Choeur 4 Voix Mixtes - SATB- Isabelle Aboulker's La Salle à Manger for SATB and Piano.

for 2 percussion and piano

Composed by Joseph Edouard Barat Andante Et Allegro is a piece for Trombone and Piano dedicated to H. Couillaud a Conservatoire professor. Quite difficult this piece would be perfect for recitals and contest and can be played by advanced players. Starting slowly the first half of the piece evolves into a Piu vivo part. The second half of the work is a rapid Allegro theme (tempo 144-152) followed by a slower part and the Allegro theme played again a tempo before introducing the close in harmonies. Joseph Edouard Barat (1882-1963) composed numerous pieces for Wind instruments and Pianoaccompaniment such as 'Andante and Allegro' or 'Introduction and Dance' among many others.

for viola and cello

16 Pièces à 3 Parties sur des Mélodies populaires (SAT recorders)

Work first published in 1977.

for 2 trumpets horn 3 trombones and tuba

As the title suggests this Sonatine by Alexandre Tchérepnin attempts to adapt the music to the surprise elements of sports. The Pianist in the first movement is portrayed as being 'defensive' while the Bassoon soloist is considered to be attacking the Piano much like Boxing . Movement two named Half-Time represents the rest that two players would be taking in the midst of a competition. Finally movement three - Race is in the form of a canon. The Bassoonist leads the race while the Pianist gradually closes the gap.

1.Menuet; 2.Courte Gavotte; 3.Sarabande; 4.Petit Rondeau

Pour Saxophone Alto seul / for Solo Alto Saxophone- Sophie Lacaze 's Voyelles (based on a poem by Arthur Rimbaud ) for Alto Saxophone. Black A white E red I green U blue O - in 1993 inspired by the verses of Arthur Rimbaud Sophie Lacaze chose the Flute's timbre to explore the latent births of the poem's vowels in Voyelles . In doing so she counters the bias that this supposedly translucent instrument is incapable of generating colour. Originally written for Flute and Voice Voyelles was later turned into a version for four Flutes and Reciter (2005) before being adapted ten years later for AltoSaxophone. Here again the instrumentalist can either say the text or work with a reciter. The composer retained the original's skilful arrangement built on the model of theme and variations. Each vowel corresponds to a note and a colour depicted through a specific technique that is indicated in the introduction and forms the theme. Each colour-vowel couple which starts on the associated note is played as a variation with a technique that evokes the poem's imagery: the Flatterzunge' recalls the buzzing of the brilliant flies the shivering umbels of the E are suggested by slow vibratos coupled with the sung voice while for the I the beat accelerates replicating the purple lips of laughter or anger. An alchemy of sound that begets miracles.

for 3 trumpets 4 horns 3 trombones tuba in C and percussion

for flute and harpsichord

for 2 soprano recorders

Composed by the Czech composer Bohuslav Martinu in 1930 Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinu (1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.

for bugle (or trumpet) and piano

For oboe (or flute) and piano.

Guitarist Francis Kleynjans composes a thrilling seven-study work Estudines. For all aspiring guitarists Kleynjans ' Estudines cannot be missed. In the preface Kleynjan writes 'In addition to the technical interest which I have tried to bring to these seven little studies my primary concern has been to preserve the particular character of each piece while at the same time linking them closely together in order to give a sense of overall unity.' For all intermediate guitarists Kleynjans ' Estudines ensure technical progression.

36 Breves Etudes- 36 Short elementary Studies

No.9 from 'Histoires'

Histoire et Origines de la Musique du XXème Siècle