Volume 2- Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. études Faciles à Deux Violons was published in 1932 and is made up of nine duets. Martin himself was a violinist and the beginning of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument. The second volume of études Faciles à Deux Violons provides intermediate violinists with alternativeand enjoyable studies addressing a variety of musical features. As a varied compilation Martin 's études Faciles à Deux Violons is essential to aspiring violinists.

Choeur A Capella - Repert Fetes Peuple- SATB chorus

coll. Guitare No.15- ...avec sa célèbre Passacaille

Pièces 1 à 6- This first volume of Twelve Pieces by Gaston Litaize is a set of six pieces for Organ. With a difficulty that would fit the skills of upper intermediate players these pieces require the use of pedals. This first tome includes: 1. Prelude dedicated to Lauret Bolli his friend 2. Double Fugue 3. Lied dedicated to Guy Lambert 4. Intermezzo Pastoral dedicated to Miss Line Zilgien 5. Final dedicated to his professor Marcel Dupré 6. Lamento dedicated to his friend Maurice Dalphin And the second tome consists of: 7. Scherzo 8. Toccata sur le veni creator 9. Priere 10. Jeux de rythmes 11. Interlude 12. Variations sur un Noël angevin This piece is quite famous among Gaston Litaize 's compositions. Gaston Litaize (1909-1991) was a French organist and Composer blind since his youth. Considered as one of the Organ masters of his times he toured and worked on many recordings. He was also a good professor and composed many pieces for solo Organ and for Organ with other instruments.

Aria written in 1930 by Jacques Ibert (1890-1962) is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was lateradministrator for the Paris Opera. Aria written in 1930 by Jacques Ibert (1890-1962) is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge ofthe Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Volume 4 : 20 études difficiles-In six books Maxime Alphonse provides 200 progressive studies for the Horn. The fourth volume of Two Hundred New Melodic and Gradual Studies is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonse 's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse 's Two Hundred New Melodic and Gradual Studies has enhanced the studies of many prolific Horn players. With detailed instruction for each exercise this Alphonse book is versatile and crucial to the progress of any Horn player. In six books Maxime Alphonse provides 200 progressive studies for the Horn. The fourth volume of Two Hundred New Melodic and Gradual Studies is essential to intermediate level Horn players seeking to improve their technique on the instrument. Alphonse 's studies focus on elements including tempo rhythm articulation rests dynamics syncopation breath control and neatness among other musical aspects. Compiled in 1924 Alphonse 's Two Hundred New Melodic and Gradual Studies has enhanced the studies of many prolific Horn players. With detailed instruction for each exercise this Alphonse book isversatile and crucial to the progress of any Horn player.

Sonata Eroïca Op. 94 (1930) is a melodious piece composed by Joseph Jongen for Great Organ. Dedicated to Joseph Bonnet who was the organist of the St Eustache Church in Paris this piece is quite difficult (upper intermediate/advanced level) and requires the use of different keyboard divisions and pedals. Lasting around 16 minutes this wonderful work is quite architectural and will astonish you by its grandeur. It is the perfect piece to include in a recital. Joseph Jongen was a Belgian Organist composer and professor of harmony and counterpoint. He won the Belgian Prix de Rome and composed numerouspieces including music chamber works symphonies concertos and songs. His most famous piece is the Symphonie Concertante (1926).

Adapted For 2 Solo Saxophones By Jean-Marie Londeix- French baroque composer and violinist Jean-Marie Leclair (1697-1764) is considered to have founded the French Violin school. His expertise led him to compose significant works for the instrument. His sublime Sonata in C is superbly arranged for Alto Saxophone by contemporary French saxophonist Jean-Marie Londeix. Leclair 's Sonata in C for Violin is one of his most prolific and best remembered works. Londeix 's arrangement for Saxophone of Leclair 's Sonata in C includes adaptions for the instrument such as dynamics phrase marks performance and tempodirections articulation and breath marks. Londeix 's rearrangement for the Saxophone of Leclair 's popular Sonata in C is exquisite making the baroque genre accessible to the Saxophone a relatively modern instrument.

Composed by Jehan Alain Trois Pièces is a set of upper intermediate / advanced works for Organ with pedal-use. The first piece Variations sur un thème de Clément Jannequin (Variations on a Clément Jannequin's tune should be played in the same way as Couperin's Préludes: freshly and softly. It contains four distinctive parts: Affetuoso Maggiore Fuggato and Grave. The second piece is called Le jardin suspendu (The hanging garden) and features three different parts that can't be played separately. Thelast piece Litanies is quite religious and consists of the repetition of lamentations. Its introduction in Vivo is played only by the right hand then followed by a Lirico ma sempre vivo part. These are followed by switches between the main tempo and some Vivacissimo parts sounding declamatory. This third piece ends really harmoniously. Jehan Alain is a French organist who became famous with his Suite for Organ . Student of Marcel Dupré and Roger Ducasse among others he kept composing all his life. One of his most famous international pieces is 'Litanies'.

