviewed and commented by Fernand Caratgé (1902-1991) from the Opéra-Comique. Written for advanced players Sept Exercices Journaliers should strengthen the technique of those with already some developed technique and skill. The composer André Reichert was a virtuoso flautist strongly influenced by Brazilian music. He travelled in Europe and Brazil and was one of the introducers of the modern Boëhm systemof the transverse Flute. Famous in Brazil he also composed a polka and a set of six exercises.

Les classiques de la flûte n° 85 (F. Caratgé)- From the Suite in B minor.

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Soir Dans Les Montagnes for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French with lyrical and graceful melodies displays of the beautiful lower register of the Flute and fast flourishing semiquaver passages accompanied by spread chords andstaccato in the Piano. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

1.Ouverture; 2.Sérénade; 3.Villanelle; 4.Carnaval

Gavotte (fin de cycle 1) pour Clarinettete si b et piano. Par Delacroix aux éditions Leduc. Partition / Livre de chansons pour Clarinette

Retards et Appogiatures - Réalisations- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan 's experiences in mind 380 Figured Bass Exercises is very well-informed. Part B of the seventh volume provides 30 exercises in which the student can study the realisation retards and appoggiaturasin the context of figured bass. Challan 's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Like a technical contemporary encyclopedia for the Clarinet Paul Jeanjean 's 16 Modern Studies for Clarinet provides a detailed guide to establishing high standard up-to-date technique on the instrument. Jeanjean 's compilation covers all problems which modern day clarinetists encounter including complex rhythms intervals range and other extended techniques making the book a must buy for all advanced clarinetists. As a noted virtuoso Clarinet player himself Paul Jeanjean 's (1874-1928) understanding of the practice of technical elements is second to none. The 16 Modern Studies supply steadydevelopment from beginning to end making this Jeanjean study book a must-have for virtuosic Clarinet players.

Work first published in 1951.

Pierre Lantier (1910-1998) won the Grand Prix de Rome in 1937 and is remembered for a variety of works most significantly his Sicilienne for Alto Saxophone and Piano. Lantier 's Sicilienne is particularly useful in learning elegance and a flowing musicality. The varying styles tempos dynamics and rhythms throughout create an appealing work to performers and listeners alike. The stylistic nuances of Lantier 's piece along with the evocative melodies make for a graceful work well worth performing as an intermediate to advanced level saxophonist.

This edition of Fourteen Studies by Hyacinthe Klosé (1808-1880) is the reviewed edition edited by Ulysse Delécluze. This set of studies for upper-intermediate/advanced Clarinet players is an absolute essential to master your speed technique and articulations. Each exercise is between one and two-pages long. Few directions are given in the book on how to practise these 14 exercises: the speed to use the aim of the exercise the explanation going with the adaptation among other comments. Hyacinthe Klosé (1808-1880) is a French Clarinet player composerand professor at the Conservatoire de Paris. He took part in the conception of the Boehm system Clarinet. He became solo Clarinet at the Théatre Italien in 1847. Ulysse Delécluse was a French clarinettist and professor who enabled an easier access to these studies for clarinettists.

Retards et Appogiatures - Textes- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan 's experiences in mind 380 Figured Bass Exercises is very well-informed. Part A of the seventh volume provides 30 exercises in which the student can study retards and appoggiaturas in the contextof figured bass. Challan 's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Henri Dutilleux 's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux 's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux 's compilation adds pleasant variety to the pianists' repertoire. Henri Dutilleux 's (1916-2013) compositional style greatly reflected that of Maurice Ravel Claude Debussy and Albert Roussel. Yet his unique individual style did not go amiss as in his Au Gré des Ondes composed in 1946 and still performed to this day. Au Gré des Ondes translating as Along the Waves contains six movements including an homage to Bach. Au Gré des Ondes reflects Dutilleux 's style in its atonality and modality use of pedal notes and subtle hints of the jazz style. As an unusual set of Piano pieces Dutilleux 's compilation adds pleasant varietyto the pianists' repertoire.

1.Con Moto; 2.Scherzo; 3.Elégie; 4.Allegretto tranquillo