Bis pour un Concert- Encore Piece (for clarinet (or violin) and piano)

for piano duet and percussion

Composer and organist Joseph Bonnet (1884-1944) is considered one of the most major French Pipe Organ players. It is no surprise therefore that his Concert Variations for Organ are very well informed. Following his studies at the Paris Conservatoire Bonnet took over as concert organist at the institution. Concert Variations for Organ was compiled in 1906 soon after his graduation. The work begins with a helpful index of the Organ registrations and performance directions. Concert Variations begins with a virtuosic cadenza-like theme in E minor. Following this four variations are heard all containing contrast in Organ sound tonality and exploited melody and rhythm. Forall advanced aspiring organists Bonnet 's Concert Variations is an essential addition to the repertoire. Composer and organist Joseph Bonnet (1884-1944) is considered one of the most major French Pipe Organ players. It is no surprise therefore that his Variations De Concert for Organ are very well informed. Following his studies at the Paris Conservatoire Bonnet took over as concert organist at the institution. Variations De Concert for Organ was compiled in 1906 soon after his graduation. The work begins with a helpful index of the Organ registrations and performance directions. Variations De Concert begins with a virtuosic cadenza-like theme in E minor. Followingthis four variations are heard all containing contrast in Organ sound tonality and exploited melody and rhythm. For all advanced aspiring organists Bonnet 's Variations De Concert is an essential addition to the repertoire.

French organist and composer Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. His Cours D'Harmonie Analytique is an excellent aid to the important technique. Suitable to students in their second year of advanced musical studies Cours D'Harmonie Analytique gives focus to elements such as figured bass chords and all the possible variations among other aspects. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor where he won prizes for Piano Organ and fugue as well as the Grand Prix de Rome. He was a famous Organvirtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré 's compositions and didactic works remain important to organists today and his Cours D'Harmonie Analytique is no exception.

Les classiques de la flûte n° 72 (év. Marcel Moyse)- French flautist Marcel Moyse (1889-1984) studied at the Paris Conservatoire before becoming a renowned performer on the instrument. He was also responsible for training a brilliant generation of Flute players and his experiences and expertise combined have informed his adaptions to Grand Air Varié by Jules Demersseman. Moyse's revisions to Demersseman 's Grand Air Varié are made accessible and versatile for the Flute and Piano. The work addresses advanced features including complex rhythms phrasing tempo breath control articulation intervals range andornamentation amongst other musical aspects. Grand Air Varié for Flute is essential to a varied repertoire for advanced flautists.

1.Andante; 2.Rondo

Orchestre Strings- for harpsichord or piano

En clé de sol et fa mélangées avec accompagnement de piano- études D'Intervalles - Dix-Huit Leçons De Solfège by Jeanine Rueff is a set of eighteen studies of intervals with Piano accompaniment. This theory book is written in G and F key. From seconds thirds to diminished sixths sevenths and to octavias these eighteen studies cover a wide range of intervals. It is a great book for musicians who wish to learn the necessary basics on the subject. Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

Born in southern France Auguste Périer (1883-1947) studied at the Ecole Nationale de Musique in Montpellier before entering the Paris Conservatoire. Whilst studying he won the 1904 first prize for Clarinet proving his significant ability on the instrument. Therefore his Complete Study of the Clarinet is very well-informed. The ninth volume of the series 22 Modern Studies is suitable for clarinetists of grades seven and eight standard. Whilst addressing modern tonality and rhythmic elements 22 Modern Studies also addresses features including articulation dynamics scales arpeggios accidentals ornamentation performance directions tempo markings phrasing key and time signatures and complex rhythms among other aspects. Périer 's Complete Study of the Clarinet (22 Modern Studies) is essential to advanced clarinetists seeking to improve their technique for performances of modern repertoire to a high standard.

Leduc Darmès compiles an imperative compilation for pianists to gain independence of fingers. With text in English and French Le Petit Livre Des Tenues contains good simple and attractive exercises. Each of Darmès ' clear exercises ensure the student progresses in acquiring the indispensable technique of agility and independence of the fingers while also considering a good tone. A detailed page of advice for execution is helpfully included before 23 detailed exercises. For all aspiring pianists Darmès ' Le Petit Livre Des Tenues is essential to gaining agood standard of technique.

En clé de sol et fa mélangées sans accompagnement de piano- Jeanine Rueff (1922-1999) was a French composer and music educator. Her two combined specialisms have created accomplished studies including Interval Studies. These Rueff studies focus on a variety of intervals including minor major diminished augmented perfect and chromatic. With exercises written in both the treble and bass clefs Interval Studies is very accessible and ideal for all instrumentalists!